This one’s been in the pipeline a while now but finally its time has come. Jonny Trunk asked me to repackage the cover to Jezz Woodroffe‘s 1981 album, ‘Wonders of the Underwater World’ over a year ago now but to turn it into a seascape that stickers could be used on to make your own scenario in the style of those old rub down tranfer books from the 70s. He looked for the old Letraset style transfer-makers but to no avail so we plumped for a transparent sticker sheet holding all manner of fish, divers and a SP-350 Denise mini sub as featured in the Jacques Cousteau documentaries.
Elements of the seabed were generated using AI (well over a year ago now) and then collaged together for the cover and labels. We chose to keep the original typography as it’s so of its time and the insert with the album notes apes the wavey countours of the original back cover. The album is a synth-heavy soundtrack to a documentary about the Truk Lagoon, an infamous battleground which is now home to numerous sunken military vehicles; planes, tanks and boats which are slowly rotting on the sea bed.
You can order it right here and now
I decided to consult Holly’s 1994 autobiography, ‘A Bone In My Flute’, as his recall of the early Liverpool years is extremely detailed, hoping I’d find a reference to the name or address on the letter. Eventually my patience was rewarded on page 132 with first, the writer’s name, and simultaneously the origin of the band’s moniker. 
Tony Morley was the guest this week – who had then just launched his Leaf label – still going strong all these years later and releasing great music too. We met through Chantal aka Mira Calix (RIP) who interned at 4AD where he was working at the time and DJ’d with him at Robin ‘Scanner’ Rimbaud’s Electronic Lounge at the ICA. We invited Tony to play at both Telepathic Fish and onto Solid Steel and later he and I would go on a possible midlife crisis pilgrimage to Dusseldorf together to see the old men of techno perform their Man Machine and Computer World albums but that’s another story. This mix is a weird one, the selection is all over the place and the mixing too, maybe I was too busy chatting and not concentrating much, consider this all about the selection rather than any mix skills.
A slightly Beatles-themed start to this short set from late 2002 gives it its name – kicking off with two then-current mash ups, the mysterious white label 7”, ‘Bad Production’ and Avril Plays The Beatles. The former pairs ‘Come Together’ with Mary J Blige’s ‘Family Affair’ and the latter glitches up ‘Because’ and adds beats – two of the better examples around at the time when the internet was awash with such things. Incidentally I was just watching a video about AI mash ups and I think we may be on the cusp of the next iteration of the mash up although this time round they’ll be ‘original/unreleased’ tracks by artists no longer with us in every style conceivable. The Future Sound of London turn in a suitably Beatles-esque remix of Robert Miles, sounding more like their Amorphous Androgynous alias which isn’t surprising seeing as they had reactivated it in full psychedelic mode earlier in the year.
