Further slides for Sep 15th

Fur3 slides close 2I’ve been so busy I’ve not had time to post all the great images collected after the recent Further event on September 15th with Markey Funk and The Karminsky Experience Inc. A fine time was had by all and here are just a few of the 200+ slides I painted and gelled the week before the gig.
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Eye Sea Posters

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Eye Sea Posters have been around for a few years now, specializing in original, vintage posters from around the world with an emphasis on Polish designs of an alarming variety. Their website has been offline for a while but was recently updated and plenty of new stock has been added, some of which is featured here. Take a look around

From their own mouths: “From the 1950s theatre, circus and film posters became a new form of art on the streets of post-war Poland. Despite the controlling soviet regime, some artistic expression was tolerated and the film industry, largely controlled by the state, prospered. Established artists were commissioned to design film posters. The artists had to convey the essence of the film in their designs and were given artistic freedom to do so which led to some truly original posters that are sometimes surreal and often have a satirical sense of humor. Unlike most film posters, the use of photos of film stars or film stills wasn’t mandatory, and most of the time even the main actors’ names didn’t feature prominently in the designs. Free from commercial constraints, graphic designers used film posters to develop their artistic creativity.

The Polish School of Posters created a unique aesthetic that occupies a prominent place in the history of graphic design. The posters seems to have a style all of their own and we love their amazing and often bizarre artwork.

Eye Sea Posters specialize in Polish posters from the 60’s and 70’s by artists like Jerzy Flisak, Maciej Zbikowski and Maciej Hibner. Their collection is handpicked with an emphasis on design and the posters are rich in symbols, metaphors, unusual forms and colours.”

The company was started by James Dyer and is now continued by Chiara Amini and Iain Twitchett

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Orla Kiely shop, Covent Garden

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Sad to see the Orla Kiely shop all closed up yesterday after the news that she’s gone into voluntary administration earlier this week. I loved that place, the interior detailing and decor was always a pleasure to see, not to mention the objects they sold. Her retrospective at the Fashion & Textile Museum ends this weekend if you missed it. A true design icon, I hope she bounces back soon. Her home ware and licensed products will still be available in the bigger shops and her design practice remains but not the three shops or online store. It seems the decline of the pound and Brexit fears were part of the reason for the decision, how many more will we see close come this time next year?

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Trevor Jackson ‘System’ album

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Back in May I bought the yellow/orange version of this album direct from Trevor at the Indie Label Market from an edition of 150 copies, now he’s released it fully in a revised edition (the music is the same, just the packaging is new) and it’s debatable which is nicer. The cool, clean white / clear of the new edition nearly had me buying the CD again but I went for the cassette instead. This is the last release on his Pre_ label of archive music solely made by himself over the last 15 odd years and this one is excellent. As of writing there are only 10 copies of the CD left on Bandcamp – be quick

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The Karminsky Experience Inc. See Inside VR glasses freebies at Further

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We’re really excited to be hosting The Karminsky Experience Inc. for a DJ set at Further on Sept 15th but got even more excited when they revealed that they’d be giving away some of these VR viewers to punters at the gig too. This pair of Cardboard VR glasses, beautifully illustrated by Dry British, lets you view their new 360 degree film to go with ‘See Inside’ from their last LP, ‘Beat’ which they should also have copies of on sale. I’m told this will be the first time you’ll be able to get your hands on these beauties but numbers will be limited.

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After extracting and assembling the glasses, you scan the QR code on the side with your phone or find the video on YouTube via the URL they provide – adjust the settings accordingly, press play and pop the phone into the viewer. From then on you’re taken into a Karminsky world whilst the music plays and you look around. Obviously it’s impossible to convey in writing, you really have to experience it first hand. Come along and maybe you can have a Karminsky Experience of your own.
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Tickets for Sept 15th w. The Karminsky’s, Markey Funk (Delights), Pete WIlliams and myself are available here.

Further 2 at the Portico Gallery, November 2017


Seeing as I never got round to posting these at the time (I moved house the week after) and with a new event upon us in a month’s time, here’s a quick look back at the last Further at the Portico Gallery, November 2017 with guests Sculpture and Simon James (The Simonsound). Photos by Martin LeSanto-Smith and myself

Simon James at the Buchla 200e Electric Music Box


Here’s a film of Simon’s performance by his brother, Curtis James

Simon James Buchla 200e performance at Further from Simon James on Vimeo.

The record and merch stall was kindly provided by Michael and Dorian from the local Book & Record Bar



Sculpture at soundcheck and during their performance

Tickets for the next one – Sept 15th, 2018 with myself, Pete WIlliams, The Karminsky Experience Inc. and Markey Funk (Delights) are available here.

Slides for Further 2 at the Portico Gallery

IMG_6422Dipping back into the archives for some previously un-posted slides that we made for the second Further at the Portico Gallery back in November 2017.

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The next one is Sept 15th, same venue, with The Karminsky Experience Inc. and Markey Funk guesting while I perform a rare outing for my ‘O Is For Orange’ Boards of Canada-esque AV set. Tickets available here

Aphex Twin advert at Elephant & Castle station

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This is last week’s news now but I finally found myself in Elephant & Castle underground station this week and went in search of the Aphex Twin adverts that had appeared the previous Monday. Nestling in a corridor near the lifts below the shopping centre end of the station are the two op-art-esque logos, seemingly tiled into the wall although closer inspection reveals a carefully designed paste on advert like any other, just with special attention made to the scale of the tiles being rendered.

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AFX cornerIt really is a great example of advertising assimilated into its environment and having all the more impact for it, it’s beautifully done, even if whoever pasted it up couldn’t quite be bothered to line the tiles up on the right hand side (see above). Other, similar designs also started popping up in other countries too, follow #3 aka Paul Nicholson, the original logo designer, for pictures and locations.

By now we know that this was advance warning of a new release, the ‘Collapse’ EP, scheduled for release on Warp mid September on vinyl, CD, cassette and limited foil-covered 12″ which intrigues me the most because the French company who used to produce those foil sheets you sometimes see on old record sleeves went out of business about a decade ago. Someone must have found a way to make them again and it’s a custom Aphex logo design rather than a pattern, very interesting…

Anyway – there’s a new video by Weirdcore that references the design above and the various formats can be pre-ordered here. (Beware – really awful website design alert – probably intentional)

With odd timing I’m pulling my Selected Aphex Works AV set out of retirement this weekend for an outing at the Space Theatre in Bangor, N. Ireland so I’m including the new video in the mix and then also playing a bonus club set at The Hop House nearby afterwards.

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Orla Kiely at the Fashion & Textile Museum

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Orla Kiely can probably lay claim to having an item of clothing or home ware in most 30 to 40-something homes I’d wager. From the ubiquitous bags seen on every yummy mummy to the stem-printed jugs, jars, towels and bedspreads infiltrating kitchens, bathrooms and bedrooms in any discerning middle class household, you see her patterns everywhere in all sorts of shades. Personally I’m not into flowery prints but Kiely continues to thrill me with her never-ending range of retro-modern colour palettes and there’s just enough for a male fan like myself to buy for the home without it looking too feminine. Her current retrospective at the Fashion & Textile Museum in Bermondsey is chock full of two decade’s worth of designs, a total Orla overload.

I love her patterns, preferring the more geometric ones with autumnal colour schemes.

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OK hallEntering the museum you’re confronted with huge flower prints and cases of bags, I couldn’t pull these off myself but love the pattern designs.

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Next are several corridors with an explosion of Kiely products for the home including pattern design concepts (some still forthcoming) kitchenware, toys, stationery, mugs, wallpaper, luggage, books… You name it, it’s there with an O.K. pattern on it. In their colour-coded glory it’s quite something to behold, you want to steal it all but a whole house of this would be overkill.

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The main room consists of huge versions of dresses, as if made for giants, guarded by life size rotating block models that shift outfits like a children’s mix and match book depending on their alignment. The oversize garments are offset by handmade dolls wearing the same outfits in miniature, lining the walls. This was an interesting concept in showing off a collection but it didn’t work for me after the complete overload of the previous corridors of kitchen and homeware. The wow factor was initially there but very little was contained in the biggest room on closer inspection, they’d crammed it all in the preceding space because they needed the height to show off the hanging frocks.

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Last but not least is a wall of bags, followed by a photo retrospective of various seasons and styles. Kiely has a great eye for modernising old 50s/60s and 70s styles and colour combinations whilst continually reinventing key logos and patterns from previous lines. It doesn’t always work but her hit rate is high and the body of work has a definite personality and flow to it that makes it unmistakably hers. I came away only wishing she’d one day hit the late 60s and do her take on psychedelia and flower power, what a riot that could be.

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Further returns Sept 15th

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Further returns to its spiritual home at the Portico Gallery for another night of Light, Sound & Design.

Markey Funk flys in from Jerusalem to present his take on the heavy fuzz and psych sounds coming from his Delights label.
I’ll be bringing my AV ode to Boards of CanadaO Is For Orange – to the big screens with exclusive visual extras.
The Karminsky Experience Inc. grace the decks with their selection of swinging library, soundtrack and beatnik grooves.
And just when you think you’ve heard it all, Pete WIlliams pulls out those special audio treats he’s been hoarding for just this occasion, all accompanied by the sensory overload of the Further slide, oil and video projections.

Delicious food will be available from Pimento ’62 Catering and a fully licensed bar.

V. ltd. early bird tickets available here now!

Tomorrow Syndicate poster and LP

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Fantastic artwork by Nick Taylor on the new Tomorrow Syndicate album and promo poster. You can get both from the band’s Bandcamp page – the poster is A2 and in the merch section but the album is only available in digital form frustratingly. Much as I love the music Polytechnic Youth are putting out, they don’t make it easy to actually buy it. Small runs are sold via pre-order from their Facebook page with no audio previews and few represses, you have to be quick and, as the label gains popularity, if you’re not on the web when pre-orders go up then you have to chance your luck with mail order from the likes of Monorail or Norman Records. Still, it makes it all the more fun and precious when you do manage to get one. The album’s great and takes in most of their previously released tracks (two 7″s and a VHS) with nods to La Dusseldorf krautrock and Radiophonic Workshop spacey synth madness.

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Sculpture – Nearest Neighbour

Nearest Neighbour by Sculpture Press Release-1Not only does the next release from Sculpture contain Dan Hayhurst‘s trademark scattershot tape manipulations and noise bursts – housed inside a red cassette this time round – it also comes with a graphic novel, illustrated as usual, by Reuben Sutherland as only he knows how. It’s not all microscopic sound exploration though, standout track, ‘Nite Flite’ comes on like a classic late 80’s house meets early 90’s B12 exploration, complete with 4/4 kick and sci-fi synth pads. Preview a track here

Nearest Neighbour: Graphic Novel/C70 Compact Cassette by Sculpture from Sculpture on Vimeo.

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Reuben this time pushes the boundaries of what an abstract comic can be whilst still readable as a sequence of events. Imagine one of his undulating zoetrope/phenakistoscope animations spread out across the pages, subtle changes in repetition and zooms pushing the visual narrative forward with each panel. The mind boggles as to how he lays this stuff all out without the joins showing. The 23 track album is released on 11th August on their Tapebox label as a cassette/download/book. Pre-order it here https://plasticinfinite.bandcamp.com/album/nearest-neighbour

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Logan’s Run repress

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There’s a new, double vinyl repress of the Jerry Goldsmith score to Logan’s Run just out from Waxworks. This is the expanded score that was released on CD by Film Score Monthly in 2002 boosting the track count from the original’s 12 to 23. The beautiful artwork above is by Martin Ansin who has done many a Mondo poster, see his takes of Alien and Prometheus below. Transmission still have copies in the UK.LogansRungatefold Prometheusposter AlienposterMartinAnsin

The original Logan’s Run theatrical poster with another, possibly fan made, example below.
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The Delaware Road comic pt.1 – Black Propaganda

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The mystery that is The Delaware Road deepens with the first episode of a projected six part comic from the Buried Treasure label. Taking the story back to the Second World War we meet new characters as it sets the stage for a new chapter in this tale of the occult, orgies and oscillators. Less than 10 copies are left so be quick as there won’t be any reprints in this form. The comic is A5 size, 20 pages, colour cover, B&W interior, and comes in a protective bag with backing board. DelRdinsideDelRd inside2

Sister Corita Kent at Ditchling Art & Craft Museum

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There’s an amazing exhibition on in a very out-of-the-way place at the moment, Sister Corita Kents screen prints (or some of them) are on display in Ditchling, a small village near Hassocks, at their Art & Craft Museum, 10 minutes on the train from Brighton. Sister Corita was a nun, artist and teacher running art classes at the Immaculate Heart College in Los Angeles in the 50s through to the early 70s. Her prime medium during these years was screen printing and her works were eventually seen as part of the Pop Art movement.

Her bold, bright, contemporary methods were in perfect step with the times but she became embroiled in arguments with the church over her messages, especially anti-vietnam and civil rights movements posters which ended with her leaving her post and the church for good. Her life and achievements are incredible as a practicing nun and teacher who had everyone from John Cage to Charles & Ray Eames to Alfred Hitchcock visit to take classes.
The exhibition is on until 14th October and is really worth the effort, it’s a 5 minutes cab ride from Hassocks train station and there’s a permanent collection of religious art and more to see.

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The Advisory Circle – Ways of Seeing album

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It’s that time again, for another Jon Brooks album to grace the turntable and record shelf/box/bag, returning under his The Advisory Circle guise to the consistently dependable Ghost Box label. Wrapped, as always, in a gorgeous gold mirrorboard sleeve design by Julian House, Jon has conjured up another set of gorgeous melodies and lush scenarios loosely based around the theme of photography. Gone are the uneasy undercurrents of his last outing for the label, ‘From Out Here’, and instead we get a summery set of beautiful library-like cues, never outstaying their welcome (some leaving too early) with a guest vocal from The Pattern Forms’ cohort, Ed MacFarlane on the final track. Pre orders just went live, get it here on LP, CD or DL.

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Haendehoch! phonographics

IMG_7597 A mystery package of three 45s and 3 posters arrived a few weeks ago from Dutch label Haendehoch! phonographics. Each single is hand-stamped on the label, wrapped in a risograph printed sleeve, folded inside a plastic sleeve and comes with an A3 sized poster to compliment the release.

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The idea for the label is to rescue music from the web that was never given a release on a physical format at the time and the first three releases glean their contents from Soundcloud files uploaded between 2011 and 2014. It’s a novel way to start a label and, whilst the music wasn’t really to my taste, the graphics are absolutely beautiful.

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The label seems to be the brainchild of the Haendehoch typographics studio in Utrecht who have been creating work for the music and club scene in the Netherlands for over a decade. You can judge for yourself and buy the single now here
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Sure Shot Tools custom 45 adaptors

Pablo+Food@PB I spent Record Store Day in sunny Krakow, Poland this past weekend, playing an instore at the excellent Paul’s Boutique record shop and later spinning at Club Alchemia.

IMG_7541Whilst I was there I was graced with a pair of custom made 45 adaptors by new kid on the block, Sure Shot Tools. Having recently invested in a pair of the SydDefJam 7″ middles I’m pretty much set up for life as far as centers go as they do everything you’d ever need an adaptor to do. The difference here though, is the personalised machine-finished logo on the top, which sets them apart from the Australian leader of the pack. Syd offers hand-punched lettering but it’s rough and ready whereas Sure Shot can take a logo and engrave it perfectly onto the top of the middle for that professional finish.

IMG_5681His centers are as heavyweight as Syd’s but lack the rubber ring that holds the records firmly in place. Another plus point for us Europeans is that the postage costs aren’t as prohibitive on the Sure Shot’s than on Syd’s but really it’s down to individual taste in the end, they both do the job admirably and look great into the bargain.

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