Dusk Dubs – Season 6 playlist

DD0601-- DJ Food

The good people at Dusk Dubs asked me to assemble a playlist of influences and important records so I picked songs jumping off from the Dust & Grooves influences mix I did a few years back, which roughly cut off in the early 90s. I’ve rewound a few years back into the end of the 80s but the bulk of the music comes from the decade after. This isn’t a mix and I’ve only selected the content rather than constructed the flow, as is the Dusk Dubs way, There are notes to go with each selection over on their site to put each track into context too. Listen HERE

Phase DJ hardware

Phase box I recently bought Phase to add to my DJ set up and thought I’d set down some initial thoughts about it.
A quick overview for those who haven’t come across it before – Phase works with digital Digital Vinyl Systems (DVS) like Serato and Traktor which use a traditional turntable and a controller record/soundcard combo to control the music. Traditionally the turntable needle reads timecode on a vinyl disc and relays that back to a laptop containing software with 2 virtual decks, the turntable becomes a controller for these decks, onto which you drag and drop music from your laptop to play out.
Phase consists of two ‘remotes’ that magnetically clip over the turntable spindle onto any record or object that you wish to use to control it with (it doesn’t have to be a timecoded record). The remotes then send a wireless signal back to the Phase receiver (which doubles as a charger) telling it where the orientation of the turntable deck is.

This is relayed back to the laptop via USB * UPDATE 1 (via Anton – Mr Armtone) “Remotes just send a wireless signal back to the Phase receiver and it reproduces classic audio time-code signal as on timecode vinyl or CDs. If you turning on “THRU” signal on Serato – you’ll hear it. That’s why you need to connect Phase by RCA to your Serato sound-cart (mixer, box, midi-controller). Also, you can connect Phase directly into power socket by USB-adapter, like an iPhone, and thereby to make free one USB port on your Laptop. So, USB on Phase is only needed to update and as a power source.
– and you have control over your virtual decks without having to use the needle on record method of old.

Phase remoteWhy would you add this to your set up when the traditional DVS set up works just fine? With decks and DVS systems comes the problem of worn needles, dust on the stylus inhibiting the signal, bent tonearms, scratched vinyl controller records, bad headshell contact connections and knackered RCA plugs – all of which can corrupt the timecode being relayed back to the laptop and cause glitches, pitch distortions and dropouts. I’ve done so many gigs where the scopes on Serato have wavered, dipped into the red with onstage feedback, dust has built up and glitched out the signal or headshells wouldn’t connect at soundcheck and you’re constantly in fear of everything packing up.
All completely eradicated when using Phase and it’s great to eliminate these potential technical failures from the set up when going to different venues where the equipment is always unknown. Personally I’ve always loved the tactile touch of turntables, never got on with CDJs and, similarly, never found a controller that I’d be happy to use – mostly because of the size of things I suspect – and any working turntable with pitch control can be used with Phase.

There are problems with it but they seem to be more about human error than machine at this stage. The first is remembering which deck is playing the music and not moving the one spinning accidentally, I scratched/stopped the wrong deck twice during a 4 hour set. Also not using the needle, which is an automatic action after all these years, takes a bit of getting used to, not helped in my recent DJ set by the fact that I was also alternating between DVS and actual vinyl playing. The remotes can get in the way when rewinding the decks via the label and there’s no more tweaking the spindle for those micro pitch shifts as the remote sits over them. It does come with an added level of cables to plug in, if you want simplicity and not to have to carry an extra bit of (very small) kit then go for RekordBox and a couple of USBs in a CDJ. This would come down to each individual’s preference when playing ultimately. I’ve seen people questioning the responsiveness of the remotes online but it all seems to be good for me, maybe there was the tiniest bit of lag when scratching but I can’t be sure, it’s certainly minimal if it’s there and remember, this is new hardware/software, it takes time to iron out the kinks, Serato wasn’t perfect straight out the box either.

BTW, I should say, the design of it is beautiful, clean and slick packaging with tasteful minimal touches to the compact hardware. The software that comes with it is equally minimal at the moment, there’s plenty of scope to expand that but nice touches like customising the colour of the lights on the remotes and magnetic stickers to affix them to your records are welcome. I’d like to see versions in other colours rather than the standard black that everyone does (why are so many mixers in black which are just hard to see in a dark club?). An ‘A’ and ‘B’ on the actual remotes so that you can remember which is which would be good too and making the signal light green instead of red (the traditional bad signal colour) in Serato would be good but I suspect this is more to do with how Serato set up their app. *UPDATE 2 Another interesting fact, that this signal from Phase doesn’t support officially, that’s why it comes with “red line” (not grey) on Serato software.”

I only gave it a light test run, no video yet (not that that should make a difference – it’s just sending timecode, not streaming video data) but I loved using it and I didn’t have any problems with them beside my own human errors. They will take a little getting used to but they replace the use for a needle perfectly and personally Phase works for me and I’ll be using it for digital DJ sets going forward.

Posted in DJ Food, Gigs. | 3 Comments | Tags:

The Delaware Road 2019

Delaware Road flyer crop
It’s been nearly a week and I’ve been away since returning from this madness so this is late but: The Delaware Road, 2019 : Ritual & Resistance, a 1 day event deep in the heart of Salisbury in a working army base was a blast. Hidden at the end of a road which went through a ghost village and fields of rusted tanks and distant watch towers, red Routemaster buses ferried us to the destination, driven by a man who asked us to reset our watches to the local time of 1944.

DR Salisbury plains DR Salisbury tankDR Salisbury buses DR Danger sign

Along the way locals muttered about a rave happening at the military base but this was no ordinary party. 40 performers ranging from live bands to DJs, poets, installation art, spoken word artists, a witch and a lot of men looking very intently at laptops, tape machines, keyboards and modular synths filled the concrete spaces with a huge amount of sonic beauty and debauchery. The stark concrete and brick huts and outhouses housed all manner of the most leftfield electronica and alternative music and performance you’ll see in any venue or festival, let alone a working M.O.D. facility.

The Delaware Road encampmentDR MOD campDR bus stopDR camping

The main gathering space and stage inside the curved Nissen hut

DR fest site

Stand out moments are hard to quantify as there was so much on and it was a battle to either catch certain acts or get into the rooms they were playing in as some were cramped/crammed by the time you’d arrive. The exception was the main Nissen hut/stage which was big enough to accommodate many and came into its own once the sun went down and the projections kicked in. In the Psyché Tropes room, Sculpture rocked as they always do and Howlround with Merkaba Macabre in a tape loop/modular synth soundclash definitely blew the cobwebs away and probably affected the baby swallows in the nest up in the rafters forever. The Castles In Space room was rammed for Polypores, The 12 Hour Foundation and Concretism and the Buried Treasure room hosted Ian Helliwell, Simon James and Soundhog whose set I caught the last part of with the memorable special lighting effect deployed during his ode to the Commodore 64. Add Andrea Parker playing an electronic pioneers set and Doug Shipton layering cosmic sounds in the main hut before a frankly terrifying performance by Lone Taximermist after which Steve Davis and myself closed things and this was still only half of what was on offer. You could have gone again and had a completely different festival so props to Alan Gubby for all his hard work making it one of the most memorable and manic line ups yet in the Delaware Road saga.

Andrea ParkerDR Andrea Parker
Doug Shipton
DR Doug Shipton

Polypores
DR Polyphores

The 12 Hour Foundation DR 12 Hr Foundation

I never did find out who this lot were but they seemed to play all over the place, Push and Neil from Electronic Sound magazine look on over the wall.DR unknown

Frances Castle from Clay Pipe Music exhibiting her wares DR Frances CastleFrances Castle prints 2Frances Castle prints

Ben SoundhogDR Ben Soundhog

Ian HelliwellDR Ian Heliwell

Simon JamesDR Simon James

Nick Taylor from Spectral Studio exhibiting his workDR Nick Taylor printsDR Nick Taylor

Howlround and Psyché Tropes DR Howlround + Psyche Tropes

Sculpture DR Sculpture

A short blast from their set at this link https://www.facebook.com/strictly.kev/videos/10156224556540025/

Steve Davis and yours truly courtesy of Robin The Fog
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Steve having a wail of a time closing the festival.
DR Steve Davis

O Is For Orange at the Bluedot festival

fullsizeoutput_f6dWell, the Bluedot Festival was ace for the few hours I spent on site, very well organised, lovely people plus tons of interesting science-based attractions aside from the music. Great crowd for my set too (see view from the stage above), thanks to those who came up to me afterwards and said nice things. Some great photos from my set below via Lisa Sabotig and Bluedot themselves.

Food Bluedot Lisa Sabotig1 BD2019_Sunday_Orbit_DJFOOD_-_LucasSinclair_lowres-1 Food Bluedot Lisa Sabotig2 BD2019_Sunday_Orbit_DJFOOD_-_LucasSinclair_lowres-2 Food Bluedot Lisa Sabotig3
And below, some of my own snaps from things I saw on site
IMG_2324 IMG_2326 Bluedot telescope IMG_2338 IMG_2337 IMG_2323 IMG_2327

Big Mouth podcast

BigMouthThe king of puns, Andrew Harrison, and the lovely Siân Patternden invited me back onto the Big Mouth podcast this week to review the Warp 30th anniversary, the new Thom Yorke album, Anima, and the current TV adaptation of Joseph Heller’s Catch 22. The Quietus’ Luke Turner also joined us and we each chose current favourite tunes and stories we’d seen in the news recently. It you become a Patreon backer of the podcast you’ll get the show at least a day early and an exclusive ‘Extra Bit’ each week, where we describe our worst and best festival experiences this time round.

Delaware Road festival updates

The Delaware Road event in August continues to ramp up the line up as word gets around about it with more announcements to come. This will be a truly unique event, the likes of which haven’t been seen on this scale before. Transplant yourself to a secluded army base in the middle of the Salisbury countryside for over 12 hours of sonic, audio visual and performance-based adventures in sight and sound with a who’s who of the current crop of leftfield electronic, weird, and experimental practitioners working on the margins today. Buried Treasure, the label who hosted the last two experiences, have put together a mix showcasing some of the acts playing.

Tickets are available for the event, including group and camping options and follow the Facebook event for updates and competitions to win tickets and packages of merch from some of the featured acts and labels.

Delaware final back

New acid/rave mix for Mix-Ins

I completed this a few weeks back for my friend Allison who hosts the Mix-Ins show, it’s her birthday today so we agreed to hold it until then. Nearly two hours of contemporary acid, rave and footwork, this is what’s floating my boat club-wise at the moment. If anyone wants to book me to do this kind of set at their night (or even send me this kind of music) then get in touch.
I met Allison years ago in Montreal after corresponding online (she went by AlisonWonderland before another DJ claimed the name and went big time). Based out of Boston Massachusetts, her and Paulinnate started Mix-Ins loosely as a way to share the music (mixes and original productions) of the many talented people they are surrounded by. They try to feature an exclusive mix once a month although at times it can vary.

Flexi discs and wobbly sounds

A quick round up of all things flexi disc-related that’s coming up over this month. The good news is that the Wobbly Sounds book by Jonny Trunk and published by Four Corners Books that I contributed to is back from the printers and looking great! It’s 160 pages and is only a tenner – pre-order here for an April 15th release date.

Wobbly Sounds coverWobbly Sounds 7 Wobbly Sounds 6 Wobbly Sounds 8 Wobbly Sounds 5 Wobbly Sounds 3 Wobbly Sounds 4 Wobbly Sounds 1 Wobbly Sounds 2

As a result there’s a plethora of promotion coming up: The Eye on Design blog has just published this article on the book.

Audiogold flyer RSD19On April 13th (Record Store Day) I’ll be at Audio Gold in Crouch End, London with Shane Quentin from The Garden of Earthly Delights radio show, playing flexi disc sets with hidden discs in the racks and free beer as well – check the event page for more details.

April 16th sees the official book launch at Spiritland in Kings X, 6.30-8pm along with Jonny, Shane and Andrew Beedell Coram with an evening set by Jonny from real vinyl.

Later this month I should be joining Jonny on his OST show (4.30-6.30pm) on Resonance FM for a flexi special, playing selections from the book and more, hopefully with the usual competition hilarity.

I’m told print pieces in Record Collector and Shindig magazines are on the horizon too…

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Other non-flexi related things happening: I have a guest mix coming up on The Allergies podcast mid April

I’ll be playing on Out Of The Wood radio at the Book & Record Bar this Sunday 7th with Pete Williams during the first West Norwood FEAST of 2019.

Also at the B&RB on Record Store Day (April 13th, remember?) I’ll be playing records with Ceri Preston after a showing of The Library Music Film and a Q&A from Shawn Lee. Starts at 7.30pm and goes to 1am.

Unfortunately the Kraftwerk AV gig I was to do at the Sheffield O2 Academy on the 27th April has been rescheduled for Nov 8th now but will be locking more in for May/June.

Also, I’ll be supporting DJ Krush on June 20th at Oslo in Hackney – tickets just went on sale yesterday.

DJ Krush Oslo 2019 Instagram-2

Record Store Day 2019

RSD 19 AG flyer front web
I was going to post about Record Store Day releases last week when the list was announced but wanted to wait for the announcement above as well. For once I’m heading to North London, after spending years down South or in the West End… to Audio Gold, those fine purveyors of vintage audio equipment, hi-fi components and records, old and new. My good friend Robin from Hexstatic has worked there for many years and has been trying to get Jonny Trunk and I up there for nearly as long.

Jonny will be promoting his RSD release on Trunk, the official reissue of Basil Kirchin‘s ‘World’s Within Worlds’, by playing original reels from Basil’s archive via one of the shop’s lovely machines no doubt. I’ll be joined by fellow flexi finder Shane Quentin who, along with Jonny and I, has contributed to the forthcoming book, ‘Wobbly Sounds’ which is all about British flexi discs. Shane’s collection of the disposable discs is enough to make any collector envious and between us we pulled out some sweet examples of the different uses they had from household product advertising to pop music promotion, event invites to educational aids, and yes, porn.

The book is published by those lovely people at Four Corners Books and forms part of their Irregulars series of Great British oddities, I don’t think I’m allowed to show you the cover yet though as it’s not online. Hopefully copies will be back from the printers and available at Audio Gold for April 13th. We’ll be playing some of our collections in the shop and I’m even going to hide some freebies in the racks for people to find…

Now – to my RSD ones to watch list – if your pockets are deep enough of course:

808 State – Four States of 808 (ZTT) 4×12″ box set

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Limited edition 4 x 12″ box set exploring four very different sides of 808 State; Hacienda-inspired acid house classics, Thunderdome-inspired full-frontal aural assaults, renowned collaborations, and downtempo sonic baths. Featuring 27 tracks across four discs, including rare and previously unreleased mixes, hidden tracks, brand new artwork and liner notes. Includes three previously unreleased tracks and three previously unreleased on vinyl. The entire set is remastered from the original master tapes.

Art of Noise – Daft As A Brush! (ZTT) 4×12″ box set

AON

Limited edition 4 x 12″ box set and a vinyl companion piece to the renowned 1986 CD compilation, Daft. Hear a fresh take on three game-changing records – ‘Beat Box’, ‘Close (to the Edit)’ and ‘ Moments in Love’ – while a fourth disc finally unleashes Trevor Horn and Paul Morley‘s mythical post-AoN project, Art and ACT. Featuring 25 tracks across four discs, including hidden tracks, brand new artwork and liner notes. 20 tracks previously unreleased on vinyl with the entire set remastered from the original master tapes.

Basil Kirchin – Worlds Within Worlds (Trunk) LP

Basil

Worlds Within Worlds (Part I and II) is one of the most important improvised jazz-based recordings of all time. Released in 1971 it sold just a handful of copies, but has become a keystone in the development of experimental and ambient sounds – originals now fetch £1000+. This pressing features a new gatefold sleeve (Kirchin hated the original sleeve), with images of Kirchin, his original field recording tapes and notes by WWW fan Thurston Moore. There are just 1500 being pressed with 250 on gold vinyl, which will be mixed randomly in with the 1250 black versions. There will be no way of telling which colour is which as all LPs will be sealed. The LP will not be repressed.

Bob Dorough – Multiplication Rock (Original Soundtrack Recording) (Jackpot) LP

Multi Rock

LP Colored Vinyl (Red/Blue Swirl on Multiplication Rock). 1st ever reissue, from the original master tapes. 1500 total worldwide. Original ABC 1973 TV soundtrack, part of the Schoolhouse Rock! Series. Jazz Bop Vocalist Bob Dorough (1923-2018) composed “Multiplication Rock” as a way for children to remember multiplicaton tables. Colored Vinyl LP from The Original Master Tapes with original Tape Box artwork. includes ‘Three Is A Magic Number’, as sampled by De La Soul.

Deadly Avenger – Your God Is Too Small (Burning Witches) LP

DA 3d

More sonic electro infused speaker decimation from Deadly Avenger in a brand new follow up to 2018′ s ‘I Am Godzilla You Are Japan’.Your God Is Too Small’ picks up the DA Godzilla story from the very begining in a prequel to IAGYAJ. Includes 3D artwork and glasses, Insert, and download card. UK Exclusive variant. Artwork by Luke Insect.

Desmond Briscoe, The BBC Radiophonic Workshop – The Stone Tape (Silva Screen Records) 10″

Stone Tape

10″ EP on Green Vinyl Long awaited BBC 1972 soundtrack, previously unreleased. Numbered Edition.

DJ Pierre presents / Various Artists – ACID 88 volume 3 (Afro Acid) 2xLP

Acid

A double LP of 1 Black + 1 White vinyl of 12 killer acid trax selected by legendary pioneer DJ Pierre featuring Mark Archer, A Guy Called Gerald, K Alexi, Lauren Flax, Type 303, Hiroko Yamamura & many more.

Future Sound of London, The – Yage 2019

Yage

In 1996 iconic group The Future Sound of London released the UK Top 40 chart album ‘Dead Cities’, from which came a track ‘Yage’. Such has been the interest in this masterpiece of electronica over the years that the guys have been back into the studio to revisit it. Here, on this limited edition, individually numbered LP press exclusively for 2019′ s Record Store Day comes the results. ‘Yage 2019’ takes the core of the original and rebuilds it. All together there are eleven tracks reconstructions and interpretations, woven together (as FSOL do) into a 42 minute dreamscape journey across the 2 sides of vinyl. Only 1000 copies of this release will be pressed on vinyl.

Herbie Hancock – Dedication (Get On Down) LP

Herbie

Vinyl has never been officially issued outside of Japan. 3000 made worldwide. ‘Dedication’ is a unique Herbie Hancock outing in more ways than one. This is a solo Hancock release, all sounds heard on this recording are Hancock at the keyboards, be it an acoustic piano, a Fender Rhodes or a synth. The project was recorded live in Tokyo in July of 1974 and never saw release outside of Japan until well into the 21st century. For Record Store Day 2019 Get On Down presents the first ever US vinyl release of this important piece of Hancock’ s artistic legacy.

Worth it for ‘Nobu’ alone, no poster though!?

Propaganda – The Eight Testaments of Propaganda (ZTT) 4×12″ box set

Prop

This limited edition 4 x 12″ box set dives deep into the hits and mythology of Propaganda‘ s highly influential ZTT years. Take a fresh look at their two biggest singles – ‘Duel’ and ‘Dr. Mabuse’ – and their two most beloved live/album tracks, ‘Dream Within A Dream’ and ‘Frozen Faces’ . Featuring 24 tracks across four discs, including rare and previously unreleased mixes, brand new artwork and liner notes. Includes two tracks previously unreleased, and 13 tracks previously unreleased on vinyl. The entire set is remastered from the original master tapes.

Wendy Carlos /Rachel Elkind – Kubrick (Silva Screen) 7″

Kubrick

7″ Die Cut Sleeve/ Printed Inner Sleeve Transparent Orange Vinyl Double A Side: The Shining/ A Clockwork Orange For both these iconic films, Stanley Kubrick chose to work with the extraordinary Wendy Carlos, who wrote (or realised, as both are based on classical pieces) the main themes to both movies. The 7″ AA Side, March from A Clockwork Orange (1971), is an arrangement of Beethoven‘ s rousing Symphony No. 9 in D Minor (fourth movement) and is the first recorded song using a vocoder. Almost ten years later, Carlos was to work with Kubrick again on The Shining (1980). The Shining – Main Theme on the 7″ A side takes as its starting point the Dies Irae from Hector Berlioz‘ s Requiem (Op5), appropriately taken to new levels of darkness by Carlos and Rachel Elkind‘ s electronic treatment.

20 years of Ping Pong, Paris

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I’m doing a special gig in Paris on March 15th – DJing on a mega line up to celebrate 20 years of Ping Pong, the promotion agency headed by Fred/Jais Elalouf aka DJ Oof of Cinemix fame who has worked with Ninja Tune for two decades now. Oof is also the collector and curator of the Psychedelic Art Centre and there will be an exhibition of works featured for six weeks to launch the special issue of Perfect Bliss, the new Graph Zine and review which comes with stereoscopic glasses for 3D.

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RIP Ken Nordine

Ken Nordine autographI was very saddened to hear of Ken Nordine‘s passing today at the the age of nearly 100, my consolations go out to his family. I was first introduced to his amazing voice via a Rhino Records CD compilation of the best of his Word Jazz albums that Mixmaster Morris played me back in 1993 and I instantly became a fan. Finding his records and any info on him in the pre-internet / pre-eBay days was difficult but the excellent ‘Incredibly Strange Music vol. II‘ book held a fascinating interview with him about his career so far. Upon first traveling to the US in the mid 90s, his records were top of my wants list and I managed to find copies of most of his catalogue before hoovering up more in the early 00’s via eBay.

PC and I were privileged to record a version of his piece, ‘The Ageing Young Rebel’, with him back in 2000 for our album, ‘Kaleidoscope’ and it remains one of my favourite collaborations from that time. Over 20 years ago I interviewed him for Solid Steel at Coldcut‘s Ahead Of Our Time studios near London Bridge whilst he was in London playing the voice of God in a Laurie Anderson play – he was cast perfectly. During the interview he was funny, playful, humble and extremely on the ball, at one point striking up a dialogue with the squeaky chair he was sitting on. RIP Ken – you were unique, so glad we met. Listen to our interview below

Kraftwerk – Klassics, Kovers & Kurios premiere this Saturday

One of the reasons it’s been so quiet on here this year is because I’ve had my head in the video editing suite for this Saturday’s premiere of my new AV show; Kraftwerk: Klassics, Kovers & Kurios. I’ll be taking this up to Manchester for its initial outing, at The Deaf Institute, who have previously hosted my other AV sets (why should London have all the good stuff first?). Tickets are available here

The show (at the moment) is very dance-orientated with the obvious techno, electro styles accompanied by hip hop, samba, breaks, mash ups and maybe a bit of juke if I can make it fit. Above is a tiny excerpt from one track where I got a bit carried away. The show takes the band’s various eras, looks and line ups and combines them into a 60 track, 90 min+ collage of Teutonic Techno, European Electro & Kraut Crunk together with the visual history of the group. I’ve really dug around for old archive for this one, which is hard on the older material as there is so little and in bad quality but I’ve been collecting this stuff since the early ’00s so have a fair bit. Below are some screen grabs of an Italian performance of Pocket Calculator where the cameraman really wanted to know what they were playing.

PocketCalcInstruments

Bluedot festival

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Very happy to announce that I’ll be playing my Boards of Canada-centric Audio Visual show, ‘O Is For Orange’ at the Bluedot festival this year, on Sunday 21st of July. Tickets go on sale this Thursday, just hope I’m not on at the same time as Kraftwerk! See these links for more details
Website – https://www.discoverthebluedot.com
Facebook – https://www.facebook.com/bluedotfestival
Twitter – @bluedotfestival
Instagram – @bluedotfestival
Hashtag – #discoverthebluedot

Revamped Openmindesign site

With the new year comes the inevitable spring clean and I’ve taken the opportunity to revamp my Openmind design portfolio site. The content is by no means definitive, I’ve taken my favourite designs from the last 25 years and presented just those parts that I feel stand the test of time or represent where my current design tastes lie. Sometimes this might be a label, promo object or back cover but, rather than cram every single thing into a gallery (including some things I dislike) I’ve paired it down to personal favourites.

Many thanks to my Further partner-in-crime, Pete Williams, as one of his many talents is that he’s a super-efficient web designer who can quickly turn wishes into reality with no fuss whilst suggesting all sorts of web-specific things you’d either never thought of or didn’t know exist.

Contact him here if you’d like the benefit of his experience or take a look at his park-studio web portfolio.

Have a look around the new site and contact me if you like what you see and want something similar for your projects…

Openmindesign website

2018 – a vintage year for new music

It’s the end of the year and reading down the list of sounds that have moved me most in 2018 I’m struck by how much new music there is after years of digging a lot of reissues over current styles. This may well be because the well is finally running dry on a lot of the stuff I’m interested in but more likely that the old adage of great music being made in times of great strife is coming home to roost again. There is no order to the lists below, no No.1 or ‘best’ of anything although they are mostly chronological as I write stuff down as I hear or see it.

Special mentions though for the Castles In Space label that continues to go from strength to strength, the Confidence Man album which got a lot of play despite me missing them live twice. Trevor Jackson‘s beautiful design for his ‘System’ CD and cassette, so good I bought it three times, The Advisory Circle‘s ‘Ways Of Seeing’ LP and the Tomorrow Syndicate‘s excellent ‘Future Tense’ album, complete with Nick Taylor artwork.

Supporting both The The (on several UK dates) and the Art Of Noise was the stuff of teenage dreams and the former’s biography by Neil Fraser is a fascinating read. The Karminsky Experience Inc.’s ‘See Inside’ VR single was a genuinely eye-opening experience and having them and Markey Funk down at Further was a treat. Walking into the House of Illustration‘s John Vernon Lord exhibition to be unexpectedly confronted with the original drawing of his 1966 masterpiece, ‘Beneath The Tree’, was the art high of the year and the People’s Vote march in October restored my faith in humanity for an afternoon. Electronic Sound magazine continues to excel and their first LP release, Jack Dangers‘ remix of Terry Riley‘s ‘In C’, was another disc that saw a lot of play this year.

On Dec 23rd I played a lot of my favourite releases of 2018 on WNBC‘s Out Of The Wood show which you can hear below, complete with mic. fluffs and wrong track listings.

As we go into 2019 I’m dreading the first three months, leading up to the Br*x*t deadline, hoping against hope for a last minute chance to reconsider but bracing for a fallout post 29/03/19 that could see chaos come to the UK. I hope that I’m writing a more positive missive this time next year, if not then at least the music will only get better and better…

Music 2Music / chat:
The Karminsky Experience Inc. – See Inside 7″ (Patterns of Behaviour)
King Gizzard & The Lizard Wizard – Gumboot Soup LP (Flightless)
Beautify Junkyards – The Invisible Worlds of LP (Ghost Box)
Basil Kirchin – I Start Counting LP (Trunk)
Bigmouth podcast (Audioboom)
The Turbans – Baba Ganooz 7″ (Mona Tone/Delights)
Cavern Of Anti-Matter – Hormone Lemonade LP (Duophonic)
The Advisory Circle – Ways Of Seeing LP (Ghost Box)
Janelle Monae – Make Me Feel (single) (Wondaland)
Confidence Man – Confident Music For Confident People LP (Heavenly)
Concretism – For Concrete & Country LP (Castles In Space)
Trevor Jackson – System CD (Pre_)
Tomorrow Syndicate – Future Tense LP (Polytechnic Youth)
Chaka Khan – Like Sugar (single) (Dairy)
Jonny Trunk – OST show (Resonance FM)
Regal Worm – Pig Views / Use And Ornament (Uranium Club)
Meat Beat Manifesto vs Terry Riley – In C (Electronic Sound)
Patrick R. Park – Library Sounds LP (Castles In Space)
David Shire – The Conversation LP (Trunk)
Amgala Temple – Invisible Airships LP (Pekula)
Adam Buxton podcast
Type 303 – The New Ravelution EP (Insult To Injury)
Luke Vibert – 165 303 – from the Gradients vol.2 LP (Astrophonica)
Luke Vibert presents Garave vol.1 LP (Hypercolour)
Kosmischer Laufer – Vol.4 LP (UCR)

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Packaging / design:
The Karminsky Experience Inc. – See Inside VR glasses (Patterns of Behaviour)
Chop – CDL 10″ (Drumetrics)
Concretism – For Concrete & Country LP (2nd edition) (Castles In Space)
Trevor Jackson – System 1st & 2nd edition CD + Cassette (Pre_)
Sculpture – Nearest Neighbour Cassette & comic (Tapebox)
Tomorrow Syndicate – Future Tense Regular + Ltd Ed. LP (Polytechnic Youth)
Spider Jazz – splatter vinyl edition LP (Trunk)
Spun Out Of Control vinyl + cassettes
Aver – River of Ice Cream 7″ promo flexi disc
Listening Centre 5″ lathe cut picture disc (Polytechnic Youth)

Packaging design

Books/Comics:
VS – Ivan Brandon / Eric Ribic (Image)
A Year In The Country ‘Wandering Through Spectral Fields’ – Stephen Prince
The Adventures of Jodelle – Guy Peellhaert (Fantagraphics)
Batman – White Knight  – Sean Murphy (DC)
Orla Kiely – A Life In Pattern (Octopus Books)
Electronic Sound magazine
Unusual Sounds: The Hidden History of Library Music – David Hollander (Anthology Editions)
House Industries – The Process Is The Inspiration (Watson-Guptill Publications)
Sculpture – Nearest Neighbour comic (Tapebox)
Proxima Centuri – Farel Dalrymple (Image)
Doomsday Clock – Geoff Johns / Gary Frank (DC)
Saga – Brian K. Vaughn / Fiona Staples (Image)
Long Shadows, High Hopes – Neil Fraser (Omnibus Press)
Judge Dredd – The Small House (Rob Williams & Henry Flint) (2000AD/Rebellion)
Lawless  – Dan Abnett / Phil Winslade (Judge Dredd Megazine/Rebellion)
Pete Fowler – Decades of Lead (Unbound)
Diary of a Bookseller – Shaun Bythell (Profile books)

Books + comics

Film/TV:
Inside No.9 series 4 + Halloween special
The Inertia Variations documentary
Flowers series 2
Avengers: Infinity War
Yellow Submarine 50th anniversary remaster
The Karminsky Experience Inc. – See Inside VR + packaging
Bobby Gillespie on Newsnight
The Clock – Christian Marclay, Tate Modern
Bros: After The Screaming Stops (BBC)

Film3

Events / Gigs:
Art of Noise, British Library
‘O Is For Orange’ premiere Archspace, London
The The, Albert Hall, The Troxy, London, Royal Concert Hall, Glasgow
The Crystal Palace Festival afterparty @ The Paxton Pub, Gypsy Hill, London – one of those gigs where every track flows and lands just right.
The Indie Label Market, Spitalfields, London
The People’s Vote march in October
Jane Weaver at EArtH, London
The Soundcarriers, Gloria and Strange Majick @ The Victoria, London
Dirty Fan Male at the Bethnal Green Working Man’s Club, London

Gigs

Exhibitions:
Sister Corita Kent – Ditchling Art & Craft Museum
Orla Kiely – Fashion & Textile Museum, London
Aphex Twin posters – Elephant & Castle underground, London
The Shape of Light, Tate Modern, London
May The Toys Be With You – New Walk Museum, Leicester
John Vernon Lord – The House of Illustration, London
Peanuts – Somerset House, London
Daniel Mullen – Lisa Norris Gallery, London

Exhibitions 2018

“Another year over and what have I done?”
Designed Peshay‘s ‘Reflections’ LP for the De:Tuned label
Created a 3 minute spoken word collage for Penguin/Random House‘s Voices event at the London Palladium on World Book Day
Supported the Art Of Noise at The British Library
DJed multiple times at Secret Cinema presents Blade Runner
Opened for The The at several of their UK gigs including the Royal Albert Hall, Brixton Academy, Glasgow Barrowlands and Glasgow Royal Concert Hall
Further at the Portico Gallery with Pete Williams, Markey Funk and the Karminsky Experience Inc.
Designed a nine disc set for De:tuned‘s forthcoming 10th anniversary releases
Mixes for Solid Steel, 45 Live, Brokers, Rat Records, Out Of The Wood, Diggers Dozen and radio show appearances for Resonance and Soho Radio
Overhauled my Openmindesign.uk website

DJ Food gigs

RIP: France Gall, Ken Dodd, Stephen Hawking, Matt Dike, Lovebug Starski, Jabo Starks, Tom Wolfe, Aretha Franklin, Orla Kiely shops, Carlos Ezquerra, Paul Allen, Stan ‘The Man’ Lee, HMV, June Whitfield.

Looking forward to: The Delaware Road 2019, Keith Haring retrospective at Tate Liverpool, the Wobbly Sounds book, Further at the Ace Hotel, Sister Corita Kent at the House of Illustration, De:tuned‘s monthly 10th anniversary 12″s, Avengers: Endgame

Happy New Year!