A short half hour this week consisting of cover versions or mash ups. Opening with two versions of ‘Smells Like Teen Spirit’ by The Bad Plus and Tori Amos – superimposed over each other with a splash of the original at the end. The Evolution Control Committee take a brief walk on the moon with a cluster of pitch-shifted Beach Boys’ harmonies before we get another Nirvana take, this time from Dani Siciliano in a jazz style, it seems the Seattle trio’s music lends itself to the genre nicely. I’ve always thought Pendulum’s ‘Another Planet’ could be done in a firey jazz style with a Coltrane sax blast replacing the synths but that’s one for another time.

Vicki Bennet aka People Like Us stretches and splices The Carpenters into oblivion on ‘When I Was Young’ while the Roy Merriweather Trio take on the tune which most Brits will know as the theme to Film (insert year here) with Barry Norman. It’s actually ‘I Wish I Knew How It Would Feel To Be Free’ from the Jesus Christ Superstar Goes Jazz album which annoyingly doesn’t have a version of ‘Heaven On Their Minds’ but does include ‘McArthur Park’ (!?). The Quantic Soul Orchestra’s ‘Hold It Down’ (featuring an early vocal from Alice Russell) is an original and then we’re into the home stretch with Max Tundra’s take on Wings’ ‘Coming Up’ and Frenchbloke & Son’s mash up of the same with Destiny’s Child’s ‘Say My Name’ which both up the electro quota and bounce to the finish line. The final skit comes from one of Si Begg’s Noodles comps where a phone prankster plays Arnold Schwarzenegger samples down the line to a hapless employee. A short and slightly silly half an hour that I enjoyed revisiting even if it’s not a classic.

My first monthly Electrik Collage radio show drops today April 12th on ROVR radio at 2-4pm wherever you are in the world. Tune in live here https://rovr.live/#/ or download the phone app to get archive access.

Track list:
The Bad Plus – Smells Like Teen Spirit
Tori Amos – Smells Like Teen Spirit
Evolution Control Committee – Walk on the Moon
Dani Siciliano – Come As You Are
People Like Us – When I Was Young
Roy Meriwether Trio – I Wish I Knew How It Would Feel To Be Free
The Quantic Soul Orchestra – Hold It Down
Max Tundra – Coming Up
Frenchbloke & Son – My Name Keeps On Coming Up

This hour is a bit of an unruly mess in places, a real hodge hodge of styles that, while mixing in tempo, certainly don’t all mix in key – Stuff & Nonsense indeed. I have to apologise for the mash up of ‘Hey Ya’ and ‘Pinball Number Count’ that kicks this off because, whilst it does kind of work with the odd time signature, it’s annoyingly out of tune, something I couldn’t hear at the time I made it. Much better is the Columbus remix of Alicia Key’s ‘You Don’t Know My Name’ using the Burning Spear track of the same name as a backing track. No idea who made it but it appeared on a 45 around this time and stayed in my record box for years. Zinc’s ‘Casa De La Musica’ is from his Faster album, love the way the off-beat pops over Alicia, and Toolshed’s take on Morricone’s theme from the Exorcist 3 was the B side of their only release on Toolshed Recordings. Loo & Placido were a drummer and bassist from different French bands (allegedly) who appeared for a couple of years in the mid-00s but amazingly still have an online presence at https://www.loo-placido.com/ – they were always a cut above a lot of the people doing mash ups I thought. ‘Work In Progress’ is from their first album – Mash Up The Tops – and adds a reggae skank to Beyonce’s hit from the Austin Powers film.

Zinga’s ‘Evil Eye’ seems to be their only release and the third and final one for OffDaWallMusic, I thought it had a catchy pop hook at the time and found some spoken word about ‘the evil eye’ and hypnotism to add to it. Skalpel’s ’1958’ got licensed to a yoghurt commercial back in the day I seem to remember and, whereas even 5 years before this would have been heresy, any notion of ‘selling out’ had long since evaporated within most of the electronic community by the mid 00’s. As the music industry started to go down the pan due to illegal downloads, any means of attracting extra revenue to shore up plummeting physical sales was a blessing. Skalpel, to me, were the last of the Ninja artists mining the older sounds of the original 90s version of the label, this couldn’t last as samples would become too problematic as the label grew. The original players on the ‘Are You Being Served?’ theme are still a mystery to me but DK and I were obsessed with it and ended up licensing the film version heard here for our Now, Listen Again mix a few years later. I’d forgotten I’d actually played the whole thing over the middle of Skalpel, thus giving it a kind of DnB makeover.

Squarepusher’s ’50 Cycles’ sees him exploring his own vocals, largely unprocessed and I think the Peter Cook dialogue in the middle comes from a promo for Godley & Creme’s ‘Consequences’ album but don’t quote me. Def Harmonic made four albums but never seemed to hit, not sure why as their brand of hip hop was melodic and intelligent. The Tiki Two mix an Ella Fitzgerald version of the old classic with some downtempo Latin breaks and I remember being given this 45 by one of the two guys responsible when he was in London from his homeland of Australia. Four Tet’s remix of Jef Gilson is taken from the Tribute To… 12” he shared with MATO that spearheaded a rediscovery of the French pianist and arranger. More French jazz from Troublemakers – spun from a one-sided 10” on Blue Note. And now more Four Tet, this time remixed by Jay Dee aka Dilla for his ‘Serious’ single and Jazi P3z’s ‘Petaco 2004’ slides in perfectly after it – at last a mix in tune at least. 8-bit video game FX mix with Latin rhythms as if they were made for each other. G Form’s ‘From The Block’ rather ruins the mood with a Northern acoustic take on Jennifer Lopez’s hit. It was taken from Cassette Boy vs DJ Rubbish’s mix album ‘Inside A Whale’s Cock Vol.1’ (I don’t think there was a follow up) and bizarrely I finally met one of the Cassette Boy duo last week as we were both giving a talk at Industry Week in Nottingham. Their talk turned into part stage invasion, part gig with a cut up of Alan Sugar which never made it to the internet that had me crying with laughter. Funny how things work out 20 years down the line.

Tracklist:
Flexus – Pinball Ya Ya
Alicia Keys – You Don’t Know My Name (Columbus remix)
Zinc – Casa De la Musica
Toolshed – Pazuzu
Loo & Placido – Work In Progress
Zinga – Evil Eye (Capp-O D mix)
Skalpel – 1958 (Skalpel remix)
Unknown – Are You Being Served (film version)
Squarepusher – 50 Cycles
Def Harmonic – Villain
Tiki Two – Caravan
Jef Gilson – Fable of Gutemberg (Four Tet remix)
Troublemakers – Every Day is an Extension of Yesterday
Four Tet – Serious (Jay Dee remix)
Javi P3z – Petaco 2004
G Form – From The Block

Banging in with Doubleclick’s entry to the Solid Steel intro competition – we had so many entries – he went on to work with Amon Tobin later on in the early incarnation of Two Fingers. San Diego’s DJ Riko’s P Funked-Up remix of LCD Soundsystem’s ‘Daft Punk Is…’ is a brilliant execution of the idea with extra female vocals to push the point home. Riko was a late-comer to the mash up craze but definitely did some memorable entries, probably best known for his ‘Whistler’s Delight’ release. Phil N’ Dog’s ‘Phat Pants’, best known for their huge ‘Doctor Pressure’ mash up, they follow it up by taking Leftfield’s ‘Phat Planet’ and Orbital’s ‘Acid Pants’ where Sparks’ Russel Mael intones “when the love track starts then the fun starts” over and over. It’s a banger but I don’t know if it came out, Phil – who today still drives his replica American police car, painted to resemble the KLF’s Ford Timelord – probably gave me a CDr with this on it. *Phil remembers: “I think I gave you the CD at Cargo if I remember correctly. No it never really came out as such. Eddy used to play it on XFM and Annie Mac on Radio 1, both from CDR’s I gave them but no vinyl pressings or anything more official were made.” Freddy Fresh comes with the first of three tracks from his Accidentally Classic album, did you know Freddy has made 26 albums over a 32 years career so far?

Another LCD mash-up pits their ‘Disco Infiltrator’ against the Star Wars Cantina Band – I’d forgotten this one, should have dug it out when I did the SW Secret Cinema. DJ Godzilla was responsible but I can’t find any release so this was probably an online download during those Wild West years of file-sharing. More Freddy Fresh with the B12-ish electro of ‘Random’ and then something that rung no bells until I googled it – Mikrosopht ‘Here Today’. Originating from a British online mash-up compilation ‘Hippocamp Ruins Pet Sounds’ which appeared at Hippocamp.net, this ambient patchwork of Beach Boys vocals and voices floats through the ether as an extraordinary example of this kind of audio collage. A similar approach was taken years later by Atticus Ross on the soundtrack for the Brian Wilson biopic, Love & Mercy. It’s the perfect bed for the extremely long build for the next track which takes up the middle section of the mix.

Autechre’s remix of Seefeel’s ‘Spangle’ from the mid 90’s was a classic in my mind the minute I heard it, despite not being released at the time for reasons unknown. I’d tried to get it on our Blech mix in some shape or form but Warp wouldn’t let us have it so I was pleased when Mark Clifford later independently released all 12.15 mins of it on his Polyfusia Records. It’s the ultimate slow burn builder from Sean and Rob and Warp later digitally released it in 2021. The next track by Hood definitely had me scratching my head – no recollection at all – but apparently they were a UK-based post rock band from Leeds, signed to Domino for the first half of the 00’s before going on hiatus. ‘Over The Land Over The Sea’ appeared on one of their last singles and pre-empts the final Freddy Fresh track of the set, the sparse electro of ‘I Go Around the World’. I don’t remember him being this electronic but he’s been all over the map in his career so it should come as no surprise. The final track comes from Bola’s fourth LP, ‘Gnayse’ (Bola-Gnayse – geddit?), the sublimely laid back sounds of Darrell Fitton on Skam overlaid with a bit of Blade Runner dialogue.

Track list:
Doubleclick – Solid Steel intro
DJ Riko – P Funk is Playing In My House
Phil ‘n’ Dog – Phat Pants
Freddy Fresh – Do You Hear It?
DJ Godzilla – Cantina Inflitrator
Freddy Fresh – Random
Mikrosopht – Here Today
Seefeel – Spangle (Autechre remix)
Hood – Over The Land Over The Sea
Freddy Fresh – I Go Around The World
Bola – Effanajor

Opening with a phone message from DK asking me to whip up a mix as he was stuck in Mexico we have a round up of stragglers from 20002. DK always seemed to be jet-setting around the globe back in the day, he’d go off for a few weeks here and there on ‘business’ and then be back only to jet off on tour again. Anyway, opening with one of two comedy skits based on Ja Rule’s then ubiquitous features on pop or rap records by an unknown comedian, these were probably downloaded from the web in those heady early days when the entire world of music seemed to be up for grabs on the feeblest of internet connections. A web search reveals that they were made by someone named David Brody for radio station Z100 NY and apparently later turned up on a 50 Cent mixtape without permission. ‘White Love’ was probably my best mash up and one I regularly played out for years to general approval from the dance floor – a ‘White Lines’ / ‘Like I Love You’ combo that just works, here in an extended form. The Splinter Group was another appearance by DK alongside old Ninja mucker Dean Smith in a one-off single that was an off-shoot from another project (splinter-geddit?).

Freeform’s ‘The Hallaboink’ was the b-side of a 7” on Skam and another Mancunian connection, Andy Votel, follows with his ‘Komedahead’ single which still gets an airing sometimes. More mash-ups with Frenchbloke and Son’s Kraftwerk/Right Said Fred collision that really shouldn’t work but does something neither could do in isolation – hence it joining the ranks of the very best of the genre. I had to look up where Luke Vibert’s ‘Feel Real Mad’ came from because it doesn’t appear on any album from that time, debuting at it did on the first Law & Auder release; a 3-track 12” also featuring Muslimgauze and Bedouin Ascent called ‘High Density 01’. Law & Auder was an interesting label that kind of caught the fall out from the demise of Rising High records for a bit, continuing to put out interesting compilations of leftfield electronic music including what must be one of the first all-female comps in 2011 which in itself was compiled 10 years before.

A prime bit of electro breakbeat from Polar next on the Certificate 18 label, straying away from DnB into other territories and then the Kid Koala-esque cut-up of Jack Planck with a mix which was in time but shouldn’t have been attempted with the swing it had on it. This was another alias of Jackknife Lee that appeared on an odd 7” on Rodeo Meat who released all sorts of oddities before being picked up by One Little Indian for a full album later on. A left turn into screeching organ funk with the Apparat Organ Quartet on David Holmes’ short-lived 13 Amp label with a car crash end mix as the former track wigs out just in time for the beat from Chief Xcel to drop. Xcel’s track mixes ‘Dear Prudence’ strings with a political message and played out the ‘Constant Elevation’ compilation on Astralwerks and here slides simply into ‘Charlie’s Theme’ from Jimi Entley Sound – an Adrian Utley / Geoff Barrow collaboration with a cover of ‘Apache’ on the flip. This now goes for silly money, hope I still have my copy.

Ja Rule is back! The second skit of Ja Ruling the cover version market mixes over the uptempo section of the former track before morphing into the frantic Busdriver ‘Imaginary Places’ where I get very scratch-happy, sorry about that. Seriously though, this track (without my scratching) is amazing, although the origin of the flute sample is alluding me right now. If only more rap was as forward-thinking as this – I was very happy to see him signed to Big Dada for three albums later on. John Kennedy’s superb remix of Aim’s ‘The Girl Who Fell Through The Ice’ is a bit of a lost classic although it doesn’t help that I’m mixing out-of-tune horns over the end of it from Jadell’s ‘To Morning’. My ear for tuning definitely wasn’t what it is now back then, there’s some wince-making moments on some of these mixes, of course, a lot of it was on the fly so sometimes you didn’t know until it was too late. Proper good soundtrack business from Jadell here with a bit of Burroughs slung over the top, this was one of the last things he did it seems, not seen him for years now.

Apologies for the rough mix into the Roots Manuva remix of The Free Association, that really was wonky but I used to love these dubs Rodney did, loose as you like, nice tempo switch up in the middle there too. Mr. Guder (featuring Dr. Rubberfunk on drums) crash in with a raw version of Herbie’s ‘Chameleon’ from Super Guder Breaks vol.1. Otto Von Schirach released a lot of his early material on Schematic out of Miami but this little number comes from a pink 7” on Imputor? (yes the ? is part of the label name) from Seattle, check their label profile on Discogs for a mission statement https://www.discogs.com/label/3497-Imputor?sort=year&sort_order=asc
Mr Dan (aka Dan Carey) plays us out with the excellent ‘Together’ which shows off his pop credentials despite being a electronic beat-fest – he’d be co-writing and producing Kylie’s ‘Slow’ that same year – and we end with another phone message from DK.

Track list:
Unknown – Ja Rule Diss
Flexus – White Love
The Splinter Group – Meaning of Life
Freeform – The Hallaboink
Andy Votel – Komedahead
Frenchbloke & Son – I’m Too Sexy to Be a Model
Luke Vibert – Feel Real Mad
Polar – Lectric
Jack Planck – 1974 Square Dance Documentary In Sound
Apparat Organ Quartet – Romantika (Live)
Chief Xcel – Multitude
Jimi Entley Sound – Charlie’s Theme
Unknown – Ja Rule Diss 2
Busdriver – Imaginary Places
Aim – The Girl Who Fell Through The Ice (John Kennedy remix)
Jadell – To Morning
The Free Association – (I Wish I Had A) Wooden Heart (Roots Manuva remix/Dub)
Mr. Guder – Chameleon
Otto Von Schirach & Sindri – Sduisant Lollipop
Mr Dan – Together

The second half of a tape from a show shared with Julia aka the Black Bitch, an excellent techno and electronic DJ who featured on Solid Steel a few times during the 90s. This is just my set, a busy half hour that jumps all over the place stylistically and kicks off with Scotland’s DJ Krash Slaughta featuring II Tone Committee and Killa Instinct. A dynamite slice up uptempo hip hop at a time when the faster Britcore styles had largely faded from the scene. Turntablist Krash Slaughta was a DMC finalist and absolutely slays on the cuts before Brian Eno’s ‘Fractal Zoom’ attempts to enter the mix but I obviously thought better of it during the manic cut-fest and opted for the more minimal St. Germain with ‘Sentimental Mood’ from the Boulevard series of 12”s. These three singles on F Communications were huge at the time, combining jazz with a heavily swung minimal house groove and still hold up.

Kushti’s UR Allstars was the second release on the short-living Octopus label and brings back lots of happy memories, there’s also a snatch of a DJ Toolz track in there too which I can’t identify. Toolz was an alias of Jazzy Jason, also part of the legendary Blapps posse, London Funk Allstars and Mad Doctor X, the four volumes he released on Ninja Tune in the early 90s were akin to the DJ Food Jazz Brakes both in style and sleeve design. Alpha Proxima’s immense ‘459 – / z’ is sadly truncated in this recording because the tape ended and had to be turned over so some is missing. The track resumes just as Autechre’s excellent remix of Scorn’s ‘Falling’ enters – another one of their classic mid 90s remixes that’s worth tracking down.

Sounds of Life was a collaboration between Photek and Source Direct’s Jim Baker and we hear their ‘Release The Bells’ here mixed in on 33rpm rather than its intended 45, I used to like a lot of my DnB on the wrong speed back then. Some Christian Marclay plunderphonics interjects far too soon and we’re treated to turntablism from the avant garde side of the tracks long before the word had been invented, this live improvisation dating from the 80s. DJ Krush’s ‘A Whim’ plays us out, a single from his Strictly Turntablized album which also birthed an excellent Alex Reece remix on 12” and two mixes by Roni Size and DJ Krust on 10” as I recall.

Track list:
DJ Krash Slaughta – Broken Needles Blown Mics
St.Germain – Sentimental Mood
Kushti – UR Allstars
DJ Tools 4 – ?
Alpha Proxima – 459 – / z
Scorn – Falling (Autechre FR 13 mix)
Sounds of Life – Release The Bells
Christian Marclay – Pandora’s Box
DJ Krush – A Whim