Kaleidoscope Companion mixes

KC cover pt.1

This week is a big one – two mixes but no Solid Steel archive show as I’ve been working on this very special selection and didn’t want to put this behind a paywall. Seeing as the DJ Food album, ‘Kaleidoscope’, turned 20 earlier this month, PC and I thought we’d raid our archives and put together a pair of companion mixes containing early or alternate mixes, versions and unreleased tracks that were made around that era which was roughly 1998-2000.

Patrick has made his own mix and it’s a bit of a revelation as most of the material is unreleased and even I’d not heard half of it. There’s another version of The Crow Dub, an earlier take on his collaboration with Jason Swinscoe which would become Neptune‘s ‘Soul Pride’ later. The original A Splash of Debussy and Monocle ideas and the genesis for what became ‘Cookin‘ in ‘The Power of Rawkus Soul‘. The real treat for me though is the previously unreleased ‘Ents Go To War‘ and ‘Zoom Zoom‘, both of which should never have been left in a drawer for two decades IMO. You can hear that below

Kaleidoscope Companion track list Pt.1 track list:

1) Ents Go To War (00:00 – 05:26)
2) The Crow Dub – The Rook (05:26 – 10:54)
3) See Saw (10:54 – 13:08)
4) Spa (13:08 – 16:04)
5) Night Time (Soul Pride) (16:04 – 19:13)
6) Thumb Piano (19:13 – 21:10
7) A Splash of Debussy (21:10 – 22:48)
8) Zoom Zoom (2:48 – 25:41)
9) Monocle (25:41 – 29:49)
10) Bernard Matthews (9:49 – 30:16)
11) The Power of Rawkus Soul (30:16 – 31:59)

My offering follows on with even more early versions and outtakes…

Full Bleed (Different Vibrations version)
Brixton Baby loop
Hip Operation 3
Sukia – Feelin’ Free remix 1 (big swingle)
god i’m hungry (sample)
The Quadraplex Suite
Stelf (long)
Nevermore (early version) intro
Introvert (early version of Nevermore)
Nevermore (early version) outro
The Ageing Young Rebel (early version w. diff middle/end)
Kenton
A Strange Walk (early version of Feelin’ Free remix 2)
Bad Trip (embryonic version of The Crow)
8 Track Mind (version 1)
Boo Hoo (The Sky At Night early version)
Crow’s End

Track notes:
These recordings are taken from cassettes, DAT tapes and CDRs so the quality and fidelity varies, there’s tape hiss, the odd drop out and distortion but that’s the way they came out. PC remastered a few bits and pieces and some tracks are edits / re-edits. Lots of these versions aren’t fully mixed down or mastered in anyway either but I like that rawness. It was fun revisiting these tapes again, hearing lost parts and versions that we’d completely forgotten about, in certain cases not even played to each other. There’s lots of material, more than you hear here, but you probably don’t need to hear them, believe me. This is the meat so to speak. The late, great John Peel evidently liked the album, playing Break, Cookin’ (twice), The Riff and The Ageing Young Rebel over the weeks preceding the album’s release, even asking us in for a session (see the debut Mixcloud Select upload) and I’ve included a few of his comments from broadcasts I only recently found online.

Full Bleed (Different Vibrations version)
• Probably the earliest version of the track that I compiled featuring Bundy K. Brown’s parts, I sent this to him for his opinion and I remember there was one specific melodic part that I’d pu in twice and he wanted just once near the end. You can hear the basics are in there, spoken word parts were different and it’s kind of rough and loose, especially at the end where I hadn’t finished the arrangement yet. I like the way it’s kind only just hanging in there and almost falling apart by the end (no quantize here). I realised that Bundy was varying the tempo of his drums between 84 and 86 bpm when I was putting it together as it was really messing with the click track, he said it was to give it a live-er feel. We both started from the same breakbeat and worked on that as a foundation, then I comped it up in my studio and Bundy came over to the UK when he was working on a High Llamas album and did some time on the arrangement before I finished it off.

Brixton Baby loop
• We loved Roy Ayres’ moody ‘We Live in Brooklyn Baby’ and PC wanted to do something in that vein. One of the first tracks we worked on had the working title ‘We Live In Brixton Baby’ as much of the album was recorded in Patrick’s flat on Josephine Avenue in Brixton. This was just a loop he made of the Roy Ayres rhythm that I found on a tape, the track we worked up had none of this funk.

Hip Operation 3
• This was an early track which had a long, protracted birth, various versions and ultimately didn’t make the final cut. It started out as a thing called ‘Swingle’ which was a chunk of big band and easy listening samples that ended up morphing in the first version of Sukia’s ‘Feelin’ Free’ remix we made. Like a lot of peers at this time we were discovering the early electronic period Herbie Hancock and wanted to use something from ‘Raindance’ on his excellent Mwandishi Band album, ‘Sextant’. We then loaded it up with a ton of spoken word including Ken Nordine and excepts from a Beastie Boys interview disc and had a breakdown that featured the sounds of Patrick playing squash. I love the strings at the end, we were still finding our feet on this, it’s pretty finished but we never really saw it as a contender for the album when the time came to compile the tracks.

Sukia – Feelin’ Free remix 1 (Big Swingle)
• This is the second half of the original, unreleased version, the breakdown and ending, otherwise we’d just be repeating ourselves a bit. There’s some very distorted low end bass on this, it’s not your speakers.

God i’m Hungry (sample)
• Just a silly sample I found, we decided on no skits on the album because, as PC observed, ‘no one listens to skits’.

The Quadraplex Suite:
• The tracks that made up The Quadraplex EP were always intended to go on the album but, by the time we’d finished them, we realised they really took up a huge chunk of the record. It’s was meant as a trilogy – Hour Glass, Looking Glass and Shattered Glass – made from the sampled sounds of glass and put with a gamelan-type rhythm that changed over time. When we decided it should be a standalone EP we edited together a 4th part – Monocle – from the myriad of versions we’d made (hear even more on PC’s companion mix). It’s still one of my favourite things we ever did so please indulge me on this long middle section of the mix. The resulting section here is threaded together from excerpts from five different versions:

Looking Glass (nearly finished /slower dub) – this is a good 4 bpm slower than the other versions, not sure why, might be the tape it came off running slower or we may have pitched/speed the whole thing up, I can’t remember.
Hour Glass / Shattered Glass (early version) – very minimal early arrangement try out.
Hour Glass / Looking Glass (live drums version) – Patrick was always messing with different percussion effects with this
Looking Glass (early version 1 & 2) – some great EQ/dub FX on this one, watch your headphones/speakers! Parts of this was edited into ‘Monocle’ on The Quadraplex EP.

Stelf (long)
There are several versions of this – a PC composition – and a shorter take of it was so very nearly track 2 on the album but was dropped by us at quite a late stage. I love it but the Taxi Driver ‘morbid self attention’ spoken word sample could have been problematic and in the end we added Ken Nordine’s vocal to it and it became the ‘Gentle Cruelty’ remix of ‘The Ageing Young Rebel’ for the Xen Cuts compilation later that year.

Nevermore (early version intro)
• A really basic collection of samples which were reworked into ‘Nevermore’ later, laid over the end of ‘Stelf’, not really a track.

Introvert (early version of Nevermore)
‘Nevermore‘ started out as a track called ‘Introvert’, in fact, I had so many samples and parts for this track that I ended up splitting them into two tracks (Nocturne and Nevermore). ‘Introvert’ is sort of what was left over and never went any further than this. You can hear the end percussion is all loose and unfinished.

Nevermore (early version outro)
• Strings from the arrangement of ‘Nevermore’ before it was really knocked into shape.

The Ageing Young Rebel (early version w diff middle/end)
• An early arrangement of the backing track where we had the coda as the middle eight/breakdown and then went back into the chorus after an odd little ‘drum solo’. I’d totally forgotten about this and it doesn’t really work which is why we ditched it.

Kenton
• A short little track PC made from a sample at the end of ‘The Ageing Young Rebel’ – this nearly made it on the album too and there’s also a version with some spoken word stuff over the top. I later reworked this (twice) into ‘Theme From Stolen Moments’ on the EPs that preceded ‘The Search Engine’ album. Its title is a clue to the sample source.

A Strange Walk
• A
track that eventually became the second version of our remix of Sukia’s ‘Feelin’ Free’ – unreleased by the band as they broke up but later included on the Xen Cuts comp bonus disc under the sub heading ‘Elephants doing the Washing Up’.

Bad Trip (embryonic version of The Crow)
• I’m sure everyone will recognise what this turned into…

8 Track Mind (version 1)
• A spoken word experiment based on brains and mind samples that I got carried away with and that ultimately didn’t work very well. I was obsessed with John Abercrombie’s track, ‘Timeless’ and wanted to make something out of it so badly. It was a huge sample so I remade the track under the spoken word completely for a second version which I now can’t find. You can hear the same ‘ooweeooweyeah’ sample that’s in ‘Hip Operation’ in here too.

Boo Hoo (The Sky At Night early version)
• Here’s a fascinating early version of ‘The Sky At Night’, before the ’crystal pools’ vocal was added and with a different melodic structure.

Crow’s End
• A slightly extended finish to PC’s epic to wrap things up.

If you’ve enjoyed this meander down memory lane I’ve set up a Mixcloud Select channel where, for £2.99 a month, I’ll be uploading vintage Solid Steel mixes from my archive – access that here https://www.mixcloud.com/strictlykev/

Also check out PC’s Minestrone of Sound MIxcloud and Soundcloud channels where he’s been quietly posting all sorts of unreleased audio treats for years.

While we’re on the topic, I’ve asked Ninja Tune to add some releases to the DJ Food Bandcamp page which has been sitting there for ages with not much content. Maybe some of the material from this post will find its way up there as an official release at some point too?

DJ Food Bandcamp

KC cover pt.3

And there’s more… PC found even more material and has done a short Pt.3!

Kaleidoscope turns 20

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It seems today is the 20th anniversary of ‘Kaleidoscope’, the album PC and I made in 2000 for Ninja Tune. I thought it was more like mid April but a quick look on Discogs shows a promo CD I designed with April 3rd on it so there it is.

We’re still immensely proud of this record and the collaborations with Bundy K. Brown and the late Ken Nordine (RIP) it contains. It also features one of the songs most asked about in the DJ Food discography, ’The Crow’. I’ve lost count of the times this has been used to soundtrack scenes in independent films and it was once adapted for a school orchestra.

PC and I have been digging through our archives for recordings we made around this album – including The Quadraplex EP which was supposed to be a part of it originally but was saved for later. We’re currently compiling selections from them for an anniversary mix that will feature outtakes, alternate versions and other curios from the time.

These will go online later this month via Mixcloud, stay tuned… Meanwhile – the album is available here:

https://ninjatune.net/release/dj-food/kaleidoscope

https://djfood.bandcamp.com/

https://music.apple.com/gb/album/kaleidoscope/416333639

https://open.spotify.com/album/6NZdnBIelaaa2jVnrZL5jV

The making of the new Lapalux album cover

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Lapalux released his new album, ‘Amnioverse’, last week on Brainfeeder and the cover and packaging is superb. As soon as I saw it I was trying to work out how photographer Dan Medhurst and set builder Owen Gildersleeve did it and now you can find out. Over on the Eye On Design website they have a feature on how it was done with process shots – go here to check it out

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There’s some lovely, sympathetic packaging to go with it (inc. a 28 page booklet not shown) and you can buy the record here.

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Funki Porcini Fast Asleep poster reprint

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Back in 2002 I designed the cover for Funki Porcini’s ‘Fast Asleep‘ album (with additional photography by Martin LeSanto-Smith). Ninja Tune then blew the image up to 1m square fly posters to advertise it. You can see one in the living room above the decks in Shaun of the Dead and one hung behind the counter in my local, Rat Records in Camberwell, for years.

SOTD FP poster

Now, Funki’s made a limited edition reproduction of that poster (on better paper too) available from his Bandcamp. While you’re there check out his back catalogue including brand new album, ‘Studio 59’.

The return of the Ninja Tune slipmat

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The slipmat has long been a part of Ninja Tune‘s merch lines, alongside the T-shirt, record bag and Ninja Skinz. The last one I designed for them was back in 2007 for mine and DK‘s ‘Now, Listen Again’ Solid Steel comp. At the time sales of vinyl were seriously in freefall, Serato and Tractor were taking over and people were looking at digital as the way forward, slipmats weren’t exactly flying out the door.
By the end of the decade I don’t think the label even considered making any for their 20th anniversary, they just weren’t on the radar anymore. But things have a habit of coming back again and, nearly a decade on, here’s a new twist on an old design – available now from the Ninjashop.

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Updated Openmindesign site

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I’ve been spending a bit of time updating my Openmindesign portfolio website this week as well as making art for the new daily ‘Kosmischer Debris’ series on Instagram, hence the minimal activity on here. The portfolio is now way easier to get around, I’ve taken a lot out and stripped it back to the bare essentials, although there’s still 20+ years of work on there.

There’s a new format series that I’ve been meaning to start on here but I’ve been too busy to implement it and also, The Vinyl Factory made a return visit this week for a second round of the ‘Freaky Formats’ series which should be up shortly. I’m editing a huge 28,000 word interview I did with Mr Scruff for Dust & Grooves and have finished a 45s mix for the 45/7 Vinyl Club which will debut in March. There’s more but I don’t want to shout about it right now…

Highlights of 2015

2015 Albums
They say that creativity flourishes under oppression and bleak times and it’s been a great year for music so there must be a grain of truth there. In an effort to glean something positive to remember 2015 by in light of all the injustice and hate out there in the world, here are some of my favourite things, in no order whatsoever.

There were several amazing music releases that went far beyond the normal album format – the main one being Aphex Twin‘s incredible Soundcloud dump of archive tracks which continue to drip out and now number over 200 tracks even if he has taken a lot of them down now. If there’s a ‘release’ of the year then that wins hands down although I’m still trying to process it all and tried to compile a selection of the cream in this mix for Solid Steel but bear in mind that that was when he’d only released half of it so by it’s no means definitive.
The other mega-release that deserves special mention is Rammellzee‘s ‘Cosmic Flush’ magnum opus that’s still in the process of materializing in a physical format. Released across seven 12″s with one track + remix + instrumentals + art print each, to be collected in a limited box with booklet around Spring 2016, it’s taken a huge effort by the Gamma Proforma label to bring to fruition seven years after the record’s completion and five years after Rammellzee’s death. It’s been a vintage year for independent Hip Hop too with great albums by Divine Styler, Ollie Teeba, Memory Man and The Fabreeze Brothers.
It’s nice to see the Leaf label celebrating 20 years of existence and still as vital as ever with Melt Yourself Down, Polar Bear, Radioland and new signing The Comet Is Coming all releasing excellent records this year. One last mention must go to the album at the top of the list below that crept out under everyone’s noses on Record Store Day and has slowly been gathering attention through word of mouth in the last eight months. So much so that it won the Dead Albatross Music Prize – an alternative to the Mercury award set up by independent Norman Records to nominate records that would otherwise be passed over at such things. If you only listen to one album from the list below, make it the Annabel (lee) one.

Albums:
Annabel (lee) – By The Sea & Other Solitary Places (If Music/Ninja Tune)
Rammellzee – Cosmic Flush (Gamma Proforma)
Divine Styler – Def Mask (Gamma Proforma) (technically 2014)
Memory Man – Broadcast One (Chopped Herring)
Eagles of Death Metal – Zipper Down
Jane Weaver – The Amber Light (Bird)
Cavern Of Anti-Matter – Blood Music (Grautag Records) (technically 2013)
The The – Hyena (Death Waltz)
The Fabreeze Brothers – S/T (AE Productions)
Markey Funk – Instinct (Audio Montage) (released fully in Jan 2016)
Aphex Twin – Soundcloud Archive dump
Amon Tobin – Dark Jovian EP (Ninja Tune)
Radioland – Radio-Activity Revisited (Leaf)
Ollie Teeba – Short Order (World Expo)
Kurt Stenzel – Jodorowsky’s Dune (Light In The Attic)
Various Artists – The Delaware Road (Buried Treasure)
Floating Points – Elaenia (Pluto)
Morgan Delt – S/T (Trouble In Mind) (technically 2014)
Gaz Coombes – Matador (Universal)
Black Devil – Disco Club (Lo Recordings)
Bruce Ditmas – Yellow Dust (Finders Keepers)
Rodinia – Drumside / Dreamside (Now Again)
Various Artists – In A Moment (Ghost Box)
Jaga Jazzist – Starfire (Ninja Tune)

Tracks:
a few of these are from a few years ago but new to me…
Noel Gallagher – The Right Stuff (Sour Mash)
Graeme Miller & Steve Shill – Moomins Theme (Finders Keepers)
The The – Everybody Wants To Go To Heaven But Nobody Wants To Die) (Cineola)
The Comet Is Coming – Neon Baby (Leaf)
Reso – Richochet (Hospital)
Black Channels – Oracles (Death Waltz Originals)
Paul Rutherford – Get Real (Hardcore) (1989)
Beck – Dreams (Capitol)
Band of Skulls – Hootchie Cootchie (Ignition Records) (2014)
Pond – Zond (EMI)
Ash Grunwald – Walking (2011 but via the Amorphous Androgynous ‘Wizards of Oz’ 2015 RSD comp)
Olivier Libaux – No One Knows (feat. Inara George) (2013)
Alan Copeland – Mission Impossible/Norwegian Wood (ABC) (1968!)

Packaging 2015

Design / packaging / covers:
so many incredibly high quality creations, a oglden age for record sleeve packaging and design…
Science Fiction Dancehall Classics compilation (Trevor Jackson) (On-U Sound)
The The – Hyena (Cineola / Death Waltz/Mondo)
Kurt Stenzel – Jodorowsky’s Dune (Signal Starr) (Light In The Attic)
Jaga Jazzist – Starfire (Ninja Tune)
Tame Impala – Currents (Robert Beatty)
The ‘Beat Bop’ record case (Jean-Michel Basquiat)
Grasscut – Everyone Was A Bird (Lo Recordings)

Artists2015

Artists:
Dan Lish
Kim Jung Gi
Signal Starr
Oddly Head
Ameet Hindocha
Reuben Sutherland
Stan & Vince
Jonathan Edwards
Laurie Lipton
Larry Carlson

Books2015

Books / Comics:
Augustine Kofie – Keep Drafting (ZERO+ Publishing)
Stephen Coates – X-Ray Audio (Strange Attractor Press)
Roger Perry – The Writing On The Wall (Plain Crisp Books Ltd)
Hanson, Godtland & Krassner – Psychedelic Sex (Taschen)
Island – Various (Image)
Sandman: Overture – Gaiman/Williams (Vertigo)
Ody-C – Fraction/Ward (Image)
8-House – Various (Image)
B.P.R.D: Hell On Earth – Various (Dark Horse)
Punks: The Comic – Fialkov/Chamberlain (Image)
Judge Dredd: Enceladus – New Life – Williams / Flint (2000AD)

Format expo

Exhibitions:
Peter Kennard at the Imperial War Museum
Charles & Ray Eames at the Barbican
Cosmonauts at the Science Museum
X-Ray Audio at the Horse Hospital
Trevor Jackson / Format at the Vinyl Factory space
Zulu Nation 42nd Anniversary at House of Vans

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Film / TV: (I really didn’t watch much this year)
Mad Max: Fury Road
Star Wars : The Force Awakens
Love & Mercy
Dune The Complete Saga (Fan edit)
‘Colossus: The Forbin Project’
Rick & Morty

Secret Cinema X-Wing

Moments:
The X-Wing Fighter flying overhead during Star Wars Secret Cinema
The Frankie Goes To Hollywood box set getting nominated for an AIM award for best box set design
Interviewing Edwin Pouncey aka Savage Pencil for a forthcoming book
Getting to wear a full Stormtrooper suit whilst DJing during Star Wars Secret Cinema
DJ Shadow & Cut Chemist – Renegades of Rhythm show at Koko
Writing a piece and creating a mix about Rammellzee for the Quietus
The moving sale finds at Lambiek in Amsterdam
Crazy scenes at the Southbank for the Big Fish Little Fish free Sunday session

BFLF Southbank

Heroes:
Ben Coghill (again) for being the best agent in the business
The NHS – for saving my mum’s life and generally being incredible
Joshu Docherty – for recommending me for Star Wars Secret Cinema
Jeremy Corbyn – for giving hope that there can be an alternative
Sarah Coleman & Leigh Adams – for releasing their first film, making unique and
interesting things and generally being great people
Pete Williams – for getting the keys to the basement
Shindig! magazine – for overcoming the odds and turning a bad situation to their advantage
Pete Isaac & Scott Boca 45 for getting the whole 45 Live crew together and building an international collective
Everyone who gave their time and dug through their collections to contribute to the weekly Flexibition posts on the site: Jonny Trunk, Pete Isaac, Jon Brooks, Markey Funk & Ofer Tal, Stephen Coates, Jon More, John Stapleton, Steve Cook, Anton Armtone, Sarah & Leigh, Spencer Hickman.

RIP:
Mike Allen (Legendary Hip Hop DJ), Lemmy, Demis Roussos, The Pizz, Don Joyce (Negativland), Shusei Nagaoka, Kája Saudek, Errol Brown (Hot Chocolate), Daevid Allen (Gong), Leonard Nimoy, Brett Ewins, Noriyoshi Ohrai, Rod McKuen, Edgar Froese (Tangerine Dream), Mark B.

Looking forward to:
Transmission shop opening in Margate
David Bowie – Black Star LP
Mute 40 book
The Black Channels LP
The Allergies – Rock Rock feat. Andy Cat (Ugly Duckling)
Prophet: Earth War

20 years since the first Ninja Tune ‘Stealth’ club night

Stealth Dec 95

Yes, 20 years ago today (although it was a Thursday back then) Ninja hosted their second party at the Blue Note in Hoxton Square, London and the first with the title ‘Stealth’ (the original party was a launch do for the ‘A Recipe For Disaster’ album). Great times ensued, pretty sure I met my future wife that night too…

20 Years today since the 1st Ninja Tune party at the Blue Note

Stealth October 95 cropped

Yes, that’s what it says on the flyer above. 20 years ago today Ninja Tune held a launch party for the DJ Food album ‘A Recipe For Disaster’ at a small club called The Blue Note in a little known part of London called Shoreditch. Metalheadz hosted a club there every Sunday and a few others had done nights there at the time but such was the success of this one-off it was decided that the label should make it regular. Two months later ‘Stealth’ was born and Ninja became the second label to host a regularly monthly night at the club which, it’s no exaggeration to say, brought people to Shoreditch and spearheaded the interest and popularity of the area as we know it today.

The Dragons in Shindig! magazine #49

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My article on The Dragons is in issue #49 of Shindig! Magazine – out now, 6 pages too. New interviews with Doug & Dennis Dragon plus Donn Landee who produced their BFI album. After their recent publisher troubles the mag is back and as good as ever, you should be able to find it in most WH Smiths and decent record shops. If the article piques your interest and you want to hear the music they made then Ninja Tune still has digital and CDs in stock although the vinyl is long gone.
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Inside The Pleasuredome is nominated in the AIM awards

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I’m very pleased to announce that the Frankie Goes To Hollywood box set I co-designed last year with Philip Marshall and Ian Peel for Union Square Music has just been nominated for an award in the ‘SPECIAL CATALOGUE RELEASE OF THE YEAR’ category in the AIM (Association of Independent Music) awards. We’re up against Oasis, Bjork, Imogen Heap, The Pretty Things and the Cities of Darkscorch boardgame – fingers crossed. Regardless of whether we win or not it’s also been announced the Ninja Tune HAVE won the ‘Innovator Award’ so well done Matt, Jon, Peter and everyone involved in the label.

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Annabel (lee) ‘By the sea… and other solitary places’

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This is pretty special, passed me by when it was released in April as a co-production between If Music and Ninja Tune. Annabel (lee) qualifies for a raft of clichés to be employed – haunting, fragile, beautiful, widescreen, string-laden – it sounds like a lot of things but still manages to sound unique. I’m not sure if the orchestration is sampled or has been played and put through processing to sound like it but there’s a vintage quality to it, not dissimilar to The Caretaker’s crackly 78’s drenched in reverb, although way cleaner.

Think of Nina Simone‘s darker moments with Lou Rhodes‘ folkier ones but backed by an orchestra ripped from a 60s Bernard Herrmann score. I know nothing about her or the record’s origin but her voice is exquisite and I love it. I’ll never make a decent music reviewer, have a listen and make your own mind up. The sleeve is beautiful as well, some sort of distortion process added to old black and white photographs that perfectly match the audio they cover. No credit for the artist or photographer at all unfortunately but with my Ninja contacts I can reveal it was done by my old mate Doug Bowden aka Pandayohurt. Listen and buy it here.
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Jaga Jazzist ‘Starfire’ / ‘Oban’

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This is the stunning new album from Jaga Jazzist, not only contender for cover design of 2015 by a very long margin but also heading for top 10 album of the year status too. It’s taken a while for me to fully appreciate Jaga but with each album they’ve crept further into my orbit so that now each release has to be checked out. ‘Starfire’, after only a few listens, I can quite confidently say, is my favourite so far and it sees a slightly more electronic mission statement than before whilst still retaining the uber-tight Zappa-like syncopation of previous work.

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The design on the sleeve is magnificent here as well and really compliments the futuristic feel of the music perfectly. Browsing the new releases in Fopp the other day I was struck by how little of the current crop of album designs stood out, possessed any kind of classic iconography or would make me want to look at them twice. So much of the ‘style’ of the last few years of the kind of music that racks up kudos from the critics seems to be about minimal, safe, almost nonchalant anti-design, designers afraid to go all out and make a statement or content to reference past styles.
The Jaga sleeve, besides being striking yet minimal, has a clever trick up its sleeve – or should that be on it?. It comes in a screen printed transparent outer cover of evenly spaced vertical lines that animate keys graphics underneath on both front and back as you slowly pull the inner cover out. This effect is being billed as ‘anamorphic’ in the press releases but that’s more about stretching an image, this process is closer to the ‘moire effect’ that tricks the eye into believing that objects are moving as the black and white lines move past each other, much like a TV screen flicker.

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Aside from the outer cover gimmick, the typography on it is stunning, look at those titles above, that must be a custom made face that works with just the right dose of sci-fi and heavy metal styling to make it unique. The labels and second inner sleeve work beautifully to counterpoint the blackness of the outer as well, as does the companion single, ‘Oban’.

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Coming from the Bridget Riley school of Op-Art the single’s sleeve is right in your face, begging you to pick it up. I take my hat off to Martin Kvamme who is credited with the design just for the elegant graphic solution to the 33 rpm speed text on the label, so few designers would bother devising something different these days.
Both releases are out now on Ninja Tune – go and grab them, music that needs to be held as much as heard.

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Ninja Tune 25 Expo, Charleville-Mezieres, France

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I keep forgetting to post this – there’s a Ninja Tune 25 Year retrospective currently showing at the Médiathèque Voyelles, 2 Place Jacques Félix, 08000 Charleville-Mézières in France. It’s been curated by Jais Elalouf aka DJ Oof (that’s him below, at the opening night) from his own personal collection and some of my archive. It features many record sleeves, promo posters, proofs and some original artwork and finishes on April 30th so if you’re in the area check it out.

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Ninja Cuts: ‘Funkjazztical Tricknology’ 20 years old

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Apparently this was released 20 years ago this week – how time flies. Above is my computer file for the Black print that went to the printer before the silver was applied. Below is what it came back looking like if you can imagine the grey as being silver. It didn’t come back with exactly the look I was hoping for in terms of a silver-toned image but back then I was learning the print side of things as I went along.

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Below is an alternate version of the turntables featured on the cover in colour at last. These were my decks and mixer and the photos weren’t actually Polaroids, just normal photos made to look like it by adding a white border. To the left you can see the back of the Jungle Brothers‘ first album with NWA‘s second just peeking out and on the left deck is a Steroid Maximus LP – already subliminally flaunting my love of Foetus‘ music back in 1995.

On the wall are a collection of flyers from the day, the Brain, Passion, Talkin’ Loud and the edge of an Archaos poster on the right. This was only my second ever sleeve design for Ninja, not a design classic by any means but an album that many people hold dear it seems. You can still buy it in digital form online from the Ninja shop too.

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Freehand Food compatibility issues

Recipe_LP_layout_screengrabI’ve been wrestling with old laptops and copies of Freehand all day to try and open the original artwork for the ‘A Recipe For Disaster’ album. I managed to extract the original files from the first ever disc I burned back in 1997 which houses the first work I did for Ninja Tune on it. To think that the first designs were made in 1994 but I didn’t think to archive them until 1997 says a lot about how small the file sizes were back then. The first LP I ever designed for Ninja was 9 Lazy 9‘s ‘Electric Lazyland’ and it all fitted on a 1.4MB floppy disc!

So, ‘Recipe…’ came out in the Autumn of 1995 and I was using Aldus Freehand 3.1 to lay out my designs and deal with type. At the time there were four main programs: the ubiquitous Photoshop, the fiddly Quark Express (good for laying out books and magazines), Illustrator and Freehand. The last two weren’t that dissimilar and were both good at drawing in vectors but you could do decent layouts with them as long as you didn’t want to use reams of text across multiple pages. For some reason I learned Freehand at college instead of Illustrator so that’s what I stuck to, along with Photoshop to manipulate the images, and most Ninja sleeves were done using this in the 90’s and 00’s.

FH9_10Along the way Freehand got bought by Macromedia and made some big jumps between versions which rewrote a lot of the internals apparently whilst still being backwards compatible with older versions. As with any applications, they’re at the mercy of the Operating Systems they’re made to run on and, through the years, Freehand had to make some big changes. It was finally bought by Adobe and then unceremoniously dumped with everything after Mavericks refusing to run the app. But even before this, getting older versions to open on newer Macs was a task and the files I recovered from 1995 just came up with ‘unsupported format’ messages when I tried to open them in Freehand 10, Illustrator and more.

Even on an old laptop running the OS 9 ‘Classic’ environment I had no joy until I remembered that Freehand 5.5 was a big upgrade and should be able to read the older FH3 files. But I couldn’t find a copy anywhere, not on archive discs or the web, the oldest version I had was Freehand 7. As a last resort I booted that up on the old laptop (all 24 MBs of app) and lo and behold, it worked! Here’s the lesson; don’t throw away those old applications that aren’t compatible with current operating systems, you never know when you might need them. What you see at the top is the low res preview of the DJ Food LP cover as it appeared this afternoon. I know it looks crappy but that’s all I need to work with and I’d rather have that than have to remake the whole thing from scratch.