Mixcloud Select 173: New Styles in Contemporary Design/Funk In Your Freezer Madam

MS173 Tape A
This cassette was amongst a batch of tapes given to me recently by my ex-wife that she wanted digitised and probably dates from around early 1997. It’s also a very short tape as the whole mix is only 30 minutes long and that’s both sides! The Outer Limits (and later, Alexei Sayle) both hail from the original Comic Strip Presents album, recorded live at the Comedy Store before The Young Ones TV show propelled them all to fame. The Average White Band’s ‘Work To Do’ used to be on our answerphone, partly in jest that I used to work all hours and Sister Goose & The Ducklings ‘Super Shine #9’ is from the Gordon’s War OST. Marc Moulin was a new passion around this time due to a dodgy boot ‘reissue’ of his Sam’ Suffy album and the (re)discovery of his band, Placebo. You’ll notice a high quota of French artists on this tape as my ex is a huge Francophile and I wanted to showcase a few bits for her. Yusef Lateef is from his excellent Gentle Giant LP and the Gainsbourg cut was probably from some dodgy bootleg compilation as there were many floating round at the time.
MS173 Tape B
Dimitri From Paris opens the B side with a fake trailer from the La Yellow 357 compilation on Yellow Productions. DJ Cam’s track is from his debut LP, Underground Vibes which is followed by the exceedingly un-French ‘Detttwork SouthEast’ by Black Twang, a perfect encapsulation of the South London vibe on vinyl. Blackanized 360 never really get remembered but this Edinburgh duo had some tunes back in the day when Acid Jazz was turning into Trip Hop and ‘Vibe’brations is from their debut 12” – ironically sampling the same source as an early Blackalicious 12” – it can be had for pennies on Discogs. The Herbaliser up next with their second single from their forthcoming second album, Blow Your Headphones, featuring What What and an oddity to close with Steady B’s ‘Rocking Music’. This is really a DJ track, sans Steady but featuring his DJ, Tat Money, and bears similarities to Jazzy Jeff’s ‘A Touch Of Jazz’ before the tape runs out.

Track list:
The Outer Limits – Lenny Flowers
Average White Band – Work To Do
Sister Goose & The Ducklings – Super Shine #9
Marc Moulin – Humpty Dumpty
Yussef Lateef – Jungle Plum
Serge Gainsbourg – Meurtre á l’extincteur
Alexei Sayle – Break
Dimitri From Paris – Bande Announce (The Trailer)
DJ Cam – Dieu Reconnaitra Les Siens
Blak Twang – Dettwork SouthEast
Blacka’nized 360 – Vibe,brations
The Herbaliser – New & Improved feat. What What
Steady B – Rockin’ Music

Wheels of Light now back in stock at Liquid Light Shop


My book, Wheels of Light, published by Four Corners Books, is now back in stock at Steve Pavolvsky‘s Liquid Light Shop online for US customers who want a copy. Steve is the main man behind Liquid Light Lab and a major player in the light show world in NYC. His website is a treasure trove of info, both technical and historical, a great place to start if you’re interested in getting into the medium. His shop is stocked with various paraphenalia that you’ll need if you want to project your own liquid light show including inks, petri dish glass, moiré sheets and more. I’m so pleased he’s into the book, it’s a real seal approval from such a major figure in that world.

In other news, Optikinetics – a major part of my book – have reached their Kickstarter goal for their new home projector, the Kino. There’s still time to order one though and get a variety of additional wheel add ons. The projector can be held in one hand, is very quite and can be controlled via a app on your phone. You have just 4 days left to back the campaign – check it out here

Kino projector

Posted in Books, Light Shows. | No Comments |

No Mixcloud Select this week but a radio show and interview

Delights OOTW
I am quite simply slammed with work at the moment and whilst I’ve been encoding tapes like you wouldn’t believe as I work, the task of going through each one and making a track list and writing up the contents is beyond me at the moment time-wise. I’m juggling a lot of graphics projects and prepping for a couple of gigs, ironing out technical upgrade issues with a laptop and Serato. Instead maybe have a listen back to the excellent Out Of The Wood show I was part of with Markey Funk, Paul Osbourne from Project Gemini and Hannah Brown the other weekend. The full show is online now for all to hear.

Also I was interviewed on Eamon Murtagh and Deb Grant‘s excellent podcast, What Goes Around, a few weeks back and the episode has just gone live. Listen here and give the podcast a listen in general, it’s great.
https://podcasts.apple.com/gb/podcast/s4e7-with-dj-food/id1508554549?i=1000634968403

Hopefully back soon with more mixes, my ex-wife just gave me a bag of 90s/00s cassettes she found to encode and whilst some were personal mixtapes that aren’t for general consumption, there are a couple of bits in there that I’d forgotten about.

All South London vinyl heads should head to Deptford this weekend for the opening of Upside Down Records.
Philippe, Andre and Matt from the infamous but daparted Rat Records in Camberwell are part of Upside Down Record, Philippe’s new shop in Deptford.
They will be opening its doors Saturday November 18th at 11am at 203 Deptford High Street SE8 3NT and be open every day until December 24th included.

2 minutes walk from Deptford train station, which itself is a 5 min ride from London Bridge. There is a fair amount of free parking available in the vicinity too.
Open: 10.30am-6pm – Sat / 12-5pm Sun / 10.30-6.00pm Weekdays

UDR opening

Wonders of the Underwater World covers

Jonny Cuba WOTUW
I want to start a post to document photos of the Jezz Woodroffe covers I see that have been decorated with the sticker sheet provided inside. This fantastic electronic synth soundtrack is available now on Trunk Reords and only the first pressing will have the stickers so if you want a copy get it here before they’re gone.
The above cover is by Johnny Cuba (he promises to do the back soon) and the couple below are by Jason Applin.

Jason Applin back
Jason Applin front
SusansLegPolicy goes for the minimal details below and we finish off with animated Jonny Trunk‘s film…

SusansLegPolicy back 2
SusansLegPolicy back
SusansLegPolicy front


Jonny sent me this stunner from Darren Hall that has a little story to go with it;
“I fought my record nerd urge to keep my copy pristine, and i won, so i gave it to my 11 year old to apply the stickers. He tells me there is a story. The two lower divers are being menaced by pointy toothed sharks so a third diver is coming to their rescue. Meanwhile two other divers, evidently not arsed at all about the perilous situation of their colleagues, are filming some cool fish”.

Darren Hall cover
This just in from Davidboyt84… nice use of fish wrapping round to the back cover there

Davidboyt84
Simon Bowker Heighes has gone a step further and saved sharks for the labels as well as having divers explore the Jezz Woodroffe logo and some nice fish pairing up on the back cover.

SBH A
SBH B
SBH cover
SBH back
This just in from Jolyon Green

Jolyon Green cover

Tomi Ungerer’s Electric Circus posters

EC Bra
Tomi Ungerer isn’t a name that’s normally associated with the psychedelic poster movement but he illustrated these posters for the Electric Circus nightclub that existed between 1967 and 1971 on St. Marks Place, Manhattan, New York. The club was a multi-media environment with light shows that hosted the psychedelic bands of the day to the avant garde minimalists and everyone in between. Warhol’s Exploding Plastic Inevitable was there as were Jackie Cassen and Rudi Stern‘s ‘Theatre of Light’ shows (also revived some 30 years later).
Ungerer created six posters and one advert in 1969 for the club – subtitled ‘The Ultimate Legal Entertainment Experience’ – focusing on people using electric items in odd ways. His playful work swung from children’s books to political critiques to people interacting with perverse sexual machines – check out his Fornicon works if you can find/afford them.

EC Bulb
EC Buttplug
EC Lamp
EC plug
EC Toaster
EC Vacuum
There are many ads and other posters for the Electric Circus on the web but few are in high quality unfortunately. The main logo typeface (and possibly a lot of the ad layouts) was designed by design company Chermayeff-Geismar, a world-reknown practice who are still in business today.

EC opening
EC Hand
EC Muddy Waters
EC student takeover
ElectricCircus-w-magenta-on-cyan Chermayeff & Geismar
Also just premiering is a new documentary about the club entitled Psychedelicized: The Electric Circus Story which can be watched in person if you’re in NYC or online at the end of the month https://www.docnyc.net/film/psychedelicized-the-electric-circus-story/

Mixcloud Select 171: Bits & Bobs Pt 2 18/05/2007

MS171 CDr
More hoovering up the recent crop of promos and new finds in the second Bits & Bobs show of 2007 (not too great with the titles there but I was juggling 20 month old twins at the time).
Starting concurrently, the Emperor Machine remix of White Line Circus makes an excellent bed for Break Reform’s ‘Cut A Map In The Soles of my Feet’ even if I say so myself. Both killer tunes in their own right and I seem to remember that the La Boca sleeve design for ‘Rocket Ride’ is one of their best of the era when they were designers for DC Recordings and the label bearly put a foot wrong for a few years. The Bamboos, still going strong on Tru Thoughts, this time with Ohmega Watts paraphrasing Double Trouble’s ‘At the Amphitheatre’ rap from Wild Style. Skipping a couple of tracks I had completely forgotten that Lost Idol made stuff with heavy beats like this, always one to watch for, glad I was hip to his stuff in 2007. Kids In Tracksuits featured a certain Matt Cutler who most will now know as Lone and I think this track comes from their ‘Get Your Kit On’ EP.

The RamaSutra track is a bit of a tune, seems it was one of the last things he put out in 2003, not sure how I was playing it in 2007. Bit of a sharp cut into !!!’s ‘Myth Takes’ and then into AmmonContact’s ’Drum Riders’ from their album on Ninja at the time, Cut Chemist on the cuts. DJ Dren’s ‘Wot Da Hell’ is from the excellent ‘CTRL C / CTRL V’ comp from 33 Throwdown Recordings, must dig that out again as it has all sorts of cut up goodness on it. Remix heat from Cherrystones for Pedro and more Emperor Machine, this time on his own track but again with a female vocal over it from another track, I seemed to have a thing for this at the time. The song in question is Stephanie Dosen’s cover of ‘Within Without You’ which doesn’t quite work tuning-wise and certainly should have been mixed out by the time The Dragons’ ‘Peace Garden’ arrives in the mix. We were on the cusp of releasing their unissued debut album on Ninja at the time and this track comes from a soundtrack, ‘A Sea For Yourself’.

MS171 PRS

Up next, an unidentified vocal talking about originality before an Eno track from the second compilation of Curiosities, a pair of collections put together by one of Eno’s studio assistants at the time I believe from selections of the vast catalogue of unreleased material he had. Having been absorbed in Eno’s Lighthouse station on Sonos for most of this and last year – a constant stream of over 400 previously unreleased tracks from his archive – I can see what prompted these CDs. They were meant to be a series but only two were ever released, maybe they didn’t sell or maybe the compiler moved on? Friction = Fire’s Dunmore East was the last track on an Irish compilation on the Alphabet Set label which I must have been given when I performed one of the Head soundtrack gigs over there and Peter Wyngarde’s short outro comes from the actor’s very odd solo album to round things up.

Track list:
White Line Circus – Rocket Ride (Emperor Machine remix)
Break Reform – Cut A Map In The Soles Of My Feet
The Bamboos feat. Ohmega Watts – Get In The Scene
Yoko Ono w. Shitake Monkey – O’ Oh
Natalie Walker – No One Else
Lost Idol – We Can Find Love
Kids In Tracksuits – Real Axe
Regal – Capt. Ahab
Ramasutra – The Curse of the Eye
!!! – Myth Takes
AmmonContact – Drum Riders
DJ Dren – Wot Da Hell
Pedro – Fear & Resilience (Cherrystones mix)
The Emperor Machine – Fear of Woman
Stephanie Dosen – Within Without You
The Dragons – Peace Garden
Brian Eno – Haslet
Friction = Fire – Dunmore East
Peter Wyngarde – Pay No Attention

DJ Food Buy Music Club lists

DJ Food Buy Music Club lists
In case you didn’t know, I post monthly lists on Buy Music Club, a Bandcamp-affiliated site where you can keep lists of handy URLs to releases you like or recommend for others. I usually make one a month and post it near the 1st or on Bandcamp Friday (which is today). Each listing takes you straight to the release’s Bandcamp page or you can hit play on the top track and it will cycle through a selected track from each release automatically.

Mixcloud Select 170: Bits & Bobs Pt 1 02/04/2007

MS170 CDr
By 2007 vinyl production was slowing down and a lot of this set was mixed off of CDs or digital files by the looks of the waveform on this file when I booted it up, there’s compression and crushed waveform peaks all over the place. Promos were starting to come in digital form as it was quicker and cheaper to produce CDrs with paper inserts in plastic wallets than mail out 12”s after weeks(!) away at the pressing plant. I think streaming and digital promos were maybe just starting around this time too but the music industry was still in freefall from digital downloading and any costs that could be cut would be. Dublin’s Kormac kicks off the show this week before we’re quickly into ‘The Riddle’, produced by The Sugarman and voiced by Harry Dean Stanton. This came to me via a promo CD and the group were apparently a trio of reclusive South Londoners who self-released this single (with remixes from Ashley Beedle and more) and an album which was possibly promo only. I’m not sure if the vocal is sampled from anywhere but that’s quite a cameo for a debut single if not. DJ Pandaj hails from Italy according to discos and Mirrorsystem was an offshoot of Steve Hillage and Miquette Giraudy’s System 7 project for the more ambient side as their main group became more techno-orientated. They cover Jam & Spoon’s ‘Stella’ to fine effect before The Bamboos’ try their hand at Max Segdley’s ‘Happy’. And is that Matt Berry talking about Fairlight samplers before it kicks in?

!!! (aka Chk Chk Chk)’s ‘Yadnus’ is still such a tune, love that swinging glam beat on anything. DJ Kentaro featuring Spank Rock from his debut Ninja Tune LP next and you’ve never felt smaller as a DJ than when you have to step up to play after him in front of a home crowd in Tokyo, truly humbling. Tiga’s ‘You Gonna Want Me’ takes inspiration from Altern8’s ‘Infiltrate 202’ which in turn sampled Candi Staton’s ‘I Know’ vocal (amongst other things) and this version is the Van She remix. Deekline & Wizard’s collaboration with SOTO on Ghetto Blast Ya uses the metronome tick as a percussion device and I think I must have played the radio mix of Tim Deluxe’s ‘Let The Beats Roll’ here as I remember a much longer intro on this than here. l played this to death in the clubs for a while back in the day, there’s a great dub version too if you’re not into the vocal.

MS170 PRS
The Chris Carter feat. Fine Cut Bodies track is almost speed garage and I’d forgotten that Mark Spiler tune, how crazed, not sure what time signature that’s in. Pendulum’s ‘Blood Sugar’, this came out between their first and second albums and was kind of where I checked out as the next record upped the guitar quota and left me a bit cold. Fracture and Neptune were (are) always good value and were spearheading a kind of return to Photek-era DnB in the 00’s. Can you tell the DJ Fresh mix of DJ Shadow is off vinyl? I had to turn it up on the file here as the drop from the previous track was like a cliff face – such a killer club track but that abrupt ending was always difficult to get out from. Fracture & Neptune are back to play us out with a big Steve Miller Band sample on ‘Ventura’ and there’s a random drugs spoken word collage to finish. Back for part 2 next week…

Track list:
Kormac – Mr Heidi Hi (intro)
The Sugarman – The Riddle
DJ Pandaj – The Lazy Trip Project
Mirrorsysytem – Stella (Duende mix)
Bamboos – Happy
!!! – Yadnus
DJ Kentaro – Space Jungle
Tiga – You Gonna Want Me (Van She remix)
Deekline & Wizard vs SOTO – Ghetto Blast Ya (VIP)
Tim Deluxe – Let The Beats Roll
Chris Carter feat. Fine Cut Bodies – Frogmarch
Mark Splier – Globul Bleu
Pendulum – Blood Sugar
Fracture & Neptune – A Clue
DJ Shadow – Enuff (DJ Fresh remix)
Fracture & Neptune – Ventura

New Infinite Illectrik release – Locked Loop Group and more

ii015 cover web2
Out today – ii15 – Locked Loop Group – Phonomontages #15.1-4 – a mini album of four techno-centric Quadraphon turntable workouts on the heavier side of things. Of course it’s also Bandcamp Friday today which is when 100% of the revenue for all releases bought goes to the artists and labels on the platform.

These are nearly the last of the sessions that I recorded earlier this year in preparation for the Ramsgate Music Hall gig (which has just celebrated 10 years as a venue!). I’m hoping to get one more release out by the end of the year and there are some other pieces I’m saving for a label compilation that may come in cassette form in the new year which will tie up this phase of my label, Infinite Illectrik. There are a few more pieces floating around though; one will be coming out on a compilation early next year, another two will be part of a physical release on a new label at some point in 2024 too, more on that when I’ve finished the design. The Quadraphon is getting a companion soon which may change the whole set up and I also want to work on the hole in the catalogue, ii03, which still isn’t underway and is a very different beast.

Also just out: part 2 of James In Real Life‘s ‘Duplokit’ build series


His Duplokit Infinite Illectrik release: https://duplokit.bandcamp.com/album/phonocollage-131-132
Support him on Patreon for more videos and exclusive audio: www.patreon.com/JamesInRealLife

Dropping soon: video footage of Graham Dunning and I at Iklectik earlier this year for Fog Fest.
You may have heard the news but it seems the venue’s numbered days may be even shorter than anticipated. The whole of the Waterloo Paradise complex that houses the venue and several other businesses and art studios now faces eviction before Xmas when they were previously told there would be none until the proposed development deal was finalised and demolition due to begin. Due to their campaign to fight the site being levelled to make way for office buildings they now believe that the eviction notice has been accelerated to remove any resistence from the land despite demolition proceedings being way off into the future. Please read their latest statement here and help spread the word.

Graham and I play at the NEXT Festival on modified turntables on Nov 29th in Bratislava, Slovakia.

Design work has been relentless since September (I’m not complaining) with multiple zoetropes in the works, an album for The Real Tuesday Weld under a new alias, work for De:tuned that should be announced in December and work for Castles In Space. This is alongside writing assignments for the second Dust & Grooves book, my weekly Mixcloud Select uploads and research for another book.

Delights OOTW
This Sunday sees a Delights special radio show for Out Of The Wood at the Book & Record Bar in West Norwood alongside Paul Osbourne (Project Gemini) and Hannah Brown with special guest Markey Funk beaming in live from Jerusalem. Sadly because of the war in Israel he won’t be able to make it to the UK for a long projected trip and several gigs but this is as near as we can get, huge thanks to Pete Williams for sorting the technicals out. The show is an all 45 set from the four of us and you can listen back to all four sets here

Jezz Woodroffe – Wonders of the Underwater World

IMG_6740This one’s been in the pipeline a while now but finally its time has come. Jonny Trunk asked me to repackage the cover to Jezz Woodroffe‘s 1981 album, ‘Wonders of the Underwater World’ over a year ago now but to turn it into a seascape that stickers could be used on to make your own scenario in the style of those old rub down tranfer books from the 70s. He looked for the old Letraset style transfer-makers but to no avail so we plumped for a transparent sticker sheet holding all manner of fish, divers and a SP-350 Denise mini sub as featured in the Jacques Cousteau documentaries.

IMG_6744
Elements of the seabed were generated using AI (well over a year ago now) and then collaged together for the cover and labels. We chose to keep the original typography as it’s so of its time and the insert with the album notes apes the wavey countours of the original back cover. The album is a synth-heavy soundtrack to a documentary about the Truk Lagoon, an infamous battleground which is now home to numerous sunken military vehicles; planes, tanks and boats which are slowly rotting on the sea bed.
You can order it right here and now
IMG_6735IMG_6739

Nothing Can Ever Be The Same


Enowatch pt.48271 – I’ve been fair obsessed with all things Eno of late, not least because the recent Gary Hustwit and Brendan Dawes AV piece, ‘Nothing Can Ever Be The Same’, premiered at the Venice Biennale last week. This 168 hour installation takes Eno’s video and music archive and uses it as material to feed the generative engines they’ve built whilst also serving as a kind of trailer for Hustwit’s ‘Eno’ film due next year. See examples of it below.

CompleteObscure_LP03 web
There’s also the recent announcement of the Obscure label boxset that sees all ten albums on the label from the mid to late 70s run via Island records re-issued with an 80 page book, I’ll be writing more about this once I’ve devoured it.
Meanwhile I’m still trying to listen to everything on Eno’s Sonos radio station The Lighthouse, now with 424 unreleased tracks from between 1989 and 2023 streaming randomly 24 hrs a day but that algorithm just isn’t playing certain tracks. Of course Brian also plays London tonight with the Baltic Sea Philharmonic to perform his Ships show that’s been doing the rounds in Europe.

Posted in Film, Music. | No Comments |

Floating Points – Birth4000 single

FP single cover
I was struck by the cover art to Floating Points‘ new single, ‘Birth4000’ the other week as it resembles the liquid light shows I so love. On further investigation, it seems that’s not far off as the artist, Akiko Nakayama, projects her ‘Alive Painting’ onto huge canvases from microscopic sizes. Her website is well worth some investigation and she made a video for the single which you can see below as well as a billboard that Ninja Tune showed off somewhere in London recently.

FP billboard

Mixcloud Select 169: If Music Be The Love Of Food… Solid Steel 02/02/2004

MS169 CDr
I fell in love with Javi P3z’s music when I discovered his and Camping Gaz’s ‘Circus World’ 12” on Novophonic and played it to death. It’s strange mix of skanking batucada with theremin top line mixed with circus clowns and children cheering (yes, really). Totally unhinged and unlike anything else, I once found five copies in a bargain bin for £1 each and proceeded to give them to anyone who would take one. Here’s his follow up, under another of his many aliases – ‘Safari-Hari’ – an equally audacious romp through the jungle if less on the crazed side but beautifully packaged in a cardboard shopping bag as part of the Onze Sports double 7”.

Mr Melvis – ‘A Walk Through The Powerhouse’ was featured on a 2xCD compilation of “Strange and unusual music from the Exotica Mailing List” put together by my friend Otis Fodder on his Comfort Stand label. Otis and I had met online when he started the 365 Days Project in 2003, posting a weird and wonderful track or album every day via the WFMU website. This was a great resource in the early days of file-sharing on the web and the whole project is a wonderland of treasures. Otis was a resident in Montreal at the time (or was it Toronto?) and we later met up a few times when I toured over there, bonding over our love for strange music from the margins. Despite saying ‘never again’ once the year was up, he repeated the feat through 2007 and both are still archived online. http://wfmu.org/365/

Anyway, Mr Melvis is covering a favourite, Raymond Scott’s ‘Powerhouse’ before we subtly shift into a deep house masterpiece of a remix by Charles Webster that totally captivated me when I heard it. Doing away with all but a single phrase from Martina Topley-Bird’s ‘Soul Food’ Webster grooves on a cappella cooing and deep bass pads and I could listen to this all day, I wouldn’t call myself a deep house fan but this could covert me. M*A*R*Y was a Richard X alias, this track was the sole release on a split 7” single with Liquitex until 2022 when an archive album appeared called High Noise Cassette – no doubt the product of lockdown hard drive excavation like so many of us. The Emperor Machine was a no brainer for me as soon as I heard Andrew Meecham’s analogue radiophonic stylings and this was the beginning of a golden run of releases on the DC label through the 00’s. NSM I don’t remember much about but it was short for New Sector Movements, IG Culture’s loose collective of broken beat collaborators.

MS169 PRS

I don’t remember this DJ Zinc boot of ‘Milkshake’ either, no idea where I got that, dodgy offbeat mix by me there too, sloppy. Coldcut remix the Dr Who theme, this was another that came and went with little fanfare although there’s plenty of work in there transforming it into a half time dub with female vocal replacing the main melody. In fact I can’t find any info about it on Discogs so I’m wondering if it even came out? I asked Jon More and he confirmed that the Beeb shelved it, to quote the Guardian: “The best series of songs inspired by Dr Who is annoyingly locked away in a record company vault. In 2004 the BBC planned an album called Resistance Is Futile: Doctor Who Remixed, which was to feature St Etienne (who finished recording There There My Brigadier), 808 State (The Master’s theme), The Orb and Coldcut. But production delays had it jostling with the launch of the revamped TV series and it was scrapped.” I’ve spun the infamous outtake of Tom Baker in the vocal booth over the beginning which was a popular meme doing the rounds in the early days of file downloading. LCD Soundsystem’s amazing ‘Yeah’ still sounds utterly relevant and exciting and I’m thinking I must have compiled some of this mix using my old Numark CDJ as the pitch shift up and subsequent phase FX into the DJ Zinc track after bear all it’s hallmarks. Bit of Kylie over the top there before the switch and that’s quite a tempo increase, hold tight! ‘Next Tuesday’ was from Zinc’s Faster album, a decent attempt to make a well rounded dance album covering all styles rather than just club bangers.

Aaaah, Sixtoo and Damo Suzuki – what a track, what a beat, could listen to this all day, was so proud to have had a hand in bringing Rob to Ninja Tune back in the day, wasn’t for everyone but it floated my boat. This is a really random selection, we go through the heavy Krautrock-isms of Sixtoo to dark electronic rap via the Shadow Huntaz and then acoustic pop from Air. P-Love’s ‘Clausland Man Rd’ from his time on Bully Records (with my dodgy scratching over the top) into Ricci Rucker’s ‘New Dirt’, always interesting on the scratch/beat tip – rounding out a truly eclectic selection of contemporary tracks of the day.

Listening back to this (and a lot of the mixes in this archive) I’m reminded how much music soundtracks our lives and how I’m not currently soundtracking the present day by recording shows of current music and digging finds. I guess I didn’t expect to be listening back to these mixes nearly 20 years later and getting so nostalgic for the eras they evoke. Maybe when this is over I’ll start something new but it’s a big commitment and I’m not sure I could do it every week anymore. Maybe a new kind of show, I don’t know, what kind of music-related show would you tune in to?

Track list:
Digital Onze – Safari-Hari
Mr Melvis – A Walk Through The Powerhouse
Martina Topley-Bird – Soul Food (Charles Webster’s Bangin’ House Dub)
M*A*R*Y – 73 Club
The Emperor Machine – Expanding in Reproduction
NSM – Trying Times
Kelis – Milkshake (DJ Zinc remix)
Delia Derbyshire – Dr Whooligan (Coldcut remix)
LCD Soundsystem – Yeah (Stupid version)
DJ Zinc – Next Tuesday
Sixtoo feat. Damo Suzuki – Storm Clouds and Silver Linings
Shadow Huntaz – Razbar
Air – Cherry Blossom Girl
P-Love – Clausland Mtn Rd
Ricci Rucker – New Dirt

Wheels of Light now out in the US

WOL cover
Not only was my book ‘Wheels of Light’ published a year ago by Four Corners Books but it’s now available in the US with free UPS ground shipping from D.A.P. – they are also supplying bookstores too if you want copies for your store. Order here
Wheels of Light Oil Wheel Optikinetics
WOL8
In other related light show news, Optikinetics are close to fulfilling the Kickstarter for their new Kino projector, a mini home projector that takes 6″ wheels and includes several options to back including one with my book and vintage Pluto wheels.
You can back the campaign and get your own home projector here

Kino projector
85754d33299997ada282202216a517f5_original
b5ed1ce3aa0a284cb82e3c5f08036518_original

Upside Down Records

Philippe UpSideDown
There’s a new record shop coming to South East London and I couldn’t be happier as it’s run by my good friend Philippe of Rat Records fame. Currently nearing completion in Deptford, Upside Down Records will be part of a new building devoted to artist studio spaces and should be open by Xmas this year.

USD logo and sign
In the meantime Philippe is amassing stock for the shop so, if you’re looking to offload that vinyl collection then now’s the time to sell as Philippe is on a buying mission around the South East of the country, contact him via his website or Facebook page, give him a follow on Instagram to see latest buying trips and sign up to his mailing list for first dibs on what’s coming.

USD records

Mixcloud Select 168: 2×16 min mixes for BBC 6 Music 04/2004

MS168 CDr
I’ve completely forgotten which show these were recorded for on 6 Music or why they needed two 16 minute mixes (if anyone remembers please drop a comment) but they’re on a disc with a private mix I did for my then wife in February of 2004. Parts of this resemble DJ sets of the day including the whole ‘Clapping Song’ routine with multiple copies on 7” that I’d switch between in quick succession. J Star who kicks things off did a series of white label reggae mash-ups at the time that were some of the best around, crazy to think people were actually pressing these bootlegs on vinyl but I suppose it’s no different to the multitude of 7” re-edits doing the rounds today. As the real Cure morphs into Kurtis Rush’s Missy Elliot/George Michael medley I thought I’d better double check if my memory was still correct as to who was behind the name. Yes, Kurtis was in fact Erol Alkan who made a trio of white label mixes around 2001/2002 and was also rumoured to be behind the Kylie/New Order blend that she premiered at the Brits that year.

Chuck Brown & The Soul Searches’ pre-Go Go classic ‘Ashley’s Roach Clip’ is immediately recognisable for the drums that Eric B & Rakim nicked for their ‘Paid In Full’ classic. I add in a Jungle Brothers acappella which really needed to be chased along with the wavering tempo. Coldcut of course remixed ‘Paid In Full’ into an even bigger classic and it’s their ‘instrumental’ of the mix under the title ‘Not Paid Enough’ that begins the second mix, with Martine Girault’s beautiful ‘Revival’ over the top which was enjoying a errrrm… revival at that time. Out of this is the Play School breakbeat monster ’Bang On A Drum’ that Coldcut sampled for the outro of their remix and then we get into some country and western hip hop comedy with Ricky V. Valentine who I’m still no wiser as to the identity of. This little skit appeared on a 12” on the C Side Trax label and Ricky was never heard of again. This Kid Named Miles’ cover of ‘Ring of Fire’ didn’t leave my DJ box for about five years I think, always a great end of nighter and Nicky Thomas’ version of ‘Soul Power’ pads out the end of the mix.

MS168 PRS

Track list:
Pts.1&2
J Star – No Diggity
The Meters – Hand Clapping Song
Shirley Ellis – The Clapping Song
Malcolm & The Humphries Singers – The Clapping Song
Ray Russell – The Clapping Song
Pia Zadora – The Clapping Song
The Cure – Close To Me
Kurtis Rush – George Gets His Freak On
Chuck Brown & The Soul Searchers – Ashley’s Roach Clip
The Jungle Brothers – Jimbrowski (acappella)
Coldcut – Not Paid Enough
Martine Girault – Revival
Play School – Bang On A Drum
Ricki V. Valentine – Ghetto Classics
This Kid Named Miles – Ring Of Fire
Nicky Thomas – Soul Power

The mystery of the John Peel Frankie Goes To Hollywood tape

Peel tape box
Recently I was lucky enough to accompany my friend Eilon Paz of Dust & Grooves to Peel Acres – John Peel‘s family home and site of his incredible record collection. We’d been granted a visit by Tom Ravenscroft, one of John and wife Sheila‘s four children and renown BBC 6 Music DJ in his own right. We were getting an exclusive look into his archive for the follow up to Eilon’s 2013 book on vinyl collecting, Dust & Grooves – due out next year. This piece isn’t about the whole visit though – for that you’ll have to buy the book and see all the amazing treasures we found – but about something that was discovered before we arrived that I took a special interest in. On the drive up from the station Tom revealed that the week before they’d uncovered a huge stash of tapes from a hidden cavity in the floor below John’s studio, previously some sort of sunken sitting space that had been covered over decades before for space and safety reasons. In amongst the hundreds of cassettes were demos and submissions from hundreds of bands, some unknown and unsigned at the time and one name sprang out at me from the list he reeled off – Frankie Goes To Hollywood.

Readers of this blog will know that I’m a huge fan of both the band and their label, ZTT so an early demo from them was of interest despite having heard pretty much everything that’s ever come to light from their recorded history (plus plenty of material yet to be officially released). Even better was that there was a personal letter enclosed as with many of the things we found that day. Once in the house and faced with the mammoth task of even knowing where to begin, Tom kicked things off by retrieving the tape from a small pile of the more interesting finds he’d pulled from the boxes. Extracting the letter, he began to read and by the time he’d finished I was more confused than when he started. See for yourself, most Frankie fans will be similarly scratching their heads.

FGTH John Peel letter web
Three things that instantly jump out are: who was A.K. Reynolds? There was no one of that name in the band. The track titles – I’d never heard of any of them – and the time frame – recorded ’77 – 80? The Frankie that became world famous didn’t form until 1982 but this letter was from a Liverpool address and the writer a bassist, as was Holly Johnson originally, the band’s vocalist, when he was a member of Big In Japan. Maybe this was a pseudonym and he’s sent some solo material to John in the hope of getting airplay? There couldn’t be two Frankie Goes To Hollywood’s, the name was too unique, taken from a page of Guy Peellaert‘s 1973 book, ‘Rock Dreams’ which Holly had then adapted.

GuyPeellaert Frank Sinatra I decided to consult Holly’s 1994 autobiography, ‘A Bone In My Flute’, as his recall of the early Liverpool years is extremely detailed, hoping I’d find a reference to the name or address on the letter. Eventually my patience was rewarded on page 132 with first, the writer’s name, and simultaneously the origin of the band’s moniker.

P132
P133
The band Holly formed with Ambrose Reynolds – the A.K. Reynolds who wrote the letter, also a bassist – were Frankie Goes To Hollywood mk1. Steve Lovell and BF Tin were also members and I’d say that the time frame here was about 1979/80 although it doesn’t explicitly say in the book. Ten pages later there’s another clue as to those sessions as Holly meets and starts writing songs with Peter Gill, Brian Nash and Mark O’Toole in the embryonic stages of what we now know as Frankie, when they were part of a band called The Dancing Girls and later, Sons and Egypt.

P142
As nothing came of Frankie mk1 I’d hazard a guess that Ambrose sent the recordings (or some of his own maybe?) to John and used the name? Holly released at least one solo single between Frankie mk1 and 2 so there was a gap, it’s a pity I didn’t see if there was a date on the letter. Looking up Reynolds on Wikipedia shows that he was pretty active on the music scene around Liverpool, later teaming up with ex-Big In Japan vocalist Jayne Casey to form Pink Industry and starting Zulu Records together, but one paragraph stood out:
“In 1980, Reynolds formed a new band, Frankie Goes To Hollywood with Holly Johnson, BF Tin and Steve Lovell. The name is a matter of contention; Johnson wanted to call the band Hollycaust, Reynolds disagreed, Johnson responded “we could call it anything”; his eyes then drifted to a poster on the wall of Frank Sinatra (from a book called Rock Dreams) as he read out the caption, saying disparagingly, “we could even call it Frankie goes to Hollywood, it doesn’t matter”, at which point Reynolds said, “yes, that’s what we SHOULD call it, it’s original and different”. The band split up soon after that, and Reynolds continued to work under that name until 1981, when Johnson began using the name for his more successful band of the same name a few years later.”

So there we have it, the contents of the tape are from the little known – and I suspect even lesser heard – Frankie Goes To Hollywood mk1 although whether any of the recordings include Holly’s contributions we may never know. Thanks to Tom for bringing it to light and Eilon for inviting me along, we found some great stuff but you’ll have to wait for the book next year to see and read about that. Thanks also to Tom’s mum, Sheila for her hospitality, here we are together with a John Lennon promo pack, shot by Eilon (can you tell by the superior quality?).
Take a look at the Dust & Grooves website and give Eilon a follow on Instagram as he continues his Vinyl Nomad tour (inc more photos) – he’s off to Japan next week!
This has been another DJ Food digging mystery solved…

DJ Food & Sheila Ravenscroft
PS: There was also a nice additional passage in Frankie member Brian Nash‘s autobiography remembering John:

Nasher 1
Nasher 2

Magnetic Cartridge Quartet ‘Polykicks B’ video


I made a video for my Magnetic Cartridge Quartet ‘Polykicks B’ track from the Buried Treasure ‘Decapod’ compilation – all made using a vintage Strand Patt theatre light with 18″ glass optical effects discs, patterned glass or coloured gel inserts.

The label’s 10th anniversary party is tonight, Sat 14th at The Couch in Bracknell – compilation and ticket here
https://buriedtreasure.bandcamp.com/album/decapoda

The track was made live using my Quadraphon turntable, edited down and given a sonic scrub on the mix by Osymyso. The video footage was filmed using an original Strand theatre light with 18″ rotating glass disc attachments and other visual tricks. Thanks to Rob Halliday for access to the lights and for working the FX.

Opti launch their Kino projector


Opti(kinetics) have launched their mini projector the Kino via Kickstarter including an array of wheels, mirrors and even my Wheels of Light book as added incentives. One of the wheels on offer is an original vintage Pluto wheels from the 70s, the company bought the remaining stock from the company many years ago and once these are gone they’re the last of the surviving stock. You can pledge your support here for this lovely little projector that will take magnetic 6″ FX wheels and can be controlled via a phone app. I’ve used a prototype and they are beautiful and work straight out the box, perfect for home use rather than clubs and gigs.

Kino projector