Alessandro Alessandroni’s Afro Discoteca

alessandroni 26 webSad to hear of Alessandro Alessandroni‘s passing earlier this week, the Italian film and library composer probably most famous for the whistling on Ennio Morricone‘s theme tunes to ‘A Fistful of Dollars’ and ‘For A Few Dollars More’ scores and being the voice of Piero Umliani‘s famous ‘Ma-na mah-na’.

Weirdly I was listening to a very different type of Alessandroni the week before, this new release from Four Flies Records that collects unreleased music from his vault under the title,‘Afro Discoteca’. It’s a 4 track EP of library cues from the 70s that the title sums up perfectly with a disco beat underpinning congas and synths in equal measure. Sadly it was released only two days before his death. Jonny Trunk is dedicating the whole 2 hrs of his OST radio show to Alessandroni this week so tune in if you want to know more.

afrodiscoteca_def

Further at the Portico Gallery trailer

Here’s a trailer for what to expect at Further on May 6th at the Portico Gallery

DJ Food & Pete Williams present a new, irregular evening by creating an audio visual space to enjoy. Films, slides, oil projections, food, drink and plenty of seating form the environment to soak up the sights and sounds.

Programme:
7.30 – 8.30: Doors, there will be a record stall with stock picked to compliment the evening by Micheal from the nearby Book & Record Bar and delicious food from local café Pinterdera served alongside the fully licensed Portico bar with beers & ales

8.30 – 10.00: Ghost Box Records in the form of Jim Jupp (Belbury Poly) and Julian House (The Focus Group) will be playing an audio visual DJ set.

10.00 – 10.3: Howlround will perform a live score to ‘A Creak in Time’, a film by Steve McInerney (Psyche´-Tropes), via tape loops and reel to reel machines.

10.30 – 12.00: DJ Food & Pete Williams will open and close the evening with their multi-projection Light & Sound Designs.

Location: Portico Gallery, 23B Knight’s Hill, London, SE27 0HS, UK

Tickets here: (limited cheaper early bird price nearly gone)
https://www.eventbrite.co.uk/e/further-at-the-portico-gallery-tickets-32880361045

Travel:
Train: West Norwood overground station (1 min walk)
Buses: 2, 68, 196, 315, 322, 432, 468, 690

Pierre Henry’s Liverpool Mass completed after 50 years


Liverpool’s Metropolitan Cathedral is to host ‘The Liverpool Mass’ (Messe de Liverpool) by Pierre Henry on May 13th.

Developed by one of the godfather’s of musique concréte for the Cathedral’s inaugural mass in 1967, it wasn’t completed it in time and another work was substituted. Now, 50 years on, in a unique collaboration between Henry and Bluecoat, the piece will be staged in full at the Cathedral, in an immersive experience. With a sound design created especially for the space using 40 speakers arranged around its circumference, The Liverpool Mass will be presented as a live mix by Henry’s collaborator Thierry Balasse.

Consisting of six movements – Kyrie, Gloria, Credo, Sanctus, Agnus Dei and Communion – the work interprets the traditional mass through recitation of its texts, accompanied by musical instruments ‘treated’ by Henry to produce a composition fitting for the ceremonial and celebratory occasion of the Cathedral’s inauguration.

This will be the first time The Liverpool Mass has been presented with Henry’s cooperation and a new sound design in the setting for which it was originally intended: a mid-20th century modernist structure with distinctive ‘brutalist’ architecture of concrete and stained glass. Henry’s electronic score was intended to complement this daring new building, as the sound would resonate in the magnificent, cavernous, light-filled circular interior. Watch this fascinating short film about how the stained glass was made for the top tower.

The evening programme will begin at 7.30pm with a set by Vincent Epplay and Samon Takahashi, made in response to Henry’s music in the Cathederal setting. Tickets cost £10 or groups of ten or more get a discount of £7 per head – on sale here.

The Delaware Road At Kelvedon Hatch Audio Apocalypse Survival Kit on OST

OST show 18.02.17
(Mark, Robin, Dan, Chris, me, Ian – out of shot Zoe, Hannah and Alan – who was taking the photo)

On Saturday I was invited to be a guest on the OST show on Resonance FM – this time with Robin The Fog ably sitting in for an absent Jonny Trunk (away on Basil Kirchin business in Hull). Joining us in the studio were Alan Gubby (Buried Treasure), Mark Pilkington (Strange Attractor Press), Dan Wilson (Radionics), Hannah Brown (Kvist), Ian Helliwell (Tape Leaders book and so much more), Chris Sharp (Concretism) and Zoe ‘Lucky Cat’ Baxter who stayed on after her show beforehand.

The reason was twofold – to try and present a sonic picture of all the artists who would be contributing / playing at The Delaware Road event at Kelvedon Hatch Nuclear Bunker on July 28th. If you’re not up to speed on exactly what The Delaware Road is then please go here.

The gathering was also to highlight a very special prize bundle assembled from all who’d be taking part that’s being auctioned off in aid of Resonance FM’s annual funding drive. Here’s a photo of most of the items to be included:

Delaware Road bundle

Here’s a link to The Delaware Road At Kelvedon Hatch Audio Apocalypse Survival Kit auction in aid of ResonanceFM

Here’s a link to buy tickets for The Delaware Road gig on July 28th

and here’s a link to the 2 hour show featuring music from a lot of the prizes featured above.

Future Shock 2000AD art at the Cartoon Museum photos

CM_Dredd_poster
I finally got a chance to see the Future Shock exhibition of 2000AD classic original art the other day at the Cartoon Museum, tucked away in the back streets near the British Museum. It costs £7 and once you’ve navigated past some of the most miserable/bored looking staff you’ll ever see you can peruse the galleries of comic and political art.

As far as pieces by key artists of essential stories and characters go, this is one of the best collections of art you’ll see aside from Rufus Dayglo‘s blink-and-you’ll-miss-it exhibition this coming weekend at Geek 2017 in Margate. The bulk of it comes from long-time collector Wakefield Carter who runs the Barney database and regularly trades or sells original art. All the major names are here, with examples from some of the classic stories too (Dredd Cursed Earth and Dark Judges to name but two) and there’s a lot of it. Shown here are just a few of my personal highlights.

CM_FStext
CM_StrontiumDog CM_Gruber CM_DreddCEspreadCM_Dreddcloseup CM_McMahonCEDreddCM_Bolland DarkJudgesCM_BollandAndersonDreddCM_BollandPunksCMEwinsDeath CM_RobinsonDreddCM_ONeillNemesis CM_ONeillNemesisdetailCM_NemesisHinklentonCM_FlintNemesis CM_Robohuntercover CM_Halo CM_America CM_DavisSlaineCM_FabrySlaineCM_DreddMcMcover

Upstairs, the regular exhibition is full of classic images, characters and artists too inc. Dave GibbonsLichtenstein-baiting ‘Whaat?’, Watchmen, Batman, Dan Dare and V For Vendetta art and original Leo Baxendale pages.

CM_Whaaat CM_Watchmen2 CM_Watchmen1CM_BollandBatman CM_DanDare CM_VCM_WillyTheKid

An Ambient Evening with the Orb and friends

ORB-RFH-1600x630-3FEB17-V0.4-REVISION-4 Kev revision
I’m very pleased to announce that I’ll be part of The Orb‘s ‘An Ambient Evening…’ at the Royal Festival Hall on April 21st alongside The Orb (of course) Youth, Roger Eno, Metamono, Gaudi, George Holt (Cakelab), Micheal Johnson (The Book & Record Bar) and more. As part of the ever-growing local South London crew that have gravitated to the West Norwood Broadcasting Company (WNBC) operating out of The Book & Record Bar, Alex Paterson invited us to be a part of the evening to showcase some of the people within this community. Tickets are on sale now .

Not only that, Pete W (Out Of The Wood radio/WNBC) and myself will be unveiling the first outing of our new venture into sight and sound: Further.

Further letters logo
We’ve been kicking this idea around since last summer, wanting to create a space where music and visuals come together in different social settings to form an environment with as much emphasis on the visual as the musical. We’ve gathered an arsenal of analogue kit to make this happen, multiple slide and oil projectors, 3″ cassette effects and all manner of antique controllers to trigger them, with the aim of going back to some of the pre-digital practices that are being lost as we advance into a virtual world. It’s also a chance to showcase the kind of music we’ve been playing in the record shop, on the radio show and in venues like Spiritland over the past year or more – a willfully obscure blend of anything goes from the deepest, unexplored corners of our record collections.
Further logos x10
The idea is to install Further into different places, working with different layouts to make each one different and fresh. Musical and visuals guests will be invited and given space to do their thing and and we’ll provide the environment for them to fit into. Think the 60s UFO club meets a 70s Arts Lab meets the 90s Land of Oz nights with a leftfield audio/visual agenda. We’re currently talking to various different people about the possibilities of staging one of these events in their venue so if you think this could work for you then please get in touch: [email protected]

Further poster 2.1

Touched / De:tuned ‘Covert II’ EP

Covert II_Press Picture
Today 04.02 is World Cancer Day, Belgian label, De:tuned have got together with Touched (first ever vinyl release for them) to bring the ‘Covert II’ EP with all proceeds donated to Touched – Music for Macmillan Cancer Support. The five artists on the EP are all unnamed, can you guess who they are? Order digital or limited vinyl here
All artists, The Designers Republic & Matt Colton at Alchemy Mastering offered their work for free.

Swifty Book launch at the Exposure Gallery

swifty_launch.160631
Ian ‘Swifty’ Swift and Gamma Proforma launched the book they’d been working on for 2 years last night at the Exposure Gallery on Little Portland Street, London (opposite the Heavenly Social). Packed to the rafters with faces I recognised from over the years (Ross Allen, Neville Brody, Chris Allen…) it was a resounding success even though I couldn’t stay long. The book in question is huge and everything you’d want in an overview of the man’s career – go get it here now before it sells out.

Swifty_crowdSwifty_Flyers1Swifty_sleeves1 Swifty_sleeves2 Swifty_logos1 Swifty_logos3 Swifty_logos2 Swifty_John Coltrane2Swifty_John Coltrane1 Swifty_Flyers2

What is The Delaware Road?

Delaware poster2
The Delaware Road currently exists in several forms; an actual road in London where the BBC’s Radiophonic Workshop was originally situated, a compilation released in 2015 by the Buried Treasure label and a multi-faceted performance piece based around a story created by the label’s founder, Alan Gubby and David Yates aka Dolly Dolly. The Radiophonic connection is no coincidence, being that the piece that ties the music contained on the album and play together is loosely based on two key figures working at the BBC Workshop at the height of its powers. Gubby describes it as, “…a work of fiction based on actual events & some unusual anecdotes gathered whilst researching for archived electronic tape music albums released in recent years”.

The story is situated in London, the possibilities of technology and tape are being stretched by inquiring minds and the swinging sixties are upon us. “Two pioneering musicians compose electronic themes for television & radio. They discover a recording that leads to a startling revelation about their employer. Fascinated by the occult nature of the tape they conduct a studio ritual that will alter their lives forever.” Add in dashes of psychedelics, orgies, spirits summoned via stone tape theories and the relentless march of progress and you have the ingredients for a wild ride through the middle of 20th century London, from analogue to digital as the 80s approach and new ways replace old.

The live staged version of the concept album is narrated by the incredible Dolly Dolly, sitting stage right at his desk throughout the performance, suit and tie in place, illuminated by a single anglepoise lamp. His earnest delivery ties the acts together that sonically illustrate the different chapters in the piece, his speeches becoming more animated as the story progresses, enhanced by oil and video projections. The first performance was held at the South Street Arts Centre in Reading and featured a host of acts using tape manipulation, analogue synths, ancient percussion and home-made electronic devices, each in roughly chronological order as the years played out. There was even some jazz on the menu and the whole thing was book-ended by Jonny Trunk and Pete Wiggs playing suitably-themed tunes for the occasion, I covered the night for Shindig! magazine at the time and you can read my review here.

Delaware poster +CD

The album suffered distribution problems upon initial release, as did other Buried Treasure output, but a new deal should mean greater availability and a re-release is planned, there’s even talk of some kind of illustrated version too with various artists being commissioned to bring scenes to life. I can’t recommend the record enough as it perfectly soundtracks the piece put together to showcase it and there’s nary a bad tune in its 20 tracks. Listen to it and buy via Bandcamp.

Which brings me to the reason I’m writing this now as a second performance will be taking place on July 28th, this time at the Kelvedon Hatch Nuclear Bunker site in Essex. Tickets are on sale now but places are limited, there’s even a chance to book a place on a double-decker bus that will take you to the venue from the nearby Brentwood station and discounts for groups of four people. I’m also delighted to reveal that I will be opening and closing the event in a DJ capacity too! I’ll be bringing visuals and delving into my collection for a suitable selection to mark the occasion.
Follow the event and the bands playing it on Facebook, this is going to be a very special evening.
The line up so far is: DOLLY DOLLY, HOWLROUND, TELEPLASMISTE (Mark O Pilkington & Michael J York), RADIONICS RADIO, IAN HELLIWELL, GLITCH, SAUNDERS & HILL, CONCRETISM, SIMON JAMES (The Simonsound), THE TWELVE HOUR FOUNDATION, LOOSE CAPACITOR, DJ FOOD.

Delaware poster

Daydreaming with UNKLE exhibition at the Lazarides Gallery

F2T5The James Lavelle-curated Daydreaming with UNKLE show opened last night at the Lazarides Gallery in London. Full of original Futura 2000 and 3D canvases, prints, toys and record sleeves, video rooms and virtual reality headsets. The last was heavily oversubscribed so I didn’t get a look but Doug Foster’s arched videos accompanying new UNKLE material were beautiful, enhanced by a mirrored floor which gave the work another dimension. Favourite exhibit was the robotic Pointman figure from the 2010 video to ‘Runaway’. The show is on until February 23rd, worth it just to see the many iconic Futura pieces that have graced so many MoWax sleeves.

UNKLE titleUNKLEbot2 F2T1 F2T2 F2T3 F2T4 Futura ring
Eurochild3D
UNKLE toys1 UNKLEbears UNKLEbot1 UNKLEbottopUNKLEbotbottom UNKLEbotTVUNKLEbotlegsscreen1UNKLEbotlegsscreen2

UNKLEcrowd

Expo Worlds

Expo Worlds is a programme of World’s Fair short films assembled by Ian Helliwell over the past 20 years. These mainly 8mm films take the viewer on a journey from the Brussels Expo in 1958 via Seattle 1962, New York 1964/65, Expo 67 and Expo 70. All originally silent, Helliwell has composed electronic music to fit each one, evoking the spirit of the experimental nature of these gigantic world events.

Showing here are short sections of each of the eight films in the programme; the complete Expo Worlds is available to hire for screening from Ian directly. Check out his extensive site and work, from music to film and beyond, a truly unique man of many talents, his exhaustive ‘Tape Leaders’ book was one of my favourites last year.
Expo Parade
The Brussels Exhibition
Seattle World’s Fair 1962
New York World’s Fair split-screen
Expo Prepares
Expo 67
Man and His World 1970
Expo 70 Funland

Posted in Event, Film, Music. | No Comments | Tags: ,

Future Shock 40 years of 2000ad poster

2000AD40thCartoon Museum
Two different 2000AD original art exhibitions mark the comic’s 40th anniversary this coming Feb. The first opens at the Cartoon Museum  in 13 days for 3 months. The second is on for a blink-and-you’ll-miss-it 3 days mid Feb at Geek 2017 at Dreamland in Margate and, I believe, is mainly culled from Rufus Dayglo‘s incredible collection – certainly one of the best I’ve ever seen.2000AD40thMargate