South London heads: Dan Lish‘s excellent Egostrip book of hip hop portraits gets a reissue via Velocity Press next week & he’ll be at the independent print market in Peckham on Nov 18th to sell and sign copies. Also stalls from Castles In Space, Moonbuilding mag + more
Later that day at 3pm Dan will be the cHip sHop, Brixton for a Q&A about the book too.
Recently I was lucky enough to accompany my friend Eilon Paz of Dust & Grooves to Peel Acres – John Peel‘s family home and site of his incredible record collection. We’d been granted a visit by Tom Ravenscroft, one of John and wife Sheila‘s four children and renown BBC 6 Music DJ in his own right. We were getting an exclusive look into his archive for the follow up to Eilon’s 2013 book on vinyl collecting, Dust & Grooves – due out next year. This piece isn’t about the whole visit though – for that you’ll have to buy the book and see all the amazing treasures we found – but about something that was discovered before we arrived that I took a special interest in. On the drive up from the station Tom revealed that the week before they’d uncovered a huge stash of tapes from a hidden cavity in the floor below John’s studio, previously some sort of sunken sitting space that had been covered over decades before for space and safety reasons. In amongst the hundreds of cassettes were demos and submissions from hundreds of bands, some unknown and unsigned at the time and one name sprang out at me from the list he reeled off – Frankie Goes To Hollywood.
Readers of this blog will know that I’m a huge fan of both the band and their label, ZTT so an early demo from them was of interest despite having heard pretty much everything that’s ever come to light from their recorded history (plus plenty of material yet to be officially released). Even better was that there was a personal letter enclosed as with many of the things we found that day. Once in the house and faced with the mammoth task of even knowing where to begin, Tom kicked things off by retrieving the tape from a small pile of the more interesting finds he’d pulled from the boxes. Extracting the letter, he began to read and by the time he’d finished I was more confused than when he started. See for yourself, most Frankie fans will be similarly scratching their heads.
Three things that instantly jump out are: who was A.K. Reynolds? There was no one of that name in the band. The track titles – I’d never heard of any of them – and the time frame – recorded ’77 – 80? The Frankie that became world famous didn’t form until 1982 but this letter was from a Liverpool address and the writer a bassist, as was Holly Johnson originally, the band’s vocalist, when he was a member of Big In Japan. Maybe this was a pseudonym and he’s sent some solo material to John in the hope of getting airplay? There couldn’t be two Frankie Goes To Hollywood’s, the name was too unique, taken from a page of Guy Peellaert‘s 1973 book, ‘Rock Dreams’ which Holly had then adapted.
I decided to consult Holly’s 1994 autobiography, ‘A Bone In My Flute’, as his recall of the early Liverpool years is extremely detailed, hoping I’d find a reference to the name or address on the letter. Eventually my patience was rewarded on page 132 with first, the writer’s name, and simultaneously the origin of the band’s moniker.
The band Holly formed with Ambrose Reynolds – the A.K. Reynolds who wrote the letter, also a bassist – were Frankie Goes To Hollywood mk1. Steve Lovell and BF Tin were also members and I’d say that the time frame here was about 1979/80 although it doesn’t explicitly say in the book. Ten pages later there’s another clue as to those sessions as Holly meets and starts writing songs with Peter Gill, Brian Nash and Mark O’Toole in the embryonic stages of what we now know as Frankie, when they were part of a band called The Dancing Girls and later, Sons and Egypt.
As nothing came of Frankie mk1 I’d hazard a guess that Ambrose sent the recordings (or some of his own maybe?) to John and used the name? Holly released at least one solo single between Frankie mk1 and 2 so there was a gap, it’s a pity I didn’t see if there was a date on the letter. Looking up Reynolds on Wikipedia shows that he was pretty active on the music scene around Liverpool, later teaming up with ex-Big In Japan vocalist Jayne Casey to form Pink Industry and starting Zulu Records together, but one paragraph stood out:
“In 1980, Reynolds formed a new band, Frankie Goes To Hollywood with Holly Johnson, BF Tin and Steve Lovell. The name is a matter of contention; Johnson wanted to call the band Hollycaust, Reynolds disagreed, Johnson responded “we could call it anything”; his eyes then drifted to a poster on the wall of Frank Sinatra (from a book called Rock Dreams) as he read out the caption, saying disparagingly, “we could even call it Frankie goes to Hollywood, it doesn’t matter”, at which point Reynolds said, “yes, that’s what we SHOULD call it, it’s original and different”. The band split up soon after that, and Reynolds continued to work under that name until 1981, when Johnson began using the name for his more successful band of the same name a few years later.”
So there we have it, the contents of the tape are from the little known – and I suspect even lesser heard – Frankie Goes To Hollywood mk1 although whether any of the recordings include Holly’s contributions we may never know. Thanks to Tom for bringing it to light and Eilon for inviting me along, we found some great stuff but you’ll have to wait for the book next year to see and read about that. Thanks also to Tom’s mum, Sheila for her hospitality, here we are together with a John Lennon promo pack, shot by Eilon (can you tell by the superior quality?).
Take a look at the Dust & Grooves website and give Eilon a follow on Instagram as he continues his Vinyl Nomad tour (inc more photos) – he’s off to Japan next week!
This has been another DJ Food digging mystery solved…
PS: There was also a nice additional passage in Frankie member Brian Nash‘s autobiography remembering John:
Opti(kinetics) have launched their mini projector the Kino via Kickstarter including an array of wheels, mirrors and even my Wheels of Light book as added incentives. One of the wheels on offer is an original vintage Pluto wheels from the 70s, the company bought the remaining stock from the company many years ago and once these are gone they’re the last of the surviving stock. You can pledge your support here for this lovely little projector that will take magnetic 6″ FX wheels and can be controlled via a phone app. I’ve used a prototype and they are beautiful and work straight out the box, perfect for home use rather than clubs and gigs.
After owning Lo Cole‘s original paintings for Frankie Goes To Hollywood’s Welcome To The Pleasuredome for 20 years it’s time to pass them on to another Frankie fan. They’re going up for auction via Omega Auctions on July 4th – you can view the lot here.
These are the original cover, inside and back cover paintings Lo made for the album and I’ve requested the three paintings be kept together and sold as a set. An interview I made with Lo and the story of the artwork is here on my Art of ZTT site. With the release of ‘Relax’ approaching its 40th anniversary this autumn and the 40th of the LP next year, it’s time to pass these on. Possibly the ultimate Frankie collectable.
I’ll be at the East Street Tap in Brighton on June 7th to talk about my Wheels of Light book and show some projections for the monthly Sound Affects night. It’ll be a brief talk with a Q&A as I’m sharing the bill with sound artist Fiona Miller and author Richard Evans who will be talking about their own projects respectively.
Tickets and info here
Brian Eno is 75 today! In celebration I’ve made two new Funky Eno mixes for the occasion after being contacted by Josh at the nowbodhi’s blissness website earlier this year. He’d loved my first mix, ‘More Volts’, made back in 2010 and dug out a load more funk from the deepest depths of the Eno back catalogue, asking if I would be up for mixing them.
The selection was deep and thorough, including a few bits I’d not heard so how could I refuse, what with Brian reaching a milestone three quarters of a century? Adding my own spoken word spice to the tracks I’ve arranged Josh’s selections into two hour+ volumes entitled ‘Spunk Worship’ (Josh’s pick for his original Pt.2 selection – Eno’s song title) and ‘Dust Shuffle’. I’ve also slightly updated and expanded the first part to include a few extras after sourcing a master file from DK’s archive, something I didn’t even have myself.
We have mixed and unmixed playlist versions complete with UK and US version artwork based on the different Obscure label sleeve designs for the two territories. Way back last year I made some mutated Eno portraits when experimenting with early AI apps and these finally came in use for this project. Josh expertly put these together and is hosting everything on his Google Drive here now that Mixcloud won’t let you put up mixes with multiple instances of the same artist.
Josh’s blog post – mixed and unmixed versions of all three mixes
http://www.nowbodhisblissness.com/2023/05/noblesse-oblique-brian-eno-75.html
Hopefully today will also see some more news about Gary Hustwit‘s Eno film/installation/project…
Also check out Josh’s site, it’s a treasure trove of audio for uber fans of all different artists.
Mixcloud has already restricted this but hit the link above to listen and DL the updated vol.1 mix
More Volts: The Funky Eno I
Track list:
I Fall Up
R.A.F. (w. Snatch)
Regiment (w. David Byrne)
The Grid – Heartbeat (Brian Eno Squelchy Mix)
More Volts
Ali Click
Untitled
No One Receiving
America Is Waiting (w. David Byrne)
Defiant
Strong Flashes Of Light
What Actually Happened
Talking Heads – I, Zimbra (12” Version Brian Eno remix)
The Jezebel Spirit (w. David Byrne)
Fractal Zoom
Talking Heads – Crosseyed and Painless
Kurt’s Rejoinder
Help Me Somebody (w. David Byrne)
Talking Heads – The Great Curve
Chemin De Fer
Spunk Worship: The Funky Eno II
Track list:
Qu’ran (w. David Byrne)
Fat Nude Dance
Marine Radio (w. Jah Wobble)
Radiothesia III
Nikkei
Like Pictures Pt.2 (w. Peter Schwalm)
Unusual Balance
Evil Thoughts
Beast
Monomedia
Glitterbug 6
Heat Beat
Wire Shock
Glitterbug 14
Jon Hassell – Adedara Rising (Nowbodhi remix)
Spunk Worship
With Howie B
Sky Saw
Never Tunnelling
Seeded
T.N.K. (w. 801)
Dust Shuffle: The Funky Eno III
Track list:
Jon Hassell – Mashujaa (Nowbodhi edit 3)
Theme From Lets Go Native (w. Passengers)
Over Fire Island
Spinning Away (w. John Cale)
City of Life
Lot – Into The Spirit World (demo) (w. David Byrne)
War Fetish
Sounds Alien
David Bowie – Abdulmajid
DBF (w. Karl Hyde)
Itch (EN Stitch edit)
Glitch
Reasonable Question
United Colours (Nowbodhi edit) (w. Passengers)
Cheeky Hopa
Move
Gbenta (w. Edikanfo)
Sanctuaries
Tutti Forgetti
Dust Shuffle (w. Jon Hopkins & Leo Abrahams)
The photo above was taken from DJ Hurricane’s Facebook page today, commemorating 11 years since the death of MCA – 11? How is it that long? The eagle-eyed among you will spot a copy of Jazz Brakes vol.2 nestling in the Hurra’s embrace there. I had no idea, maximum respect.
Back from a whirlwind weekend in Stroud and Bristol – primarily to talk about my Wheels of Light book at Klang Tone Records in Stroud on Friday night as part of the Pop Up Subculture festival. The event went very well with an engaged crowd and many new friends made. Met up with old acquaintance Bill Brooks who introduced me to bonafide light show legend Sid Fossil who had come to the talk! Seen here next to yours truly with friend Craig in the middle and Bill on the right.
Stroud is lovely and sports three excellent record shops – Sound Records, Trading Post and the aforementioned Klang Tone which sits above the Pagan Vintage shop. All well worth your time, many treasures were found, not least a clutch of original International Times newspapers in stunning condition.
After a day’s digging I jumped on the train down to Bristol, met up with my video cohort, PuttyRubber, and went to the first Holotronica weekend at the disused IMAX cinemax. Hosted and opened by DJ Cheeba, Solid Steel family of old and now working with Stuart Warren-Hill’s Holotronica outfit, it was great to see old Bristol crew from our days doing regular nights with the Detectives of Perspective. The Light Surgeons played their excellent ‘Atemporal’ AV set, newly expanded into a 2.0 version and then Funki Porcini presented his incredible Laserium show which absolutely wowed people in the theatre. I’ve seen this three times now and it just gets better and better, there’s nothing like it and it’s impossible to convey via photos. Equally impossible is Stuart’s 3D Holotronica set (for obvious reasons) which was some of the most eye-poking 3D I’ve ever seen. All in all a triumph for audio visual gigs and I hope they do more.
Photos below are from Stuart Warren-Hill (Holotronica) and Christopher Thomas Allen (The Light Surgeons)
Crew photo L-R: DJ Cheeba, Stuart Warren-Hill, Funki Porcini, Chris Allen – missing in action Tim Cowie, the other Surgeon who provided an excellent live soundtrack.
Very pleased to be part of this festival with my book Wheels of Light, published by Four Corners Books. That’s some company to be in for the POP/UP Subculture festival, Stroud, Mar 23-26.
Join us on March 24th Klang Tone Records for a double-header when I’ll be in conversation with Sean Roe about light show projection art after his chat with Matthew Ingram about his book ‘The S Word’.
#popupsubculturestroud
Footage from rehearsals with new collaborator PuttyRubber up in Bristol at the weekend. Shot at Stuart Warren-Hill‘s Holotronica studio by DJ Cheeba and re-edited to include some of PuttyRubber’s video feedback.
We’ll be debuting this partnership at the Ramsgate Music Hall on Feb 24th where I’ll be improvising with my 4-armed Quadraphon turntable and a bunch of locked groove records whilst PuttyRubber provides live video feedback visuals.
I just picked up two new upgraded tone arms for it from Ned Hawes at One_db in Staple Hill, long time coming, from sourcing the turntables, my dad helping make custom pods to house them and then Ned transplanting a tone arm into each pod. With a bit of additional fitting attention they’re now in place, replacing my earlier efforts which are now relegated to back up status. Also in the pic, new styli by 100 Sounds from Japan and custom slipmat by Sureshotshop
No idea how it’s going to fully manifest but it’s pretty exciting working it all out. Come and see if we crash and burn at Ramsgate Music Hall on Feb 24th
Tickets: https://www.ramsgatemusichall.com/tc-events/dj-food-quadraphon/
On Sunday evening I took part in a sound and light event at the Royal Foundation of St. Katherine in Limehouse called Candlemas – a Christian celebration of light. Organised by Heena Song and Julian Hand and featuring Paul Naudin, Joe and Janie from Whyte Light Visuals and myself, we set up various points around the site with music and light projections. Joe lit the chapel (above and immediately below) with Heena providing an ambient soundtrack for the master of the house to give hourly sermons over. He stole the show in his all in one, bright red tunic and packed the chapel out.
Julian, Heena, Paul and I were outside under a canopy which we projected all over using liquid and FX wheels whilst boiling and manipulating ink on slides from tables full of projectors whilst I provided music for the outdoors.
Meanwhile Joe and Janie used glass bowls, inks and projectors in one of the on-site Yurts to show their skills to punters in the cafe area.
Next gig – something a bit different (hopefully the first of many different gigs in 2023)
I’ll be working alongside light artists Julian Hand, Heena Song, Paul Naudin and Whyte Light Visuals on the evening of Sunday Jan 29th when they light up The Royal Foundation of St. Katherine.
I’ll be mainly providing music but these guys really know how to project light, boil slides, work with ink and microscopic media. Expect ambient to krautrock and psychedelic visual projections.
Ticket entry is by donation – more details here
The main thing I’ve been doing this year is learning new software, lots involving AI algorithms that still seem like some kind of strange magic.
My own experiments with the refining of my Quadraphon turntable have made for a sleeker, more portable and adaptable design along with the fantastic 4 channel Omnitronic TRM-402 mixer and the Ninja Tune/Erica Synths Zen Delay FX unit. I can make analogue tracks via one deck on the fly and jamming with this set up can yield hours of material, a refreshing new way to make music. Also becoming an author on good old fashioned paper felt pretty good too, I think I might have the book bug now. I hope you all have a Happy New Year and a riproaring 2023…
Music:
Clocolan – Empathy Alpha LP (Redpan)
Brian Eno – The Lighthouse (Sonos HD)
King Gizzard & The Lizard Wizard – Omnium Gatherum LP (Flightless)
Twilight Sequence – Trees in General: and the Larch 12″ (Castles In Space)
WTCHCRFT – Drugs Here 12″ (Balkan Vinyl)
Ghost Power – Ghost Power LP (Duophonic Super 45s)
Dexorcist – Night Watch 12″ (Yellow Machines)
Project Gemini – The Children Of Scorpio LP (Mr Bongo/Garden’s End)
Regal Worm – Worm! LP (Quatermass)
The Advisory Circle – Full Circle LP (Ghost Box)
Fenella – The Metallic Index (Fire Records)
S’Express & Daddy Squad – Music 4 The Mind DL
Podcasts:
The Bureau of Lost Culture (Soho Radio)
Cartoonist Kayfabe (YouTube)
We Buy Records (We Made This)
The Jonny Trunk Podcast (Patreon)
Oh God, What Now? (Podmasters Prod.)
The Tone Generation – Ian Helliwell
Peel Acres – Tom Ravenscroft (BBC Sounds)
The Bunker (Podmasters Prod.)
Gigs / Events:
Lux @ 180 Strand, London
Victor Vasarely – Universe exhibition @ Selfridges, London
Premier of Who Killed The KLF? @ Leake St, London
The Orb play U.F.Orb @ The Fox & Firkin, London
Bring The Paint festival, Leicester
Staying in a restored Futuro House, Somerset
Fogfest @ Iklectik, London
Glissando Guitar Orchestra @ Club-85, Hitchin
Funki Porcini’s Lasarium @ Iklectik, London
Wheels of Light launch event @ Raven Row, London
The Trunk Groovy Record Fayre @ Mildmay Club, London
At Home With The Boyle Family film launch @ Iklectik, London
Magnetic Flow exhibition, @ LaVallée, Brussels
Design / Packaging:
Night Cafe / Midjourney – the most fun/frustrating web AI creation tools
Jed St. Christopher – The Further Diffusion of Useful Knowledge 10″ lathe cut (Buried Treasure) by Nick Taylor
Twilight Sequence – Trees in General: and the Larch 12″ (Castles In Space) by Zeke Clough
King Gizzard & The Lizard Wizard – Ominium Gatherum LP by Jason Galea
Sculpture – Malculus / Photo Synth 7″ + zoetrope pack by Rueben Sutherland
The Advisory Circle – Full Circle LP (Ghost Box) by Julian House
Clay Pipe Mini Pipe 3″ CD series by Francis Castle
Monochrome Echo – The City & The Stars LP (Castles In Space) by Nick Taylor
Drumetrics – Phuzzle 10″
Artists incorporating AI into their work:
Ko_Computer
Douggy Pledger
Alex Klim
Will Toulan
Scott Wetterschneider
Stuart Smith
Steve Scott (image below by Steve Scott)
Books / Magazines / Comics:
Grrrl Scouts – Jim Mahfood (Image)
99 Balls Pond Road – Jill Drower (Scrudge Books) – now reprinted in text-only paperback and retitled ‘The Exploding Galaxy: Performance Art, LSD and Bent Coppers in the Sixties Counterculture’ – an absolute must for 60s counter culture historians
Radio Spaceman – Mike Mignola & Greg Hinkle (Dark Horse)
Mental Hygiene – Kate Gibb
A-Z of Record Shop Bags – Jonny Trunk (Fuel)
Mud Sharks – Dave Barbarossa
Good Pop, Bad Pop – Jarvis Cocker (Vintage)
House Music – Andy Votel (The Modernist)
Judge Dredd – Brian Bolland (Apex Edition)
Contemporary Collage magazine (digital)
Defying Gravity – Jordan Mooney w. Cathi Unsworth
The Delaware Road deluxe edition – Alan Gubby, Dolly Dolly (Buried Treasure)
69 Exhibition Road – Dorothy Max Prior (Strange Attractor)
Judge Dredd – Mike McMahon (Apex Edition)
It’s Lonely At The Centre Of The Universe – Zoe Thorogood (Image Comics)
The Black Locomotive – Rian Hughes (Picador)
Film /TV:
The Book of Boba Fett (Disney+)
Get Back (Disney+)
Who Killed The KLF?
Pistol (Disney+)
The Boys (Amazon Prime)
In The Court of the Crimson King (Toby Aimes)
Another year over and what have I done?
Finished The Real Tuesday Weld’s ‘Dreams’ LP/CD and ‘Late Night Reveries’ cassette artwork
Appeared on the Bureau of Lost Culture podcast, 45 Live show, mixed an episode of new online show, Genius & Soul (still not broadcast)
Re-designed an old classic logo for The Herbsmen
Adapted The Designers Republic’s Humanoid artwork for a FSOLDigital CD release
Designed Hawksmoor’s ‘Head Coach’ CD for Spun Out Of Control
Recorded with Dave Barbarossa for a future music project
Finished and published the Wheels of Light book for Four Corners Books with press coverage from The Quietus, Shindig!, The Observer, Velocity Books, Moonbuilding, Electronic Sound, Creative Review and more.
Had a track featured on the Diary of a Madman compilation on Bibliotapes in aid of Ukrainian Red Cross
Refined my Quadraphon turntable into a Mk.3 version
Got featured in the 2000AD Summer Special, music edition, talking about my love of the comic
Made a record by etching a playable image into a disc
Compiled, remixed and edited 30 years worth of games footage for DICE’s anniversary, making an 11 minute version then condensing it into 90 seconds.
Redesigned The Cinematic Orchestra’s ‘Every Day’ LP for the 20th anniversary edition from original design concepts
Designed Stasis, AsOne, Paul ‘Damage’ Bailey and Humanoid 12″s and reinterpreted Mike Dred’s ‘OverMind’ LP art for De:tuned
Also designed the AsOne2 LP for De:tuned
Had a collage featured in Contemporary Collage magazine
Mixed a new religious-themed set for the Tales To Enlighten 2 Kickstarter
Reformatted Dave Barbarossa’s Mud Sharks book for publication.
Interviewed Zoe Lucky Cat Baxter, Andy Votel, Alex Paterson and DJ Format for Dust & Grooves book 2.
Designed The Real Tuesday Weld’s 3″ CD Xmas card.
RIP:
Sidney Poitier, James Mtume, Meatloaf, Barry Cryer, Ian Kennedy, Douglas Trumbull, Bamber Gascoigne, Betty Davis, Jan Pieńkowski, Philip Jeck, Chantal Passamonte, Garry Leach, June Brown, Jordan, David McKee, Klaus Schulze, Neal Adams, George Perez, Vangelis, Rat Records, Alan Grant, Bob Rafelson, Bernard Cribbens, Olivia Newton-John, Lamont Dozier, Raymond Briggs, Queen Elizabeth II, William Klein, Jean-Luc Godard, Ramsey Lewis, Pharoah Sanders, Kim Jung Gi, Robbie Coltrane, Joyce Sims, Keith Levene, Nik Turner, Wilco Johnson, Tom Philips, Aline Kominsky-Crumb, Manuel Gottsching, Terry Hall, Martin Duffy, Mike Hodges, Pelé, Vivienne Westwood, Anita Pointer.
Looking forward to:
The Out in 2000AD
Supporting the Art of Noise at the Jazz Cafe on Jan 4th/5th
Conform to Deform – The Weird & Wonderful World of Some Bizarre – Wesley Doyle (Jawbone Press)
The The – 1$ One Vote 7″ (Lazarus)
The conclusion of The Real Tuesday Weld’s Swan Songs trilogy?…
Tales To Enlighten: The New Testament
The Kevin O’Neill Apex Edition (Rebellion)
The return of Rave Wars
Spider-Man – Across The Spider-Verse
Funki Porcini returns to Coventry’s Commonground for a week-long residency from Nov 25th to Dec 2nd. This is his new show, The Laserium, which I had the pleasure of seeing debut at this very venue last year and also was a support act for at Iklectik recently. The set has come a long way since it was first in Coventry and was amazing in London last month. Go see it if you can. Tickets here
I joined Stephen Coates again on his excellent Bureau of Lost Culture podcast the other week alongside Optikinetics co-founder Neil Rice and FX wheel artist and light show operator Jennie Caldwell to talk psychedelic light shows in support of my book, Wheels of Light.
Neil recounts his first light show experiences, starting one of the main companies making equipment for light show in the ’70s and the rise and fall of the industry. Jennie was part of the second generation of artists who saw it rise from the ashes in the second summer of love, when acid house and dance music arrived and revived the artform for a while. They both have tales to tell and I learned plenty from listening to them.
She also took some excellent shots a few weeks back when Optikinetics lit the Raven Row gallery for the publisher Four Corners Books at the book launch.
Stuart Warren-Hill (Hexstatic / Holotronica) and Neil Rice (Optikinetics)
Brendan and Emma from Insight Lighting with Geoff Blindt (Mystic Lights) who contributed some photos to the book.
Neil Rice and I, he really should have a co-author credit, he helped me so much during the research.
One of my Solar 250 projectors with a custom-made Wheels of Light FX wheel for the night, made by Larry Wooden of Orion Lighting, also present showing original art and wheels from the 70s and profiled in the book.
(left in hat) Chris Thomsett (Innerstrings), (middle) David Fowler (Optifanatics) and (right with beard) Nigel Bailey (The Odd Light Show)
The second Groovy Record Fayre, hosted by Jonny Trunk and Ian Shirley, took place on Saturday at the Mildmay Club on Newington Green, N16 and again, it was a blast. Pete Williams and I had a stall again and many friends and faces passed by. It was celeb central at points, from superstar DJs to stand up comedians and supermodel it girls. I missed a chance to chat to Stewart Lee who was looking through the Krautrock box because I was explaining what Go-Go and cut up mixes were to a younger buyer but Lee wasn’t buying anyway.
Pete with our stall, notice my Wheels of Light book placed in prime position bottom left.
Pete sleevefaces with Buried Treasure’s Alan Gubby
Andy Higgs digs
Marc Mr Thing journeyed up from Hastings for the day
Paul Putner bought my book shock!
A right pair of tits, and Martin & James of The Karminsky Experience Inc.
Richard Norris also picked up my book and Children of the Stones (like everyone else)
Rat Records mini reunion with Ronan and Philippe
Comix legend Edwin Savage Pencil Pouncey bought six of my underground comix, a true seal of approval.
Pop quiz winner (later on) Simon Gitter with smooth dancer and pop quiz secret weapon 2 Tone Tony.
Everyone was packed up and out of the hall by 6pm and people disappeared for dinner. Around 7.30 the pop quiz kicked off and 90 minutes later the team Jonny Trunk happened to be on claimed victory to cries of ‘fix!, fix!’. The fact that there was a 10 point Trunk section might have helped. Martin Green and Jarvis took to the stage as tables and chairs were cleared in record time, the glitter ball ignited and the bar besieged. Much drink was drunk and dancing had until 1am with a packed dancefloor and singalongs to Plastic Bertrand, Bowie, The Beatles, Adam & The Ants, The Sweet, Prince, Double Dee & Steinski, Beastie Boys, Sparks, B-52s and so many more.
Meanwhile in the toilets, Alex Chung had other things on her mind…
The Trunk Groovy Record Fayre is this Saturday! My Further partner Pete Williams and I are having a stall again at the Mildmay Club, Newington Green. I’ll have lots of dance 45s if that’s your thing, part of a huge collection recently bought by Michael from The Book & Record Bar, doubles from my personal collection including Ninja stuff and copies of my new book, Wheels of Light, among other things. Do stop by, the last one was excellent as was the pop quiz and party afterwards.
And it’s FREE!
October 29th, 11am until late, the Mildmay Club, Newington Green, London, N16 9PR.
Another London-based light show event, the Boyle Family were some of the first artists to work with fluids and projection on the avant garde art scene in the sixties. Staged on Sunday Nov 13th at the now-endangered Iklectik venue in Waterloo with talks, music, film and projection performances. Go and support both the film and the venue.
More info here
It’s back! The return of the Trunk Groovy Record Fayre. My Further partner Pete Williams and I will be having a stall again this October at the Mildmay Club, Newington Green. I will have lots of dance 45s if that’s your thing, some records from my personal collection and copies of my new book, Wheels of Light, among other things. Do stop by, the last one was excellent as was the pop quiz and party afterwards.
Do stop by, last year’s was amazing (see photos here), from the daytime fair to the evening pop quiz and after party get down.
And it’s FREE!
October 29th, Mildmay Club, Newington Green, London, N16
