Krash Slaughta & Phill Most Chill – Rebel Base 7″

CARD
Sure, Star Wars packaging has been done before, not least by I Love Acid for their Rave Wars 7″s (including original figure sealed to each cover). But this new 45 from Krash Slaughta featuring Phill Most Chill has nailed it and stuck a 7″ to the cover of a 12″ sleeve. Love the Snowspeeder spiral detail on the label. There are even some still left on his website!

CARD_BACK

Also on the retro Star Wars tip – now that The Mandalorian has at least restored some of the old school faith in the franchise – modern and retro Mandos.

Mando x2

Free downloads for Celestial Mechanic LP photos

CM Pye ParrPeople are receiving their copies of Celestial Mechanic‘Citizen Void’ LP on Utter.

JPower1Due to reasons too dull to go into here there’s no DL with the vinyl but,, if you post a photo of your copy on Facebook, Twitter or Instagram and tag us in, I’ll send you a code.

Phildavis 1

Music by Saron Hughes, Howlround, Peter Harris and myself –  a soundtrack to the Rian Hughes‘ novel, ‘XX
(paperback released August by Picador Books)

Peter Smith

Yellow vinyl LP + 7″ + print + info sheet  Buy now

JPower 2

If you’ve been enjoying the ASCII animations we’ve been posting with the Celestial Mechanic posts then you can make your own with Andreas Gysin‘s online app

Phildavis2JPower 3

Middle Earth flyers part 2

ME July-Oct 68
In this second part of Middle Earth flyers collected from the International Times archive we get to the point where the club moved from their original Covent Garden home to The New Roundhouse in Chalk Farm after numerous raids by the police. At the top we see the Magical Mystery Tour event still advertised on Aug 24th/25th 1968 (see previous post) but by the next issue (two weeks later) it was replaced by a regular gig featuring Traffic, Family and Free but with a large ‘& then’ before announcing The Doors and Jefferson Airplane gig. There’s a uniformity to these ads previously unseen at the old venue, broken by the tall thin ad above right and the circular orange one below which advertises a programme of classical music by the Middle Earth Symphony Orchestra!

IT_1968-10-18_B-IT-Volume-1_Iss-42_020 IT_1968-11-01_B-IT-Volume-1_Iss-43_020 IT_1968-11-15_B-IT-Volume-1_Iss-44_016 IT_1968-11-29_B-IT-Volume-1_Iss-45_022-023ME Dec 68 - Jan 69IT_1969-02-28_B-IT-Volume-1_Iss-51_002

Problems with The Roundhouse meant that the club was forced to move again by early 1969, the nearly blank advert above appearing mid February in IT. Following a message in the next issue stating they’d moved to the Royalty Cinema in Notting Hill Gate, a month’s worth of gigs were later listed through March into April. After that things appeared to dry up until a series of tiny ads appeared in September, one a week, stating, ‘Middle Earth is alive and well…’ ‘and coming soon’, ‘is The Power of The Picts’. Then in November, a full page ad announced the rebirth of the night as a record label with a management address in Soho Square. It lasted for two years, releasing five singles and five albums in that time, there’s a short history of it here.

IT_1969-09-26_B-IT-Volume-1_Iss-65_009IT_1969-11-06_B-IT-Volume-1_Iss-67_004Middle Earth record

Del Close documentary

There’s a documentary about Del Close coming this month to Apple TV, which combines comedy and comics and looks fantastic. Diggers will know Close’s name from the John Brent & Del Close classic ‘How To Speak Hip’ (sampled by me and plenty of others) as well as ‘The Do-It-Yourself Psychoanalyst’s Kit’ (plundered for a whole album by Prince Paul). Close was, by all accounts, an unhinged madman/genius who hung out with The Merry Pranksters in the 60s and taught all the future comedy greats in the 70’s and 80’s. There’s not been much written about him aside from a couple of biographies and he’s probably best known for his involvement in Saturday Night Live. Check the trailer and hunt down those records and copies of the Wasteland comics.

Delclose poster

Posted in Comics, Film. | No Comments | Tags:

Mixcloud Select 63: Openmind vs Scanner 27/01/1995

MS63 Scanner vs Openmind set 27:01:1995 tape
Robin Rimbaud aka Scanner joined us on Solid Steel at the beginning of 1995, Robin and I taking it in turns to do two sets each with Matt Black on the mic and jingles. This is all I have of my two sets combined.

The opening spoken word piece is from the 25th anniversary of LSD album on Source Records, Autechre’s ‘Vletrmx’ is hidden as the last track on their Garbage EP, an ambient classic from the mid 90s. The Human League track is the long version, on the B side of the ‘Girls & Boys’ single (I think) not the version on Reproduction, one where they got close to Kraftwerk. Going from ambience to trip hop with Plaid’s mix of UNKLE and very early Wall of Sound from Mekon’s Phatty’s Lunch Box debut. A snatch of Spiritualized’s Phase Tones album before an unknown breaks tune – anyone recognise it? Wagon Christ from his Throbbing Pouch album, bit more Mekon and then another ambient staple, Sheila Chandra’s ‘Mecca’ before an ad break and a return to something faster.

The DnB track that opens this section I cannot recall for the life of me, anyone know? Spotify has nothing despite a pretty upfront vocal. I like the fact that I was mixing super fast acid into drum n bass 25 years ago and the Air Liquide tune here is almost gabba in style. The track that comes next is a mystery though, possibly from one of the Caustic Visions 12” of the mid 90s though except I can’t find my copies to check and Discogs has no previews. Playing us out in ‘Pillar’ by Locust, a Mark Van Hoen alias on R&S who made some excellent records but seems to have disappeared from electronic music history since.

Track list:
R.H. – Lysergic Acid Diethylamide
Autechre – VLetrmx
Unknown – Bleeps
The Human League – Toyota City (long version)
Scorn – Slumber
UNKLE – Sassafrass (Plaid remix)
Mekon – Last Breath
Spiritualized – Phase Tones
Unknown – unknown
Wagon Christ – Free Bass
Mekon – Phatty’s Lunch Box
Shelia Chandra – Mecca
Unknown jungle track
Air Liquide – Unser Elektronischer Mikrokosmos
Unknown – unknown
Locust – Pillar

Celestial Mechanic – ‘Citizen Void’ vinyl out today!

Finally released on vinyl today on Utter – Celestial Mechanic – ‘Citizen Void’ LP – a soundtrack to the
Rian Hughes novel, ‘XX’ published by Picador Books (paperback released Aug 9th)

Music by Celestial Mechanic – a collaboration between DJ Food, Saron Hughes, Robin The Fog (Howlround) & Peter Harris

Yellow vinyl LP + 7″ + print + info sheet – designed by Rian Hughes with silver spot print and inner sleeve – this is limited so don’t sleep as it will be out in shops too.
Pre-order https://bit.ly/3y5C7eK

Animation generated at ASCII Playground
*un-mute for sound!

IMG_0823

CM packshot full

Celestial Mechanic – ‘Citizen Void’ vinyl sting 3

Finally released on vinyl tomorrow on Utter – Celestial Mechanic – ‘Citizen Void’ LP – a soundtrack to the
Rian Hughes novel, ‘XX’ published by Picador Books (paperback released Aug 9th)

Music by Celestial Mechanic – a collaboration between DJ Food, Saron Hughes, Robin The Fog (Howlround) & Peter Harris

Yellow vinyl LP + 7″ + print + info sheet – designed by Rian Hughes with silver spot print and inner sleeve – this is limited so don’t sleep as it will be out in shops too.
Pre-order https://bit.ly/3y5C7eK

Animation generated at ASCII Playground
*un-mute for sound!

IMG_0820CM packshot full

Celestial Mechanic – ‘Citizen Void’ vinyl sting 2

Finally released on vinyl this Friday on Utter – Celestial Mechanic – ‘Citizen Void’ LP – a soundtrack to the
Rian Hughes novel, ‘XX’ published by Picador Books (paperback released Aug 9th)

Music by Celestial Mechanic – a collaboration between DJ Food, Saron Hughes, Robin The Fog (Howlround) & Peter Harris

Yellow vinyl LP + 7″ + print + info sheet – designed by Rian Hughes with silver spot print and inner sleeve – this is limited so don’t sleep as it will be out in shops too.
Pre-order https://bit.ly/3y5C7eK

Animation generated at ASCII Playground
*un-mute for sound!

IMG_0815CM packshot full

Celestial Mechanic – ‘Citizen Void’ vinyl LP out this Friday

Finally released on vinyl this Friday on Utter – Celestial Mechanic – ‘Citizen Void’ LP – a soundtrack to the
Rian Hughes novel, ‘XX’ published by Picador Books (paperback released Aug 9th)

Music by Celestial Mechanic – a collaboration between DJ Food, Saron Hughes, Robin The Fog (Howlround) & Peter Harris

Yellow vinyl LP + 7″ + print + info sheet – designed by Rian Hughes with silver spot print and inner sleeve – this is limited so don’t sleep as it will be out in shops too.
Pre-order https://bit.ly/3y5C7eK

Animation generated at ASCII Playground
*un-mute for sound!

CM packshot full

Mini CDs #22: Jeffrey Lewis – The History of Punk on the Lower East Side

Fuff cover
A chance discovery of a issue of Jeffery Lewis‘ comic, Fuff, led me to picking up all 13 issues and No.1 comes with a 3″ CD taped to the inside cover. A medley covering the History of Punk on the Lower East Side 1950-1975, sung by Jeffrey and a Detective Story in Rhyme that works with a page of the comic make up the content and I can’t recommend his comics highly enough. Most are still available for $3-5.00 from his website.

Fuff disc in case Fuff disc Fuff under case

Matt Black live-remixing ‘Sentinel’ on Pirate TV

On last week’s Pirate TV show, Coldcut‘s Matt Black in his Altered Fist guise live-remixed mine & DK‘s track, Sentinel (from The Search Engine LP) using JAMM Pro software. Every Wednesday night around 9pm (GMT) Matt hosts a 2 hr show of music, visuals, chat and news via Twitch https://www.twitch.tv/coldcutofficial

Grunt Free Press

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I was sent a link to the Wisconsin Historical Society G.I. Press Collection online which is a treasure trove of alternative and free press publications surrounding the US military 1964-1977. One of the best finds was a monthly paper called the Grunt Free Press, full of counterculture news and graphics from the hippy years including colour double page spread posters in the psychedelic style. Here are some of my favourite details.

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Mixcloud Select 62 – Openmind Mixxx, 12/02/1995

MS62 OM Mixxx tapeAn early ’95 set for Solid Steel with Jon More and PC, lots of trip hop, hip hop, acid and a bit of drum & bass on the wrong speed. Coming out hard and heavy with RSW and FSOL and a couple of Wagon Christ tracks from one of my favourite eras of Luke’s work, the Throbbing Pouch album and satellite singles. Hustlers of Culture were a short-lived act on early Wall of Sound, Mantronix everyone knows, Art of Noise make an unexpected entry, slightly derailed by Jon having to read the KISS competition. This was the bane of the show, having to do ads was bad enough but there would be promo spots to read out sometimes that DJs were obliged to do to be on message for the station.

Back to the music, Ninja business from 9 Lazy 9 with a remix from Marden Hill who were a Mo Wax affiliate which was a big deal at the time. 4E’s Temple Traxx was a staple of my record box for years as it grooves along at hip hop tempo with acid squiggles, it was a side project of Khan as in Khan & Walker and he made several releases around the mid 90s. Andy Weatherall’s incredible dubbed-out remix for Galliano was another monster cut that was always on hand of which Studio Pressure aka Photek slides out of, on 33rpm instead of 45. A short snatch of Tusken Raiders aka Mike Paradinas aka Muziq plays us out to the news.

Track list:
Renegade Soundwave – Blast ’Em Out
Future Sound of London – Snake Hips
Wagon Christ – Yeah
Wagon Christ – How You Really Feel
Hustlers of Culture – Herbs & Spices
Mantronix – King of the Beats
Art of Noise – Close Up
9 Lazy 9 – Train (Marden Hill remix)
Jungle Brothers – Jungle Beats
4E – Temple Traxx
Galliano – Skunk Funk (Cabin Fever mix)
Studio Pressure – Touching Down… Planet Photek
Tusken Raiders – Gaderffi Stick

Middle Earth flyers part 1.5 – The Magical Mystery Tour

IT_1968-08-09_B-IT-Volume-1_Iss-37_020
The full page back cover advert above appeared in the 9th Aug 1968 issue of International Times magazine, promises much and looks like some sort of insane bargain for the princely sum of £3. The idea of the event, as you can read from the text, was to take 3,000 paying punters on a Magical Mystery Tour via a fleet of blacked out buses. 90 minutes later attendees would disembark inside a ‘walled Pleasure Garden’ with deer roaming in the grounds  for 48 hrs of music, mischief and mayhem. Undoubtedly taking its name from The Beatles’ song of the same name released the previous year, there were reportedly the first showings of the film of the same name due to take place but I’ve not been able to confirm this.
The first sign of the impending gig was a small ad in the back of the 12th July 1968 issue of IT with just these words…
IT_1968-07-12_B-IT-Volume-1_Iss-35_008-013

This also seems to coincide with the moment when Middle Earth at the King St. address in Covent Garden moved to The (New) Roundhouse in Chalk Farm with some reports suggesting that this event even took place at that venue. Again this seems to be pure speculation and hardly fits the bill of the advertised ‘lawns and woods within the walls’ plus how would they do a six hour firework show indoors?

Magical Mystery Tour ad IT magicalmystery Haphash colour
Above is a full colour poster for the event by Hapshash & The Coloured Coat although it’s been credited solely to Michael English too. A version of this image also exists for the First International Pop Festival in Rome earlier the same year, and it appears that the poster may have been over-printed, adding new band names whilst obliterating the original festival name and date. According to Middle Earth club DJ, Jeff Dexter, this was, “put together by Giorgio Gomelsky with Dave Howson from Middle Earth.” I’d speculate that they wanted to add to the promotion for the event with an eye-catching poster at short notice, thinking that few would have seen the Italian festival poster? Hapshash had of course done many posters for both UFO and Middle Earth and were pretty much the premiere poster designers for that era in the UK along with Martin Sharp. If anyone has any further info on this I’d love to know more.

First International Pop Festival
Below are both sides of a poster (or possibly flyer) designed by Ozmosis – who had also assembled the ad at the top of this post plus the smaller flying baby one. I’ve not been able to dig up anything about who Ozmosis were from anywhere –  Jeff Dexter didn’t know, psychedelic poster collector, Peter Golding had heard the name but no more, antique book and magazine seller, Adrian Sclanders of Beatbooks drew a blank and artist and ex-IT arts editor Mike McInnerney hasn’t so far got back to me.Magical Mystery Tour posterMagical Mystery Tour poster back
So what happened? Any eye witness accounts, footage or reviews of the event are missing in action whereas there are plenty for the 14 Hour Technicolour Dream or The Million Volt Light & Sound Rave. You’d think something as ambitious as this would be up there as one of the events of the era? The answer seems to be in a small news piece in the 23rd August 1968 edition of IT.
IT_1968-08-23_B-IT-Volume-1_Iss-38_019
Jeff Dexter again, “The Mystery tour never happened due the weather and lack of sales, but there was a quickly put together event by coaches from Covent Garden to a very smart reception space the ‘Baronial Hall’ in the City of London.”
The Doors / Jefferson Airplane gig mentioned here two weeks later has of course passed into legend though…

Brian Eno – The Lighthouse radio station

The-Lighthouse-Station-Artwork

Brian Eno has teamed up with Sonos – the speaker company – to launch a radio station of his unreleased music, 30 years worth. The station is called The Lighthouse and is available on Sonos Radio HD which is a subscription channel of the brand. There is the first of three preview shows up with Brian talking about some of the tracks featured, check it out.

Mixcloud Select 61: DJ Food at The Reverb, Toronto, 27/01/2001

DJ Food Reverb flyer 2001
I have no tape or CD-R of this set, only a digital file, and no idea where it came from. I do recall there was a video online, filmed with multiple cameras for a local TV show of this set or a similar one in 2000. But it’s an example of my club DJ sets at the start of the millennium and was recorded on tour in North America at the Reverb in Toronto according to the file title. The first section reprises part of the Xen Cuts 10th anniversary set I made the previous autumn, complete with wobbles, pushes and pulls – remember, this is all coming off vinyl. I

Amazingly I had the flyer for this show so can confirm the date and venue is correct but, trying to find info on the web about this, I found this review on NME.com of all places. It was dated as Sept 2005 so I can only deduce that it was posted later on, possible from elsewhere. I can guarantee you that I wasn’t in Toronto in Sept 2005 though as my kids were about to be born.

DJ Food: Toronto The Reverb Ninja Tunes stalwart rips up the jazz-hop breaks…
By NME 12th September 2005

Tonight, a courageous young gentleman in the audience is decked out, perhaps unreasonably, in full ninja regalia. It’s a cartoonish, obscenely intricate costume – one quite obviously modelled after the pesky record-flinging mercenary that makes up the Ninja Tune logo. This, you see, is indicative of the kind of unabashed devotion that DJ Food and labelmates Fink and Dynamic Syncopation will bask in this evening.

For his part, the chain-smoking Fink performs admirably, wheeling off an expertly constructed set of electroid bleeps and rapid-fire, stuttering breaks. And although they’re questionably occupying the closing slot, Dynamic Syncopation are also wholly dependable, weaving together a heady pastiche of ’70s funk and retrograde hip-hop.

But the night quite obviously belongs to Food, who are on this occasion solely represented by the venerable Strictly Kev. His set is, in a word, fierce. Piecing disembodied remnants of rejigged classics together with more contemporary reference points, Kev’s got the audience in rapture. By the time he gets round to spinning a handful of re-Tuned swing numbers, they’re engaged in the kind of frantic, hands-up revelry normally reserved for someone about to be saved by a gasbag televangelist.

A storming evening then – even Kev walks offstage with a bemused smile. And why not? If it’s good enough for the ninja, surely it’s good enough for the rest of us.

Mark Pytlik  https://www.nme.com/reviews/reviews-nme-3935-328553

Track list:
The Herbaliser – Mr Chombee Has The Flaw
The Cinematic Orchestra – Channel One Suite
Mr Scruff – Fish
Neotropic – 15 Levels of Your Stealth
Up, Bustle & Out – Revolutionary Woman of the Windmill
Cabbage Boy – Bean (To This World)
Amon Tobin – Sordid
The Herbaliser – Mrs Chombee Takes The Plunge (DJ Food remix)
Quantic – Lie In The Rain
Jurassic 5 – Swing Set
Wagon Christ – Get Your Head Down
Breakestra – Live Mix Part 2
Colour Climax – Plug It In
Rufus Thomas – The Funky Bird
LL Cool J – Illegal Search (Keep On Searching’ Mix)
Grandmaster Melle Mel & The Furious Five – Pump Me Up
Art of Noise – Beatbox (Diversion One)
Westbam – Alarm Clock
Banbarra – Shack Up
The Beatmasters – Boulevard of Broken Dreams
De La Soul – A Roller Skating Jam Named Saturdays
K. Scope – The Set Up
Major Force – The Re-Return Of The Original Artform (Cut Chemist mix)
Jungle Brothers – Beyond This World (acappella)
Unsung Heroes – Daily Intake
LB – Ashes To Ashes
Wagon Christ – Cris Chana
Massive Attack – Safe From Harm
Photek – Complex
Quincy Jones – Soul Bossa Nova

Middle Earth flyers part 1

IT_1967-05-19_B-IT-Volume-1_Iss-13_011
Middle Earth was one of the original, late 60s psychedelic clubs in London, coming shortly after The UFO (pronounced You-Fo – Underground Freak Out) club on Tottenham Court Rd. and pitching itself up in King St, Covent Garden. It actually started out as The Electric Garden in May 1967 but, after a disastrous opening weekend with completely misjudged vibes, heavy security and bizarre VIP areas, it had a change of name as well as management and became Middle Earth in September.
Electric Garden
See below for eye witness details of the opening event – all these clippings taken from the International Times magazine online archive which is an invaluable resource of the times. Orange flyer above taken from Jill Drower’s excellent book on The Exploding Galaxy, ’99 Balls Pond Road’.

IT_1967-06-02_B-IT-Volume-1_Iss-14_012 Middle Earth raided

Middle Earth, an obvious Tolkien reference, John Peel was one of the resident DJs along with Jeff Dexter who would play to the crowd and the dance floor rather than Peel who would play more for the listeners out there. Jeff told me that they would be situated under the lighting rig for the light show until a small booth was built for them out with the stages for the bands to make them more part of the events. A regular track for him was The Lemon Pipers’ ‘Through With You’ apparently, the nearest thing to an anthem for the nights, he liked this because it was nearly 10 minutes long so he could go for a smoke.

IT_1967-08-31_B-IT-Volume-1_Iss-18_013

Above, the listing for the re-opening week, I like the way they were closed on the Friday that UFO was on rather than give the impression that they were competing.

IT_1967-10-27_B-IT-Volume-1_Iss-20_014 IT_1968-02-02_B-IT-Volume-1_Iss-25_016

There was no consistent art direction with the adverts featured in IT and most were dictated over the phone and the magazine would come up with the designs for the issue.

IT_1968-03-08_B-IT-Volume-1_Iss-27_016IT_1968-04-19_B-IT-Volume-1_Iss-29_016

Below right: A benefit for Oz magazine with a ‘sexy Barney Bubbles Light Show’Barney Bubbles being the alias of Colin Fulcher who went on to design so many great sleeves for Hawkwind, Stiff Records and many more. Along with other pioneers like Liquid Len, he got his nickname from doing light shows where he would heat ink and oil under glass clock faces and project it across the club after witnessing this on the hippy scene in San Francisco on a trip to the States.

IT_1968-05-03_B-IT-Volume-1_Iss-30_005-012 IT_1968-06 middleearth june july 68 IT_1968-06-14_B-IT-Volume-1_Iss-33_006-015
One of the mysteries of the Apple Middle Earth 3 Day festival listed above was that it never officially happened, something I’ll cover in another post, but things were changing for the club around this time. Middle Earth was raided repeatedly by the police and was eventually forced to move to another venue, The Roundhouse in Chalk Farm, which I’ll cover in part 2.

Loki title graphics and design

Marvel‘s new TV series, Loki, started this week on Disney+ and the title animation and design is fantastic, playing on ever-changing fonts, presumably to highlight the different facets and sides to the main character’s personality. Marvel have had some superior title work going on with both Wandavision and Falcon & The Winter Soldier recently, the former having individual, time-specific intro themes created for each episode. With Loki, this has stepped up a gear.

*slight spoiler alert!!* In the debut episode that appears to be a set up for a time travel chase caper where Loki may be both the good and bad guy, most of the ‘action’ is spent inside the TVA, a processing centre / court for those who disrupt The Sacred Timeline. The whole design of the Time Variance Authority has shades of Terry Gilliam‘s ‘Brazil’, with retro-modern tech, yellow tungsten lighting and 50’s styled public info posters adorning the walls.

TVA room TVA room 3 TVA room2TVA lift TVA console TVA console 2
TVA poster 1TVA poster 3+4TVA Miss Minutes

One of the highlights is a short animation, voiced by TVA mascot Miss Minutes, explaining what the agency does – for the audience’s benefit as much as Loki’s. It’s beautifully realised in what starts out as an 80’s Ulysses 31 homage before slipping into a 50s style similar to Charley Harper or some of the Halas and Batchelor cartoons like ‘Automania 2000’.

TVA film1 TVA film2 TVA film3 TVA film4 TVA film5 TVA film6 TVA film7 TVA film8
The TVA identity is nearer a 60’s/70’s airline / IBM look with employees wearing enamel badges, belt buckles and uniforms bearing the insignia as well as using headed notepaper and retro tech. Just like the work they do, design timelines seem to converge from different eras at the Authority.

TVA badge TVA scanner
But the icing on the cake is the end credits, beautiful short focus close ups of many of the production details yet with contemporary typography details that you’ll miss if you blink. Everything is saturated but sepia-tinged for that nicotine-stained, low lighting look. Forgive me such a graphic-heavy post but this is all so tastefully done, so many great details like the clock with multiple hands.

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