This is the other side of the tape from week 15 (which was the week after this) and comprises a mix I did of 45 minutes which is all I have of this show. There may have been more but the cassette ran out. This is still billed as Openmind but Matt Black refers to me as ‘Strictly Kev on the mix’ at one point so this is somewhere midway to coming to the Solid Steel / Ninja fold and becoming a part of DJ Food.
Trip hop and electro is in full flow on this one with the first release on Clear – The Jedi Knights’ ‘May The Funk Be With You’, Afrika Bambaataa and an early Andrea Parker / David Morley production for the Apollo label under the name Two Sandwiches Short of a Lunchbox.

Jon More‘s (then) secret weapon – Forrest J. Ackerman’s ‘Music For Robots’ is deployed for spoken word effect (just wait until we got to Japan in a few years time…) and coincidentally (or maybe on purpose) the Yoshinori Sunahara track that opens the set is titled ‘Music For Robot For Music’.

After that the Art of Noise gets molested by Rick Rubin’s uber slow, ultra heavy ‘Dust Cloud’ from the Tommy Boy ‘Masters of the Beat’ compilation, it doesn’t always work but you can hear what I was trying to do. An early David Holmes mix for Justin Warfield and the Future Sound of London in their Far Out Son of Lung guise both dip their toes in psyched out trip hop with long, tripped out distorted beats and FX, this was the stuff I really loved (and still do) – weird, heavy, psychedelic beats and samples.

I think most people are hip to Justin’s LP debut LP by now, ‘My Field Trip To Planet 9’ – a trip hop classic before the term was even coined, if you’ve not heard it then check it out. The only other things like it at the time coming from the US were bits of Beastie Boys’ circa Check Your Head, some Divine Styler and maybe a bit of the DJ Muggs stable. UK remixes by Holmes, Ashley Beedle and The Dust Brothers (UK version, pre-name change). In a weird twist of fate Justin would soon feature on Bomb The Bass’ ‘Bug Powder Dust’ single which would also sample DJ Food’s ‘Dark Lady’. Sadly he largely left hip hop for more rock-based bands for about 20 years after this although he made another rap album 20 years later and made this astute observation: “The only caveat being I didn’t know what to talk about, and since hip-hop is at it’s best a vehicle for an artist with something he or she has to say, a point of view given voice over beats, and that if you had nothing to say, well…then better to not say anything at all. (A point lost on some modern rappers, and more importantly, the ever-growing audience that gobbles it up).

Track list:

Coldcut – Solid Steel intro jingle
Yoshinori Sunahara – M.F.R.F.M. (Armed)
Boymerang – The Don
Forrest J. Ackerman – Music For Robots
Art of Noise – Moments In Love
Rick Rubin – Dust Cloud
The Jedi Knights – May The Funk Be With You
Afrika Bambaataa & The Soul Sonic Force – Looking For The Perfect Beat (Bonus Beats)
DJ Food – A Little Samba
Afrika Bambaataa & The Soul Sonic Force – Looking For The Perfect Beat (instrumental)
Two Sandwiches Short of a Lunchbox – Too Good To Be Strange
Justin Warfield – Live From The Opium Den (David Holmes Dub)
Future Sound of London – Far Out Son of Lung & The Ramblings of a Madman
Bandulu – Run Run

As we conclude our field trip with Mr Geets Romo and the hopelessly out of his depth square narrator, played by Del Close and John Brent on their ‘How To Speak Hip‘ album we continue down the electronic jazz path of the late 90s. The Death track came on a silver 12” with no labels but a skull sticker listing the components used to make it and I regularly used it as a rhythmic bridge between styles when DJing. Looking it up now I see that it was the only release under this name by Thomas P. Heckman who started making all manner of electronic records in the 90s including starting the Trope label which this is on. It’s great having the internet and Discogs now to look this stuff up, back in the 90s, although we had email and a vague version of the web, it was hard to find out about some of the more obscure releases that turned up in record shops unless they came with a press release or were featured in a magazine.

The Tortoise remix here is by Bundy K. Brown who I was keeping close tabs on after we’d met in Chicago on our first tour of the US and pledged to work together. I love his remixes, there’s something about the way he puts things together with both a musician and engineer’s mind that brings out unique results. I love the way he draws things out here, the groove and mood gently unfolding with minute changes. Also, this one is LONG, so much so that I play the whole of the next record over it and barely get time to mix another track in before that’s ended.

Those records being Jamie Hodge’s Born Under a Rhyming Planet alias and Kingsuk Biswas’ Bedouin Ascent with their takes on electronic, abstract jazz. Both were prolific in the mid 90s and then went quiet as the 00’s appear, neither having released any music for over a decade now. Kingsuk especially I thought could have been as big as Aphex or label mate Luke Vibert, his complex angular rhythms were like no one else’s. Following this we have a track from the rare MASK 400 12” from Gescom’s Skam label, which sees Grace Jones’ ‘Private Life’ remixed by Post which may have been an alias for Mike Williamson. We get another (very out of tune, mix wise) track from Papa Blue’s ‘En Velo’ 12” (remember, cheap over on Discogs) and ‘Proxima Session’ was from a 12” entitled Jazz Roux by Uriel who followed a similar pattern to others here by being super active in the mid to late 90s and then disappearing.

Track List:
Del Close & John Brent – Field trip no.3
Death – Electronic Realisations 2
Tortoise – Find The One (Wait , Abstraction No.3)
Born Under A Rhyming Planet – Spasm Band
Bedouin Ascent – Internal Bleeding
Grace Jones – Private Life (Post remix)
Papa Blue – Luna en la Pampa
Uriel – Proxima Session

‘Come with us now…’ Having finally secured a copy of Del Close and John Brent‘s ‘How To Speak Hip’ LP after coveting it from the pages of the Incredibly Strange Music books I was keen to put its extensive spoken word passages to good use. Thus the Jazz Beatnik Hipster sessions were born, three half hour mixes that all aired on Solid Steel on 25/10/1998 (the 18th date on the inlay was when they were recorded). Using dialogue from the album to punctuate the sets and give them some continuity, I mined the album for nuggets before plundering it even further for ‘The Riff’ on Kaleidoscope. I always recall the end of the 90s as an odd time for music, after a decade of incredible dance music that seemed to mutate and spew forth a new genre each year, things seemed to be slowing down a bit. People started looking back for new things and the easy listening/moog scene was a notable example, the soundtrack reissue/bootleg market seemed to be booming and compilations of library music started cropping up for the first time.

Big Beat had taken over in the clubs and, after the initial excitement of The Dust/Chemical Brothers and Fatboy Slim‘s early singles, become seemingly wedded to lad culture and followed a formula that saw it get old pretty fast. Ninja and Mo Wax were now firmly established and no longer the hot new thing, both had broadened their palette with two of their more ambient/electronic signings featured here in Andrea Parker and The Irresistible Force whose ‘The Lie-In King’ is a bit of a lost classic. Another is an early Fink offering here, the same but very different sounding Fink who is now a world famous acoustic singer songwriter, but who started out on Ninja sub-label, Ntone. I remember touring with him in the late 90’s and he once casually mentioned that he wanted to win a Mercury Prize one day, we all looked at him as if he was mad but he’s not far off these days having worked with John Legend and Amy Winehouse over the years.

NT were a Scottish group who promised much with their first two singles but seemed to falter somewhere along the line and although an album exists as a CD promo I don’t think it came out properly, not sure what happened there. Independant hip hop labels like Rawkus and Fondle ‘Em where putting out the most interesting rap at this point in the US with Company Flow and MF Doom making their debuts. The Arsonists made some great 12″ singles too with this low slung track in 3/4 time. A Get Carter theme ensues for the end of the mix with UNKLE‘s sample sound-a-like and a track from Roy Budd‘s soundtrack followed by Stereolab‘s cover version of the main theme. The ‘Lab were in their golden period at this point, one of the coolest groups in the business, hopped up on Krautrock references, hook ups with Tortoise in the US and having people like Autechre, Luke Vibert and UNKLE remix them.

Part 2 follows next week…

Track list:
Del Close & John Brent – Field Trip no.1
Andrea Parker – After Dark
The Irresistible Force – The Lie-in King
Fink – The Fink vs DJ Ali-Cat
NT – Distances Dub
The Arsonists – Geembo’s Theme
UNKLE – Rabbit in Your Headlights (instr)
Roy Budd – Getting Nowhere in a Hurry
Stereolab – Get Carter

More space age shenanigans with part 2 of the Dark Star set with an odd mix of (then) current electronica and old moog-y bits plus a trio of Stereolab side-project cuts from the Turn On album sitting somewhere in the middle. This was the period where the band were really getting interesting, leaving their indie guitar roots behind and embracing krautrock and electronica more and I was hoovering up everything they touched. They appear again in a remix capacity on the Microstoria track and early Air crops up (the French version). Another track from George Harrison’s Electronic Sound LP appears and there’s a huge chunk of the bomb scene from Dark Star to finish.

Part 2 – The Bomb
Turn On – Ru Tenone
The Electronic Concept Orchestra – Rock Me
Mr Mahoney – Harmonica Storm
Microstoria – Microlab: Endless Summer (Stereolab remix)
Air – Le Soleil est Pres de Moi
Lalo Schifrin – Commando Opus
Turn On – Delimiting
Turn On – Glangerous
Autechre – Krib
George Harrison – Under The Mersey Wall
excerpt from Dark star – Bomb Speech
Dick Hyman – Moon Gas

Track notes:
Continuing the selection of music I found in the US in 2000, no new music here. You can hear a snatch of something we later used in the intro for the first Solid Steel Now, Listen mix in 2001, the little string motif that starts Rod McKuen’s ‘The Mud Kids’. I adore this song, the whole nostalgia-fest feel of it, I added in Marshall McLuhan commenting on Batman in the mid section as it just worked so well, also the long sustained note of the last horn over the Charlie Byrd song, there’s so much detail in some of these mixes that I’d forgotten.

The Dial-a-Dirty-Joke sketches that give the mix its name is a recurring riff from the album ‘A Pause In The Disaster – The Satire of the Conception Corporation’, something I bought on tour with Dynamic Syncopation and that sketch turned into a running joke throughout the tour. Whenever there was a pause in the conversation one of us would start up, “A chicken, is standing on a corner…”. The vamp of The Cannonball Adderly Quintet’s ‘Book-Ends’ is one of my favourites from his catalogue and it was written by David Axelrod who produced a number of his albums in the 70s. Not sure if needed my added echoes though!

The ‘Kevin is rocking’ it’ message over the Buddy Rich & Alla Rakha track is from Seven of Chocolate Industries who was after my track for the comp of graffiti-inspired songs. The female messages are from T-Love, the LA rapper who I went on to design the album cover for after she moved to the UK for a bit at the end of the 90s. She lived downstairs from me for a couple of years in an old converted mental asylum in Camberwell where my half of Kaleidoscope was recorded and mixed and the ‘project’ she was enthusing about was that album, newly released.

Track list:
intro – Plan 9 from outer space
Rod McKuen – The Mud Kids
Charlie Byrd – I Don’t Have To Take It
Roland Shaw & Orchestra – Diamonds Are Forever (reprise)
Cannonball Adderly Quintet – Book-Ends
Quincy Jones – Threadbare
Yussef Lateef – Technological Homosapien
Beaver & Krause – Walkin’
Buddy Rich & Alla Rakha – Rangeela
Quincy Jones -Threadbare
The Beatles – What’s The New Mary Jane
outro – plan 9 from outer space

Back at the start of 2000, PC and I went to the US and Canada to do some gigs and a load of press for the Kaleidoscope LP which was due out in April – imagine that, flying to America to meet journalists face to face for interviews in magazines!. While we were there we bought a lot of records as you do. On returning, we of course played lots of them on Solid Steel. I made three ‘U.S. Vinyl Excavations’ mixes although I’m not sure where part 1 is right now, I think it’s on DAT somewhere as I switched over to using CDRs to archive in 2000 after trying DAT for a bit and cassettes before that.

There’s way too much echo on this (a common trait for me back then) and the set is a mix of breaks, cover versions, soundtracks, easy listening, jazz, spoken word and future sample fodder. It was also the first time I delved into the psyche rock genre, buying Mothers of Invention, Rare Earth and the like. The Yussef Lateef I’d been hunting for a while after hearing it sampled on a Meat Beat Manifesto LP. On tour with Kid Koala and his then sidekick, P-Love, we returned from a digging session and were showing the spoils and he’d scored a copy. I’m not sure whether I swapped it with him or managed to get a copy later but I seem to remember that this was the one he found. The record shopping was so good back then, visiting cities across the States and Canada you’d have a mental wants list of stuff and could pick up virtually whole discographies in one two week period.

Miles Davis, Herbie Hancock, Quincy Jones, Yussef Lateef, Billy Cobham, George Duke, Zappa, Blue Note and Command records, they were everywhere and cheap. I also bought a lot of music that would later crop up in my rescore of The Monkees’ film, ‘Head’, some of which you can hear in these sets. The first mix is themed around a comedy stereo test record with Mr Magoo which crops up throughout and there are a clutch of personal answerphone messages near the end which I used to record and re-use back in the day. Part 3 next week and I’ll try and find part 1…

Part 2 – Magoos Hi-Fi – 07/08/2000
Track list:
Richard Rodney Bennett – Love Scene
Memphis Underground – Eleanor Rigby
Susan with the Children’s Chorus – ABC song
A Special TV Record – Wild Drums
Quincy Jones – Hangin’ Paper
Jimmy Castor Bunch – Creation (prologue)
Mothers of Invention – King Kong Pts 1,2 & 3
John Simon – Beach Music
Yussef Lateef – Sister Mamie
Jerry Garcia – Spider Gawd
Al Hirt & Hugo Montenegro – After Mass On Sunday
The Groovin’ Strings and Things – The Fool On The Hill

interspersed with selections from Mr Magoo’s ‘Magoo in Hi Fi’ – RCA Victor

Track notes:

What an embarrassment of riches this mix holds, a very special time musically as you will hear over the course of the hour. I’m fairly certain that this was probably my third ever appearance on Solid Steel, still as part of Openmind and not yet DJ Food. You can hear the chill out scene still going strong, but the beginnings of trip hop emerging and the Artificial Intelligence era of techno in full swing. Aphex Twin’s Selected Ambient Works II must have just come out as he gets a huge six tracks played, Autechre get two, Global Communication also weave in and out with Locust and Drome. Tricky, Justin Warfield and the Beastie Boys signpost the tripper end of hip hop gaining momentum.

I think we recorded this live on air on a Saturday night at KISS FM, it was myself and Mario Aguera from Telepathic Fish (who did the second hour after I did the first) and Matt Black from Coldcut on the mic and various samples. We were still new to the radio studio and it was nerve wracking knowing that we were live on air with Matt watching and listening. A couple of my mixes are a bit wonky to say the least and I remember Matt would always shout ‘escape!’ if he thought a mix was going out too wildly, still makes me smile when I think of it. I decided to weave bits of the soundtrack from The Wizard of Oz in and out of the mix to give it some continuity, hence the mix title.

Track list:
Coldcut – Strange music jingle
Edgar Frose – Ngc 891
Wizard of Oz – intro
Beastie Boys – Namaste
Chapterhouse – Blood Music: Pentamerous Metamorphosis – Beta Phase (Global Communication retranslation)
Tricky – Aftermath
Chapterhouse – Blood Music: Pentamerous Metamorphosis – Beta Phase (Global Communication retranslation)
Justin Warfield – Tequila Flats (inc Hidden Material, Ghosts of Laurel Canyon)
Autechre – Lowride
Aphex Twin – Untitled from Ambient Works II
Justin Warfield – B-Boys On Acid
Aphex Twin – Untitled from Ambient Works II
Wizard of Oz + Whale noises
Aphex Twin – Untitled from Ambient Works II
Drome – Age of Affordable Retina
Steve Hillage – Rainbow Dome Musick
Reload – The Biosphere (Global Communication Remix)
Insides – Skinned Clean
Wizard of Oz – Tin Man
Aphex Twin – Untitled from Ambient Works II
Locust – Lust
Autechre – Basscadet
Aphex Twin – Untitled from Ambient Works II
Wizard of Oz  – outro

Track notes:
Firstly, this tape actually dates from 1996, not 1995 as it says on the label. I know this for sure because not only did most of the records played come out in ’96 but I remember taping this on my then girlfriend’s stereo as it was broadcast. She later became my wife and we hadn’t even met on this date in 1995 (my birthday funnily enough) so I’m pretty sure I labelled it wrongly.

Anyway, this was a good one, a proper headfuck of a mix, lots of trip hop – heavy beats, scratching, trippy sounds, electronics, tape loops and weird spoken word – that’s trip hop in my book. Trouble Funk and As One bring the groove, Camping Gaz & Digi Random (actually from Spain, not Italy as Jon More says) bring the comedy and Scala (a little remembered offshoot of Seefeel with Locust’s Mark Van Hoen producing) bring a distorted slice of filth called ‘VDT’.

Richard Dorfmeister appears twice, remixing Alex Reece with partner Peter Kruder and in his Tosca guise, DJ Shadow gets a whole side of his Mo Wax Excursions release played, accompanied by frenzied scratches via a Bionic Boogie Breaks record and Kirk Degiorgio crops up again at the end. The As One tracks were from his album for Clear, ‘The Message In Herbie’s Shirts’ which, I had an unlabelled test pressing of at the time so I didn’t know the titles. I even impressed myself by playing Pauline Oliveros in 1996, her track ‘I of IV’ is from the same record as Reich’s ‘Come Out’ which is then sampled in UNKLE’s remix of Tortoise’s ‘Djed’.

The Up, Bustle & Out track is a real oddity, actually a remix by Gwen Jamois and a pre-Cinematic Orchestra Tom Chant who recorded under the name The Sycophants, they remodel it entirely into a skronky jazz track! Squarepusher shows up under his real name in the lesser-heard ’Squeak’ from the Worm Interface 12” ‘Bubble & Squeak’. This was on the shop Ambient Soho’s label and there are three versions of it out there, a colour screen printed cover and B&W cover with crayons stuck to it, both my fellow Openmind designer, David Vallade. Then there’s a third version designed by me with photos provided by Tom.

Track list:
The Groove Robbers feat. DJ Shadow – Hardcore Instrumental Hip Hop
The Groove Robbers feat. DJ Shadow – 1/2 Bonus Scratchapella
The Groove Robbers feat. DJ Shadow – Last Stop
Steve Reich – Come Out
Tortoise – Died (UNKLE Bruise Blood remix)
Req – Req’s Garden
Trouble Funk – The Beat
As One – The Kiss
Pauline Oliveros – I of IV
Camping Gaz & Digi Random – Camping Gaz (Calliphora Vomitoria Mix)
Scala – VDT
Alex Reece – Jazz Master (Kruder & Dorfmeister mix)
Tom Jenkinson – Squeak
Tosca – Fuck Dub
Up, Bustle & Out – ‘Revolutionary Woman of the Windmill’ (OestroGwen mix)
As One – A Short Track About Love

Track Notes:
Very much from a golden age of electronica (The Black Dog’s ‘Spanners’ on Warp, Gescom’s debut EP, Anthony Manning on Irdial) and trip hop (Skylab, DJ Krush, 9 Lazy 9). The spoken word that lays across Skylab’s opening track in this mix is from an odd German test pressing I found back in the 90s, full of spoken word from old gangster films. I spotted the famous Lauren Bacall line, sampled in part by Double Dee & Steinski on ”Lesson 3′ but also later used as a KISS FM jingle with the ‘blow’ substituted for ‘kiss’, and thought it would be a nice nod.

The Anthony Manning track, ‘Untitled’ (track 3) is from his excellent album, ‘Islets In Pink Polypropylene’ on Irdial, there was nothing quite like it at the time and I’m not sure there’s been much since, a lost gem. The Gescom track is from the first ever release on Skam records, which I incidentally designed the labels for, and the 9 Lazy 9 track was from their second LP which was the first cover I ever designed for Ninja Tune.
The Eon track, ‘Inner Mind’, is played on 33rpm rather than 45 intentionally as it and the track preceding it – something by Kris Needs apparently which I just can’t identify – both use the same sample.

Track list:
Coldcut – ‘Welcome, I am your genie’ sample jingle
Skylab – River of Bass
Sheila Chandra – Nada Brahma
The Black Dog – Raxmus
(There’s what sounds like a short snatch of The Jedi Knights’ ‘May The Funk Be With You’ in between these two tracks)
Ronnie Jordan meets DJ Krush – S**t Goes Down (But I Got Phunked Up Mix)
Gescom – Sciew Spoc
Anthony Manning – Untitled (track 3)
Kris Needs – Unknown
Eon – Inner Mind (Freebase Mind) (on the wrong speed)
9 Lazy 9 – Electric Lazyland