Mixcloud Select 106: Tomorrow Radio Solid Steel 16/09/2002

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Tomorrow Radio is the name of an amazing LP by the advertising group, TM Productions Inc. I found it in the States one time on tour and the whole album is an audio play based on a fictitious radio station showcasing what the production company can do for your station in the way of ads, jingles and suchlike. Samples from the album feature throughout the mix and it’s worth checking out if you find a copy as there’s a very dodgy ‘advert’ nestled in there which wouldn’t pass in today’s world. This is a Solid Steel set from nearly 20 years ago, a time when I was very prolific on the show and getting more into making densely layered mixes.

Anyway, let’s get to it, an excellent Four Tet remix opener as he takes on Blue States, the Sinewave track I’d completely forgotten though. He was a Canadian drum & Bass artist who is mixed over the Four Tet remix, the track comes from his debut album, ‘Interplanterary Ridicule’. The P Brothers work over The Herbaliser and Blade in their unique style, love the way they put his vocal through an Echoplex, not enough delay in hip hop, not since ‘Beat Bop’ anyway. RJD2’s ‘Let The Good Times Roll’ still sounds as rough and ready as it always did, he seemed to just appear fully formed and slot straight into the scene at the time before moving off into other areas. Dennis Coffey’s classic, ‘Scorpio’ flows nicely out of it and under LCD Soundsystem’s debut ‘Losing My Edge’, one of my favourite tracks of the decade – absolutely timeless, still makes the hairs on my neck stand up. ‘Scorpio’ needs a fair amount of pushing and pulling to keep in time but it’s just about there.

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The Free Association liberally take from Johnny Jones and the King Casuals’ version of ‘Purple Haze’ on ‘Everybody Knows’ – this was an instrumental before the vocal version I think. I always hoped Holmes and co. would do more with this alias but he had bigger fish to fry in Hollywood. Soulwax’s excellent remix of The Sugarbabes slotted right in, you can hear the Electroclash scene working into the mix here. Apparat Organ Quartet put out a curious 7” on David Holmes’ 13 Amp label and I had to look them up to see what else they’d done. A CD single on Duophonic Super 45s and two albums it seems. Johann Jonhannsson was also part of the group early on as well it says on Discogs but had to leave because of solo projects. I think I first heard of Mr Chop via his releases on the Jazzman offshoot label, Stark Reality and he’d later go on to record for Jazz & Milk, Now-Again and Five Day Weekend. I love Barry Adamson, he has the kind of voice I can always listen to and he’s in hamming it up pop mode here, I’d love to do something with him one day, almost remixed him a few years back but the stars didn’t align. A rare case of an artist adding their child to a record and it not being cringe-worthy.

Always have time for Andy Votel’s work, whether graphic or sonic, ‘Lenica’ was a promo-only release at the time (big sample I think) which showcases his wonky production style to perfection. Nice little delay mix into it and odd Tomorrow Radio insert in the middle, I must have added that later in the edit as a lot of this mix seems live. I would record a pass on decks (all vinyl, no Serato yet) with a delay pedal and then tidy up stuff and overdub spoken word sections in Cubase afterwards. Early Reptiles release from their debut 7” on Jazz Fudge offshoot Electro Caramel (only four releases) with vocals from Juice 126 and Remi/Rough who is still one of the hardest working men in the game. Ah, the Bug/Tom Jones mash up I made under my Flexus alias (there’s an album’s worth of these peppered throughout Solid Steel mixes). I played this at the Supersonic festival in Birmingham when I appeared the next year with The Bug, LCD Soundsystem and Coil among others, in fact I think Coil were playing their Time Machines set outside while I was inside, they were probably well pissed off as the sound leaked like buggery. Ming & FS were super-prolific around the late 90s and 00s and ‘The Most Dangerous Drip’ comes from the Subway Series on OM Records. I’ve no idea why The Goodies’ version of ‘Wild Thing’ finishes the set off here but I have a soft spot for their uniquely British silliness.

Track list:
TM Productions Inc. – Tomorrow Radio intro
Blue States – Metro Sound (Four Tet mix)
Sinewave – Escape From The Island
The Herbaliser feat Blade – Time To Build (P Brothers mix)
RJD2 – Let The Good Times Roll pt 2
Dennis Coffey – Scorpio
LCD Soundsystem – Losing My Edge
The Free Association – Everybody Knows
Sugarbabes – Round Round (Soulwax mix)
Apparat Organ Quartet – Stereo Rock & Roll
Mr Chop – Electric Vibes
Barry Adamson – Cinematic Soul
Andy Votel – Lenica
Reptiles – Electriclovesong
Flexus – Unusual killer
Ming & FS – The Most Dangerous Drip
The Goodies – Wild Thing
TM Productions Inc. – Tomorrow Radio outro

Mixcloud Select 105: Strictly’s Hip Hop Hour 29/05/2001

MS105 CDr
21 years ago this week I rounded up a bunch of current hip hop and presented the first half of a Solid Steel show that also included mixes from Four Tet and DK. The tracks largely fall into two camps, the serious, ‘backpacker’ kind, pushing things forward like the Anticon crew or the good time party kind with an eye of the 90s like the Quannum and Ugly Duckling camps. Samples are still a thing and the music is all the better for it with a mix of US and European artists. A lot of this has aged very well and I had a great trip down memory lane listening back. After the usual Solid Steel intro there’s a snatch of a US news report about the new phenomenon of hip hop where the newscaster actually raps along with a snatch of Beat Street Breakdown, probably found online.

Bristol’s Aspects open the show proper with a spoken word cut up track straight out of the Cut Chemist mould, possibly sampling the Columbia School Of Broadcasting set of ‘How To Be A DJ’ albums. Porn Theatre Ushers came out strong with ‘Me & Him’ in the late 90s and ‘Blah Blah Blah’ is taken from the follow up, Sloppy Seconds. They only released one album in 2004 which I’ve still not heard. PUTS were mining that classic 90s Primo/Pete Rock production style and always had solid tracks on their releases. DJ Vadim remixes Supersoul who released a bunch of singles and a couple of LPs over a ten year period and there’s another snatch of the vintage news report on hip hop.

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The A-Trak scratch fest is worth hearing if only to catch DMC’s Tony Prince getting his name wrong from the time he won the Disco Mix Club finals when he was still 15. Def Tex were always underrated IMO, soulful production and decent lyrics, self-releasing before signing to Ninja-affiliated Son Records whose back catalogue is full of gems. It’s party time with the next three tunes kicking up the funk factor with The Nextmen remixing Rae & Christian, Cut Chemist all over Ugly Duckling and Pablo from the Psychonauts giving Lyrics Born and the Poets of Rhythm a bit of turntable grit. This track is a contender for the last great record on MoWax. More Aspects and Def Tex before a lesser known DJ Shadow compilation track makes an appearance.

Guru from Gang Starr’s remix sees him in Jazzmatazz mode of the M, M&W track and then we come to one of my fave Def Tex tracks, ‘Sing Sad Songs’. Produced by Francis Gooding (always asleep by midnight at parties) and Liam Large (he painted my windows once you know) under the name the Large Lefties on a one-off 7” that can criminally still be had for pennies. This is the instrumental part 2 with a scratched story over it but the Def Tex-rapped A side is great too. ‘Basmentized Soul’ is taken from Mr Flash’s debut 7”, ‘Le Voyage Fantastique’ and predates his move to Ed Banger by a couple of years. Changing things up a bit we get a Timmy Thomas cut from his debut LP before Canadian Kunga 219 slips into the mix. His sole album is quite a gem with people like Sixtoo, Buck 65, DJ Moves, Sole and more contributing production or rhymes and has since received a vinyl pressing some years back which you can still find copies of on Bandcamp. ‘Seasus’ brilliantly samples one of my favourite George Duke tracks, ‘North Beach’ so it made sense to finish the set with that.

Track list:
Coldcut – Solid Steel intro
Unknown – 80s Hip Hop News intro
Aspects – Correct English
Porn Theatre Ushers – Blah Blah Blah
People Under The Stairs – Underground Run
Supersoul – Sleepwalker (DJ Vadim remix)
A-Trak – Umbilical Chord
Def Tex – Hey Tune In
Rae & Christian feat. The Pharcyde – It Ain’t Nothing Like (Nextmen remix)
Ugly Duckling – Eye on the Gold Chain (Cut Chemist remix)
Quannum/Lyrics Born & The Poets of Rhythm – I Changed My Mind (Pablo mix)
Aspects – Bristol Fingers
Def Tex – Into The Future
DJ Shadow – Untitled Heavy beat 1&2
Medeski, Martin & Wood – Whatever Happened to Gus (Guru remix)
Def Tex – Sing Sad Songs Pt 2
Mr Flash feat. Mike Ladd – Basmentized Soul
Timmy Thomas – Cold Cold People
Kunga 219 – Seasus
George Duke – North Beach

Mixcloud Select 104 – James Brown tribute mix 12/01/2007

MS104 crop
As James Brown passed away on Christmas Day 2006 I thought it would an idea to do a tribute, but rather than the obvious list of classics we’ve all heard a thousand times, play cover versions, spoken word that referenced him and DJ re-edits for an alternate look at the Godfather of Soul.

Franklin Ajaye opens with the title track from his comedy LP ‘Don’t Smoke Dope, Fry Your Hair’, riffing off JB’s quirks, he’d have had a field day with James’ later shenanigans. Enoch Light comes with a funky (for him) cover of ‘Hot Pants’ from The Brass Menagerie 1973. An easy cover of ‘Papa’s Got A Brand New Bag’ is taken from side 2 of Bobby & Betty Go To The Moon, a similar feat is performed on the uncredited Happy Monsters LP of children’s songs where they tackle the same track under the title, ‘Clap Your Tentacles’. Derek & Clive’s ‘Bo Duddley’ take off owes more to Mr Dynamite than Mr Diddley, analysing afro-American speech in the most British of ways. DJ Harvey’s re-edit of Dick Hyman’s easy take on ‘Give It Up Or Turn It Loose’ extends the original to nearly nine minutes. The Dick version is from ‘The Age of Electronicus’ LP but this re-edit turned up on a 12” on Black Cock records in the late 90’s.

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I’ve no idea where the reggae cover of Hot Pants comes from, quite possibly cribbed from online somewhere but Nicky Thomas’ version of Soul Power was featured on the ‘Funky Kingston 2 – Reggae Dance Floor Grooves’ compilation in 2005. I’m sure if James was alive today he’d have capitalised on the energy crisis by remaking this as ‘Solar Power’… (I’ll get me coat). Kenny & the Beach Boys’ ‘Big Payback’ was bootlegged on a 45 in 2004 but I’ve no memory of having a copy, Kenny is a dead ringer for James but the band are no relation to Brian Wilson’s boys. The same Orchestra Werner Muller LP that yielded ‘Get Up I Feel Like Being A Sex Machine’ was pillaged for not one but two tracks by Bentley Rhythm Ace – a fairly easy album to come by entitled ‘The Strip Goes On’. Salaam Remi’s 40th Anniversary megamix of the hardest working man in show business turned up on a promo 12” in the late 90’s which can still be had for cheap on Discogs.

*Note: this mix was on the same Cdr that last week’s XFM Superchunk mix came from

Track list:
Franklyn Ajaye – Don’t Smoke Dope, Fry Your Hair
Enoch Light & the Light Brigade – Hot Pants
Bobby & Betty – Bobby & Betty Go To The Moon Pt 2
Derek & Clive – Bo Duddley
Dick Hyman – Give it Up Or Turn it Loose (DJ Harvey edit)
Unknown – Hot Pants
Nicky Thomas – Soul Power
Kenny & the Beach Boys – Big Payback
Orchestra Werner Muller – Get Up I Feel Like Being A Sex Machine
Salaam Remi – James Brown 40th Anniversary mix

Mixcloud Select: DJ Food & DK – Now, Listen Again – The Remix Superchunk 20/04/2007

MS103 CDrThe Remix was Eddy Temple-Morris’ Friday night radio show on the London-based XFM station. Eddy did the show for 15 years, featuring a 30 minute ‘Superchunk’ guest mix each week and asked DK and I to do one after the release of our second Solid Steel mix, ‘Now, Listen Again’. The first half is a live recreation of the beginning of the mix, as we did it on the tour upon the mix’s release but then it takes off and goes somewhere else using elements that I would subsequently put into my DJ sets.

If I remember correctly this was the first time I put ‘The Number Song’ with ‘Dark Lady’, a mix that was always a winner on the floor. Here it’s a bit wobbly in places but the vibe is there. As The Remix was the radio show that popularised the mash up genre I thought we should end the set with one and the uncredited mix of Frankie Goes To Hollywood and Diana Ross is nothing short of inspired. By 2007 the mash up craze was well and truly old hat but the odd one would pop up and hit the spot and this one does it for me. If anyone knows who did it then please let me know.

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There’s not much more to say on this one, if you saw DK and I do one of our 4 deck sets at any point around 2007-2009 then you probably heard a version of most of this, minus the final bootleg. Great times, we toured the 4 deck mix all over the world for around a year or more and then spent a good part of 2008 learning how to edit video, building an AV version. We used the Videocrash event in London that September to launch the set for the first time and I’m pretty sure we were the first 4 deck AV DJs using Serato’s brand new VSL software of which we had a beta version. We hoped we’d repeat the world tour all over again with a video show in tow but the recession of late 2008 put paid to that among other things.

DJ Food & DK – Solid Steel Intro
MVP – Mic Check 1,2
Z Trip – Listen to the DJ
Timbaland feat. Magoo & Missy Elliot – Cop That Shit
Eric B & Rakim – I Know You Got Soul (acappella)
The Human League – Being Boiled
Area Code 615 – Stone Fox Chase
Cut Chemist – A Peek In Time
Jane’s Addiction – Been Caught Stealing
DJ Shadow – The Number Song (Cut Chemist remix)
X Clan – Rockin’ It (acappella)
DJ Food – Dark Lady
Q Tip – Breath & Stop (acappella)
Pepe Deluxe – Salami Fever
The Roots – Here I Come
FGTH /Diana Ross – Relax, I’m Coming (Bootleg)

Mixcloud Select 102: 14 Hours In May 03/05/2005

MS102 CDR
An eclectic mixed bag with no real theme or consistent musical style, more a general round up of tracks from around that time, 17 years ago this week. We had a competition via the Ninja Tune forum to get people to remix the Solid Steel theme jingle and entries poured in over several months leaving us with bags of versions to use at will. I tried to find ones that would fit the mood of each set’s opening track so that most got an airing. Someone called Zoleede kicks off mix in fine style, no idea who this was the alias of but it reflects the show perfectly.

Madlib remixes The Bees in fine fast funk style – was this track in a film at the time (Tarantino?). The Osmonds kick out the jams with their ‘Hold Her Tight’, I maintain that the Osmonds were a decent outfit when they rocked out with their Moog and got their Led Zep funk on, pretty sure there’s live versions of this with full horn section somewhere on YouTube. It’d be a short mix but there’s definitely an Osmonds selector to be made of their finest moments.

Downtempo psych from Koushik on Stones Throw, he was so good and then disappeared. M83 turn in a beautiful electronic epic and Max & Harvey (actually Paul Frankland aka Journeyman and Mark Butt of Dead Sea Sound) grace us with ’Sleep’. There was supposed to be a Max & Harvey album at one point, it was on the Ninja Tune release schedule but never materialised. Looking on Discogs it seems there was a flurry of releases around 2010-2012 on Woob’s Big Amoeba Sounds label including the 2 track 10” that Ninja released this on and an archival EP.

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The Shortwave Set and Viva Voce were both things I was either sent or found secondhand and took a chance on because they looked interesting. I think sometimes promotional companies would send me oddities that didn’t easily fit into a genre because they thought I’d be more likely to play them on the show. I’m usually the guy who rates the last experimental track on the B side over the commercial lead on the A. I’m not sure they’ve stood the test of time tbh – it’s quite winsome folk stuff when viewed with a bit of hindsight although ‘Is It Any Wonder’ is nice. Busdriver, one of the most gymnastic of MCs at that point, excels on ‘Unemployed Black Astronaut’, in an alternate universe this should have been a huge pop hit, great hook in the chorus.

Tom Tyler is another one who’s dropped off the radar after a couple of albums and singles on DC around 2000, he later morphed into Vincent Markowski for a couple of singles though. The second Viva Voce track here is the one I love, part of a 4 track double 7” I think, big drums and vocal harmonies, bit of mellotron in there too, job done. Really odd mix into Kidda, like a dial turn into another station on beat, it’s a bit of a stylistic switch, I quite like the simplicity of it though. We’re into more beat-y sample territory now but even Divine Sounds sticks out like a sore thumb, not sure why this is in here, maybe I finally scored an original 12” or something. A classic track which DJ Cheese used to cut to pieces in his DMC sets with two copies and of course DJ Shadow had a line out of too. Lemon Jelly changes the tone of it somewhat from NYC street rap to English countryside. I have no recollection of the Nylon Rhythm Machine Black Grass mix but it’s a decent hip hop history cut. We round things out with Four Tet’s ‘Smile Around The Face’, I love the looseness of it, drums samples flamming all over the place.

Track list:
Zoleede – Solid Steel intro
The Bees – Chicken Payback (Madlib remix)
The Osmonds – Hold Her Tight
Koushik – Pretty Soon
m83 – Don’t Save Us From The Flames (Boom Bip remix)
Max & Harvey – Sleep
The Shortwave Set – In Your Debt
Viva Voce – The Tiger And How We Tamed It
The Shortwave Set – Is It Any Wonder?
Busdriver – Unemployed Black Astronaut
Tom Tyler – Forward Going Backward
Viva Voce – One In Every Crowd
Kidda – All I Need
Divine Sounds – Do Or Die Bedsty
Lemon Jelly – Baby Battle Scratch
Nylon Rhythm Machine – White Wind (Black Grass remix)
Four Tet – Smile Around The Face

Mixcloud Select 101: Openmind – That’s My Boy! Side B 14-25/03/1994

MS100 tape B
The B side to last week’s A – apparently made over two sessions and you can certainly hear at least two tape edits during the set so maybe I was getting more experimental or maybe I made some big mistakes. This one definitely has three decks involved because of some fast transitions and the flange pedal is still in effect. Warning, there’s some NSFW language in this one as well as a few comedy riffs that definitely wouldn’t get a pass these days.

Classic mixtape starter skit with radio dialling from Ice Cube’s debut LP – straight RnB, straight RnB, straight… RnB. More JBs with a mystery breakbeat I can’t identify into the Ultimatum Jungle Beats from the free 12” with the UK edition of the Straight Out The Jungle LP. Funkdoobiest porno skit into the very un-PC Blowfly ode to anal sex. This album was a 10p find at a Surrey car boot in the late 80s, the cover showing a topless lady and a costumed Blowfly with very few other details, I had no idea what it was but thought I should investigate. As with all Blowfly records, funk and soul classics of the day are covered with filthy lyrics and no doubt no royalties paid.
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The first of four Ballistic Brothers Vs The Eccentric Afros appearances – this was Rocky & Diesel with Ashley Beedle, Dave Hill and Uschi Classen, loads of samples, loads of fun. Justin Warfield made the first psychedelic hip hop record, then sadly changed his style but My Field trip To Planet 9 is a classic in a small genre within hip hop. More breaks, a Terminator X skit and then Coldcut’s mighty ‘The Music Maker’ into Tackhead featuring DJ Cheese. During this section I attempt some scratching which not only sounds like the faders were bunged up with glue but also skips several times.
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Ballistic battle with Dust Brothers over several tracks until it all ends with an orchestral flourish and Andrew Dice Clay’s most famous nursery rhyme routine, not for the children. Dice was a comedian on Def Jam (and later Def American) and his shtick was similar to Eddie Murphy’s at the time, un-PC and full of profanity. His signature was a triumphant ‘ooooh!’ after a punchline which was later sampled as the hook to EMF’s ‘Unbelievable’. I think I was trying to be Alex Paterson here, playing odd spoken word over classical music, complete opposites that would raise an eyebrow or a smile.

Tracklist:
Ice Cube – Turn Off The Radio
Jungle Brothers – Jimbrowski
Mystery breakbeat 1
Jungle Brothers – Jungle Beats
Funkdoobiest – The Porno King
Blowfly – Spread Your Cheeks
Ballistic Brothers Vs The Eccentric Afros – Grovers Return
Justin Warfield – Cool Like The Blues
Mystery breakbeat 2
Ballistic Brothers Vs The Eccentric Afros – Save The Children
Terminator X – Juvenile Delinquintz
Coldcut – The Music Maker
Tackhead – Mind At The End Of The Tether
Ballistic Brothers Vs The Eccentric Afros – Anti-Gun Movement
The Dust Brothers – Chemical Beats
Ballistic Brothers Vs The Eccentric Afros – Blacker
Mystery breakbeat 3
The Dust Brothers – One Too Many Mornings
Berlin Philharmonic Orchestra – An Der Schonen Blauen Donau
Andrew Dice Clay – Mother Goose
Derek & Clive – Just Another One Of Those Songs

Mixcloud Select 100: Openmind – That’s My Boy! Side A 01/1994

MS100 tape A
I’ve been looking back to the early 90s a lot recently, partly because of the passing of my old friend Chantal Passamonte, partly with the anniversary of the Beastie Boys’ Check Your Head this week. Nostalgia can be a comfort at times, not only for the times the songs represent but also for a time when your limited access to media meant you digested things more fully rather than the skim-reading/watching/listening it’s so easy to indulge in with the access we have today. After a run through of Check Your Head (still peerless and possibly their pinnacle) I was hungry for more of the same and dug back to a small caché of personal mix tapes made in the early 90s that weren’t broadcast.
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These were made in my bedroom in the house I shared with Chantal, Mario and David who formed the Openmind/Telepathic Fish collective at the time. I would make tapes live and dub copies for my friends so only a handful of people have heard these mixes. By this time I had two Technics, a Phonic mixer and an old guitar flange pedal that I’d hook up and use occasionally (my mixer didn’t actually have an FX send and return so I’ve no idea how this actually worked). It’s as rough as you like with some terrible scratching in places but all one take to oversaturated cassette. I’ve rebalanced, de-clicked and levelled things out just to make for a more even listen but here is the first That’s My Boy! mix (there were three in total), a name given by David Vallade.

Kev bedroom 1993
A quick run through of the tracks: My purile sense of humour still loves the absurdity of Derek & Clive and they crop up on both sides of the tape. Sandoz = Richard H. Kirk at his finest (RIP). Early Dust/Chemical Brothers remix action for The Sandals, loved The Ballistic Brothers vs The Eccentric Afros 12”s, so many great tracks, early trip hop that doesn’t get the props. Manic tempo switch with a snatch of Terminator X’s first LP where the Afros sampled the little sine wave sample from. A needle skipping start to X-rated Schoolly D, gangster before most others, uptempo Cypress Hill before they got obsessed by smoking. Constant record box staple – the Ultimatum (Stereo MCs) beats megamix of the JBs works well into The Orb, then Coldcut’s classic B&P – making the connection to the life-changing Coldcut meets the Orb mix set.

A cringeworthy car crash out of ‘Beats & Pieces’ into Busy Bee freestyle from the Wildstyle soundtrack, never try to beat mix another DJ cutting up two copies of a record. Cypress-sampling Ballistics into Beasties into Depth Charge classic before an A-Team intro insert (?). The Dub of The Sandals’ ‘Nothing’ got some serious play in our house around this time. Transglobal Underground’s ‘Temple Head’ sounds like some kind of cousin to The Primal’s ‘Loaded’ to me, loved this brief era of downtempo piano-led euphoria. The ending with The Prisoner Theme overlaid with more Derek & Clive I’d completely forgotten but still makes me laugh.

MS100 tape cover
Thanks so much to everyone old and new for tuning in for over 100 uploads now, it’s really appreciated and gives me a motive to digitise my archive each week. Side B next week…

Tracklist:
Derek & Clive – Blind
Sandoz – White Darkness
The Sandals – Feet (Dust Brothers remix)
Ballistic Brothers Vs The Eccentric Afro’s – Valley of The Afro Temple (on 45)
Terminator X – Vendetta… The Big Getback
Ballistic Brothers Vs The Eccentric Afro’s – Valley of The Afro Temple (on 33)
Schoolly D – Saturday Night (X-Rated)
Cypress Hill – Light Another
Jungle Brothers – Ultimatum Ultramix
The Orb – Perpetual Dawn
Coldcut – Beats & Pieces
Busy Bee & DJ AJ – At the Amphitheatre
Ballistic Brothers Vs The Eccentric Afro’s – And It Goes Like This
Beastie Boys – 33% God
Depth Charge – Depth Charge (Death Drum version)
The A-Team TV show intro
The Sandals – Nothing (Dub)
Transglobal Underground – Temple Head (Pacific Mix – Airwaves)
Lynne Hamilton – On the Inside (Prisoner Theme)
Derek & Clive – Coughin’ Contest

Mixcloud Select X-03 DJ Food – Music For 18 Revisions

DJFood MS X03

Being that one of my favourite pieces of music is Steve Reich’s Music for 18 Musicians I thought I’d explore as many contemporary remixes and versions as I could for this third, exclusive mix for Mixcloud Select. Scouring the web as well as a few pieces in my own collection yielded many different interpretations from the last 15 years or so.

Some are dancefloor versions including Coldcut’s famous remix and Ruoho Ruotsis for official Reich Remixed compilations. A few artists have attempted the whole piece solo, Outbounded creates an electronic version, Erik Hall recorded his piece part by part in a close copy of the score and Rough Fields played along with the original over 18 days in an acoustic style. I’d recommend them all and there are more out there but they didn’t fit stylistically which what I was looking for. There were also several jokey versions although I didn’t include them here (Music for 19 Musicians sees a child playing very randomly over a recording of the original) and I found a band named Music for 18 Magicians.

There’s no attempt to put the parts in order of the original, they were placed more for tempo continuity than anything else. There are also only 9 remixes/versions although some appear several times but 18 reads better than 9. I’ve also added spoken word pieces of Reich from interviews talking about the piece and his practice in general. Weirdly it’s only about one minute shorter than the original ECM performance although it contains more sections. Interesting fact I did not know: the original cover of the record was by Beryl Korot, a video artist and also Mrs Reich.

This was suppose to be upload 100 but I then realised that the exclusive remixes have a different cat no. and anyway, this was actually upload 102. Doh! Back to the regular program next week for MS100.

Track list:
Meridian Response – Enter The Reich
Rough Fields – Steve Reich – Music For 18 Musicians (Rough Fields Overdubbed Version excerpt 1)
Outbounded – Music For 18 Musicians (Electronic version excerpt 1)
Steve Reich – Music For 18 Musicians (Villager Remix)
Erik Hall – Music For 18 Musicians (Section II)
Amistry – Music For 18 Musicians (Section VI for electric pianos)
Outbounded – Music For 18 Musicians (Electronic version excerpt 2)
Immaterial – Music For 18 Musicians (Part 3A remix)
Outbounded – Music For 18 Musicians (Electronic version excerpt 3)
Steve Reich – Music For 18 Musicians (Ruoho Ruotsis Pulse Section Dub Remix)
Steve Reich – Music For 18 Musicians (Coldcut Remix)
Rough Fields – Steve Reich – Music For 18 Musicians (Rough Fields Overdubbed Version excerpt 2)
Outbounded – Music For 18 Musicians (Electronic version excerpt 4)
Rough Fields – Steve Reich – Music For 18 Musicians (Rough Fields Overdubbed Version excerpt 3)

Mixcloud Select : Time For Food Radio 1 Breezeblock mix for Mary Anne Hobbs 11/04/00

MS99 CD spine

22 years ago this week, just as the ‘Kaleidoscope’ album was released, I was invited onto Mary Anne Hobbs’ Breezeblock show on Radio 1 to record a live mix in the studio. I think this was three turntables and an FX pedal, I can’t quite remember. The set is a few Food bits from the album and contemporary tracks from around the time, peppered with spoken word and the odd jazz piece.

My track, ‘Nocturne’ obviously features elements of Dudley Moore’s ‘The Millionaire’ from the Bedazzled soundtrack so I dropped in a snatch of that just to ram the point home. Position Normal were a really interesting outfit who made sample-heavy cut and paste pieces and were later dubbed ‘the Godfathers of Hauntology’ by Simon Reynolds in typically grandiose fashion. Two Banks of Four were a collective featuring Galliano’s Rob Gallagher and ‘Skylines Over Rooftops’ is from their debut album. Scratched over the top is the flute of Yussef Lateef’s beautiful ‘Lowland Lullaby’, something I would regularly play about with in DJ sets at the time.
MS99 CDR
PC’s Hustler’s Convention-sampling ‘Break’ is lightened up by a Dr Rockit’ track which completely escapes me now, I’ve looked for it everywhere in my collection but can’t find it. I think it was on Clear but don’t quote me, if anyone knows… A snatch of Andy Votel and Cherrystones leads into The Third Wave, a quintet of teenage girls who made an album with George Duke on MPS with several covers including Herbie Hancock and The Beatles. This was reissued in 1999 by Crippled Dick Hot Wax! hence it’s appearance here. They overlap into ‘The Sky At Night’ where there may be some tuning issues and then out into the epic finale – ‘Minitoka’ into Bent’s ‘Invisible Pedestrian’ laced with the acappella of Jelisha’s ‘Friendly Pressure’ – all live on three turntables. A brief food-related outro concludes and what you can’t hear here is Mary Anne bellowing “ABSOLUTELY INCREDIBLE!” or some such descriptive, completely destroying the ambience I’d just spent 30 minutes building.

PS: I was actually sent a CDr copy of this by Wise Buddah, the promo company that dealt with the show, after the set, complete with stickered, embossed sleeve.

MS99 cover

Tracklist:
Now Is The Time For Food radio ad intro
DJ Food – Nocturne
Dudley Moore – The Millionaire
DJ Food – Nocturne
Position Normal – Nostrils and Eyes
Two Banks of Four – Skylines Over Rooftops
Yussef Lateef – Lowland Lullabye
DJ Food – Break
Dr Rockit – unknown
Andy Votel & Cherrystones – A Patterns Emerges
The Third Wave – Eleanor Rigby
DJ Food – The Sky At Night
DJ Food – Minitoka
Jelisha – Friendly Pressure (acappella)
Bent – Invisible Pedestrian
Eat Food outro

Mixcloud Select Telepathic Kev – Solid Steel section 21/09/1994

MS 98 Solid Steel screengrabMy section of a 2hr Solid Steel show from 1994 which clearly shows the transition from the ambient electronic scene into the early days of Mo Wax’s golden period. Global Communication, Future Sound of London, System 7 and Autechre holding the fort for the former and DJ Shadow, RSW, UNKLE and another unknown track at the end for the latter. Not much to say on this but it was a truly golden age, a combination of Matt, Jon, PC and I would troop up to KISS FM on a Friday evening and camp out in the smaller studio to pre-record the 2hr show live in one take, complete with ads. We rarely if ever that I can remember stopped or did a retake, there just wasn’t the option to edit back then, you got it warts and all, live radio. Matt refers to me as ‘Telepathic Kev’ at one point, a hang over from the Telepathic Fish nights we were doing together at the time.

I’ve been thinking a lot about this era this week with the news that my old friend Chantal Passamonte passed away. I was sharing a house with her at this time and things were starting to happen; radio, gigs, we were doing a fanzine about ambient music (Mind Food) and working in the Ambient Soho record shop. Ninja was yet to full take off but things were bubbling and she was doing what she did best, networking with people throughout the electronic scene and making things happen. RIP Chantal aka Mira Calix.

PS: This was from a file I was sent years ago, I forget from who now (sorry), it had been recorded from cassette but the tape was quite speeded up and everything was a bit fast and pitched up, especially noticeable on things like Matt’s voice. I’ve re-pitched the audio down to where I think it sounds normal again.

Track list:
Global Communication – 12:18
Future Sound of London – Lifeforms (excerpts)
System 7 – Gliding On Dutone Curves (Cascade Mix)
DJ Shadow – Lost & Found (S.F.L.)
Autechre – Teartear
Renegade Soundwave – Black Eye Boy
UNKLE – The Time Has Come
Unknown – Unknown

Mixcloud Select 97: Strictly’s Canadian Vinyl Excavation Pt.1 19/02/2001

MS97 CDR In the latter half of the 90s and the early-to-mid 00s I visited North America regularly on tour and binged in the record shops scattered all over Canada, fully taking advantage of the £ to $ imbalance, the cheap prices and absolute glut of vinyl in the country. Every city we hit I’d spend any spare time hunting out records and finding the most obscure stuff I could, the kind of things that would never turn up in the UK. This mix is the first of a three part series showcasing some of the things I picked up at some point in 2000 when I toured with Kid Koala and Amon Tobin in support of our albums at the time.

The Shankar Family & Friends is one of the first releases on George Harrison’s Dark Horse Records and this track is the winner on the album for me, possibly sampled by DJ Shadow on his collar with Zack De La Rocha, ‘March of Death’. Booker T and Maynard Ferguson should need no introduction and these were cheap, easy finds in Canada. The Singers Unlimited cover version of Sesame St is actually a 7” on BASF, a German label, but this turned up in Toronto as did the next three 45s, all at Kops & Vortex (Kops is still open, Vortex is long defunct).MS97 PRS

The Central High School Cafeteria Band is some kind of kids orchestra playing the cutlery draw very loudly. Listeners will probably recognise the opening bars of ‘The Switch Hitch’ from Cut Chemist’s amazing ‘Lesson 6’ track, here’s the full track, from a Disneyland LP entitled ‘Multiplication & Division’. Little Royal & The Swingmasters is a great funk 45 with uptempo breaks and great horns, possibly picked out by Jonny Cuba for my attention. I’m not sure why Hot Chocolate is in there, not that it’s not an amazing track – so nasty and brooding – more because I’m surprised I bought it in Canada when they are easy to find in the UK. Nature’s ‘Everybody Hears A Different Drummer’ is another 45 bought in Kops – full of frantic drums from their sole LP in the early 70s. Tom Elliot’s ‘Variation’ is from one of his many library albums on Media MusicTechnology. Elliot went under several pseudonyms, produced loads of Media Music albums and his real name was Ole Georg Hansen.

Track list:
Shankar Family & Friends – Nightmare Pt 2
Booker T & The MGs – Chicken Pox
Maynard Ferguson – Pochahontas
The Singers Unlimited – Sesame Street
The Central High School Cafeteria Band – First Rhapsody for Knives, Forks & Spoons Pt 1
Jiminy Cricket & Rica Moore – The Switch-Hitch
Little Royal & the Swingmasters – Razor Blade
Hot Chocolate – Heaven’s in The Back Seat of My Cadillac
Nature – Everybody Hears A Different Drummer
Tom Elliot – Variation

Mixcloud Select 96: Kinky Voodoo Hardcore Mix 27/03/2003

Spectrum flyer backWarning – this mix gets a bit full on in places!
Spectrum / Kinky Voodoo was a night put on by John Power as I recall, initially below the newsagent off Tottenham Court Road that originally hosted the mash up night, Bastard. This set was made for Graeme Ross’s 30th birthday party – a big excuse for a nostalgic rave up and this was 20 years ago so it was very early days for the rave revival. I was asked to play and pulled out a bunch of classics from the late 80s and early 90s – 20 years later I’m still playing some of these too!
I snuck Ministry in there just for the hell of it as it was a great crowd up for anything, the intro was put together specially for the night and refused in the mix for radio. The flyer was a knowing homage to the old Spectrum nights at Heaven which helped kick off the acid house craze in ’88. This is a studio recording of some of the mix I did for that night, complete with spoken word overdubs. As you can hear, it degenerated into utter silliness and during John’s set he was so drunk his trousers started falling down (see photo evidence below).

John p

Tracklist:
DJ Food/A Guy Called Gerald – Kinky intro/Voodoo Ray
KLF – What Time Is Love?
808 State – Cobra Bora
Bam Bam – Where’s Your Child?
Stakker – Stakker Humanoid
Ministry – Jesus Built My Hotrod
Orbital – Speed Freak (Moby remix)
The Scientist – The Bee (Honey Combed remix)
Hypnotist – House Is Mine
Smart Systems – The Tingler (remix)
Eygptian Empire – The Horn Track
The Prodigy – Out Of Space (remix)
Aphex twin – Digeridoo
Acen – Trip II The Moon pt 2
dsico – This is Missy Country

Mixcloud Select: Starter For Ten 04/02/2002

MS95 PRS

Did you spot the opening bars of the first track at the end of last week’s mix?
Neil Richardson’s ‘Approaching Menace’, better known to most as the theme to Mastermind, opens a dark and strange set that I made for the 4th of February Solid Steel show in 2002. I always thought the Mastermind theme would make a good mix with the theme to Jaws. Anyway, Tom Waits (for no man) and is up next with the only track I ever liked by him, the amazing ‘What’s He Building In There?’. I’ve no idea where or how I heard this but love it, genuinely weird. The Aranos & Nurse With Wound fits right in with the mood too, taken from a Brainwashed Recordings compilation free with The Wire magazine.

A very odd mix of Roots Manuva’s ‘Dreamy Days’ follows by Super Furry Animals, I think this was only on the CD single. More hip hop from DSP aka Dynamic Syncopation Productions, a re-christened for the second album, In The Red. ‘No Regrets’ closes out the album featuring Dell Donahue who doesn’t appear on any other release according to Discogs. Telectu – ‘Data No.2’ kicks off the Exploratory Music From Portugal compilation – again from The Wire, they always yielded something good. A rare track from Boards of Canada mixes out of it, ‘Red Moss’ from one of the Boc Maxima tape that had surfaced around this time – oh to have this in high quality.
The finale is quite something, I don’t want to spoil it but it veers so often into laugh out loud over-the-top earnest-ness that I had to check to see if it was a parody. Wink Martindale was an American disc jockey, presenter and game show host with one of those ultra wholesome voices like Ken Nordine or Rod McKuen. He made many spoken word records and this particular track was a B side in the early 80s, a poem written by Robert. N. Test, a pioneer in promoting organ and tissue donations. Someone has made a very tongue in cheek video for it here

Track list:
Neil Richardson – Approaching Menace
Tom Waits – What’s He Building In There?
Aranos & Nurse With Wound – Mary Jane (Marbles mix)
Roots Manuva – Dreamy Days (Super Furry Animals mix)
DSP – No Regrets
Telectu – Data No.2
Boards Of Canada – Red Moss
Wink Martindale – To Remember Me (The Bed Of Life)

Mixcloud Select: Solid Steel – BoC megamix 11/02/2002

MS94:5 CDR

Seeing as it was 20 years since Boards of Canada’s Geogaddi was released last week I thought I’d pull out a show from back in early Feb 2002 where I mixed up a pre-release copy of the album that Warp had given me a few days before release. As far as I know there weren’t any CD promos sent out to journalists, there was a listening party at the Union Chapel which I went to, and there was the blue vinyl ‘Alpha & Omega’ 12” but the first most of us heard of the album was when we bought it. Having connections with Warp I persuaded them to give me a copy a couple of days early so I could absorb it and get a mix down in time for the show and the results you hear are from just a few complete listens.

But first! Osymyso’s genre-defining ‘Intro-Inspection’ kicks off the show and I believe that this is an early version of Part One that he played on Eddy Temple-Morris and James Hyman’s show, The Remix on XFM. The only place to get this at this point was via a rip of the show on the web, probably from the Boom Selection website that served as a place to find all the latest mash ups. By this point Osy (aka Mark Nicholson), The Freelance Hellraiser and Jonny and Mike from Cartel Communique had started a monthly night in the basement of a newsagent just off Tottenham Court Road in London’s west end. Originally known as King of the Boots it soon morphed into Bastard (named after Bastard Pop, the name given to mash ups by the press) and I can honestly say that it was some of the most fun I ever had clubbing. Osy’s mix does exactly what it says on the tin, a selection of over 100 intros to famous songs mashed up into one long mega mix, inspired by watching the reactions to clubbers on hearing the first bars of each new song at a party. Reasoning that one track consisting of multiple intros would elicit prolonged ecstatic reactions in the crowd he set about compiling his magnum opus (that is, until we hear his fabled second album).

Coldcut and Steinski’s remix of Boom Boom SatellitesChuck D-featuring ‘Your Reality’s A Fantasy’ is full of hard-panning excitement, a total banger with multiple breaks and breakdowns at a breakneck speed. It’s a full on start to the show and rarely lets up for the first 13 minutes, making the Quantic Soul Orchestra seem quaint in comparison. Ramping things down another notch, Koushik’s fuzzed out ’Only Dreaming’ wanders into view before drifting into the aforementioned Boards of Canada mini mix for the next 19 minutes. I’ve not listed all the tracks in this as it will give Mixcloud’s tracklister a hernia and mean some people might not be able to hear it due to multiple artists in one set. Suffice to say I got at least ten in there as well as snippets of others and a little reminder of the debut album for the intro. This was all done from vinyl with an FX pedal and then edited and overlaid in Cubase, probably took the best part of a day to do just this section alone.

MS94 PRS

BoC tracks are notorious for using weird tunings and nearly everything they do is out of tune with everything else so very hard to mix without it sounding a bit discordant. I picked up on several backwards passages on the record and reversed them again to add into the mix – the devil is in the details as they say. There’s some very weird off beat panning going on in ‘Alpha & Omega’ where I had two copies playing a beat apart with the delay feeding one side and returning on the other so you get odd ping-ponging in the left and right channels – complete accident but sounds great. I love this album so much, it’s one of the greats and, although the debut is a classic, I can never decide between this and Tomorrow’s Harvest – both dark, dystopian records. Finding ways to condense the tracks without seeming to edit too heavily and then transitioning to new tempos was a challenge but because I wasn’t so au fait with it maybe that helped.

We’re bought back into the real world by Edan with ‘Just Listen’ from the ‘Lexoleum-tile 2’ EP on Lex Records, a fun cut up instrumental as only he can do. A brief telephone message from Ollie Teeba about what I cannot fathom introduces one of my favourite mash ups of the era – Jonny Kawasaki’s ‘My Child Is Bootylicious’. This terrifying vision of Destiny’s Child as if rendered by Aphex Twin post-‘Windowlicker’ and then pitched down to a slow grind was just one of the kinds of avenues the mash up could have gone down if there had been a few more tech-savvy producers putting two and two together. This is more in the Kid 606, Flashbulb vein of cut up; noisy, full of machine gun edits and stretching the subject matter to its very limits – all the more exciting for it too. I thought it appropriate to follow with Squarepusher’s latest promo, untitled at the time it emerged on the subsequent album as ‘Do You Know Squarepusher?’. Switching from 45rpm to 33 near the end takes the tempo down to a less manic level whereby 4 Hero gingerly entires the fray with beats in time but not exactly in the same pocket as Tom Jenkinson’s frantic cut ups. There’s a little of Jammin’s ‘Hold On’ to pad out the ending (Hold It Down into Hold On-geddit?) and then a snatch of next week’s mix at the very end…

Part 2 next week!

Track list:
Osymyso – Intro-Inspection (early version)
Boom Boom Satellites – Your Reality’s A Fantasy (Coldcut vs Steinski Going Under mix)
Quantic Soul Orchestra – Assassin (Part one)
Koushik – Only Dreaming
Boards Of Canada – Sometime In The Future – Geogaddi minimix
Edan – Just Listen
Johnny Kawasaki – My Child Is Bootylicious
Squarepusher – Do You Know Squarepusher?
4 Hero – Hold It Down (Bugz in the Attic remix)
Jammin – Hold On

Mixcloud Select 93: Strictly Session on Coldcut Solid Steel 03/02/1996

MS93 TapeSide B of an old tape from 1996, the A side of which was uploaded last week. Wishmountain aka Matthew Herbert‘s short ’Welcome’ crashes into the Coldcut jingle to start, opening his debut 12” on the Evolution label, ‘Radio’. The next track is from my old mate Mark Nicholson, Osymyso to some, from his second release, ‘Peter And The Wolf’. This is ‘Wolf’ and it was after I played this that we met at The Blue Note one night and a mutual appreciation society was formed. The stuttering track that follows it I have no idea of and Shazam doesn’t know either, anyone? I’d really like to know what this one is actually, the track back at the end identifies it as ‘The Outcast’ but I can’t find anything that fits that name. The Brotherhood’s ‘Mad Heads’ floats in with its refrain of The World’s Famous Supreme Team phone call – super tough UK hip hop with production by The Underdog.

Another mystery is the next track sampling Soul II Soul’s ‘Back To Life’ – the sounds American to me, going by the track run down near the end of the set it’s DJ Double S’s ‘Feel The Melody’ from the Hip Hop Madness EP, a cut and paste 12” of the time I vaguely remember having an oversized label. So many people think of the UK when they think of trip hop but it was happening over in the US too with labels like New Breed putting out all manner of blunted beats. Octagon Man ‘The Rimm’ is next, this is a bit of an aggro session, lots of distortion and heavy beats, I did like it hard and heavy back then, I think I scared Coldcut and PC a bit sometimes with my preference for the hard stuff.

I’m really not doing well on this track list, Mixcloud is going to be penalising me for having too many tracks by ‘unknown’ in this set. The slow burn acid track I’ve no idea, help me out people, Shazam has given me five different results for this generic roller. The fast breakbeat cut up that slides out of it is by Funky Monkey, ‘LA Riot’ and by a process of elimination I think this is the Channel Zero mix by Andy Bell of Ride / Oasis / GLOK fame no less, according to Discogs. Great stuff, so much has slid under the radar over the years.

There’s a very abrupt change of tempo as I slam into another track I actually know! Aubrey Pasternak’s only release for Clean Up Records, the Star Wars sampling ‘New Hope’ – a great cut up that can still be had for pennies. Primal Scream’s excellent, Weatherall-produced ‘Trainspotting’ from the film of the same name follows, what a delight to hear this again. Matt Black can’t believe it’s them but comes to the rescue with a vague run down of the tracks at the end which saved me from presenting you with a virtually blank sheet for a track list.

At the end of this tape was a section of an ambient mix that I’d taped over, I’d estimate it was probably done three years before as it contains a couple of tracks I recognise from the time that we played a lot at the Telepathic Fish ambient parties that came before I joined the Ninja crew.
The first track I don’t recall but the Twin Peaks-sampling tune was always a favourite of my DJ partner at the time, Mario Aguera. It was the final version of ‘Days In The Trees’ by No-Man from their third single – proper chills down the spine stuff and will set you back £20 at least these days owing to Steve Wilson’s popularity. The brief snatch of track after it is by Hypnotone, an act who have seemingly been forgotten but had a couple of albums at the cross section of bleep, techno and ambient which are well worth tracking down. ‘God C.P.U (Ambient)’ is from their second, ‘Ai’ which, along with The Orb’s Adventures Beyond the Ultraworld, The Shamen’s En-tact and 808 State’s 90, we played to death at the start of the 90s. I’ve left this in as it’s a nice reminder of those times but wasn’t part of the Solid Steel show .

Track list:
Wishmountain – Welcome
Osymyso – Wolf
The Outcast – Unknown
The Brotherhood – Mad Heads
DJ Double S – Unknown
Octagon Man – The Rimm
Unknown – Unknown
Funky Monkey – LA Riot (The Channel Zero edit)
Aubrey Pasternak – New Hope
Primal Scream’s – Trainspotting
– bonus ambient mix section
Unknown – unknown
No-Man – Days In The Trees (Reich)
Hypnotone – God C.P.U (Ambient)

Mixcloud Select 92: Strictly Session on Coldcut Solid Steel 30/12/1995

MS92 TapeAt the request of Mr Armtone I’ve encoded an old tape from 1995/6 for the next two weeks that shows the breadth of music flowing out in this golden age. Kicking off with what is IMO one of Aphex Twin’s best remixes, Nobukazu Takemura’s (aka Child’s View) ‘Let Me Fish Loose’ – love those strings at the end. A snatch of something by LFO (We R Are? – might actually be Autechre?) comes in over the intro to Ollano‘s – La Couleur – a minor trip hop classic from French label, Artefact – I’d forgotten this but instantly remembered the Real Roxanne sample. The Wagon Christ remix of ‘Turtle Soup’ rather clumsily flops into the mix and this would have been when we got the first test pressings for the Refried Food album so it was hot on the box. What sounds like a posse cut scratch track follows which is actually the work of one DJ, ‘Ghetto On The Cut’ from the first Return of the DJ album.

The Shy FX mix of T-Power’s ‘Amber’ follows with what sounds like DJ Food’s ‘Dub Lion’ over the top at 45 or it could be a jungle tune sampling it, I’m not sure. More DJ Food – not sure I’ve ever played so much – in the form of what could have been the debut spin of Squarepusher’s mighty remix of ‘Scratch Yer Head’ from the forthcoming Refried Food remix album. There’s a bit of time-filling after Jon More’s track run down with Clatterbox’s ‘Sann Sann’ and I’ve left a bit of the news in with a couple of interesting items before the intro jingle for Manassah’s show for an extra bit of nostalgia.

Track list:
Nobukazu Takemura – Let My Fish Loose (Aphex Twin remix)
LFO – We R Are
Ollano – La Couleur
DJ Food – Turtle Soup (Wagon Christ mix)
DJ Ghetto – Ghetto On The Cut
T-Power – Amber (Shy FX remix)
DJ Food – Dub Lion (on 45?)
DJ Food – Scratch Yer Head (Squarepusher mix)
Clatterbox – Sann Sann

Mixcloud Select 91: Your CD Is Not Skipping 09/12/2002

MS90 CDRHere’s the mix that was on the same CDr as last week’s upload, something that had appeared two weeks earlier at the tail end of 2002. Around the beginning of the 00’s I was pretty heavily into the bootleg/mash up scene and for several years my Solid Steel mixes were full of them. I do cringe at some of them sometimes when listening back, not all have aged well but I like to think I would at least choose the more interesting ones that took the songs to different places. The opening of this set features two downtempo Beatles numbers (hence the title on the disc), Bad Production of which was actually pressed up on a 7” although I can’t find that on Discogs. You wouldn’t get away with that these days! Or you’d have to wait 8 months to do it.

The excellent Beatle-esque Future Sound of London remix of Robert Miles‘Paths’ sounds like a precursor to their Amorphous Androgynous workouts a few years later. I’ve got a feeling this is the single edit version, must get hold of the 7 min version which can be had on Discogs for around £1. More Sixtoo from the as then unreleased CDr he gave me, this turned up the next year on the Outremont Mainline Runs Across Sunset 12” on Vertical Form. There’s also a bit of Alvin Lucier’s ‘I Am Sitting In A Room’ mixed in there, not sure why or where from. The gorgeous Sutekh track, ‘Privacy’ comes from the album Fell which I don’t remember owning but glad I do/did.

JG Thirlwell makes two appearances in his Manorexia guise although I can only identify one, plus a snatch of Beatles near the end. The Japan-only bonus track from Boards of Canada’s Geogaddi LP mixes in using samples from Tony Schwartz Records The Sound of Children LP (Children And God). Food is/was a band front by Iain Ballamy who I found via their first couple of albums on Feral Records, the covers of which were designed by Dave McKean and came in beautifully illustrated card boxes. The skipping CD start is what gave this set its name, ‘Freebonky‘ is from their second album, Organic & GM Food. I think the Steinski track is the Burroughs vocal sampling although it’s hard to tell. 80’s Baby’s version of Gary Numan’s ‘Cars’ is where I start to cringe, these were gentle versions of known pop songs made for babies and there were a whole string of them. I added a subtle bit of the original now and again and a monologue about driving from George Carlin but the joke wears thin very fast after that.

Tracklist:
Bad Production – Bad Production
Avril Plays the Beatles – Becoz
Robert Miles – Paths (FSOL Cosmic Jukebox mix)
Sixtoo – Transfer Please, Perfect Wednesday
Suktekh – Privacy
Manorexia – Canaries in the Mineshaft
Manorexia – Edison Medicine
Boards of Canada – From One Source All things
Food – Freebonky
Steinski – Audio Collage 6
80’s Baby – Cars
Gary Numan – Cars

Mixcloud Select 90: Lysergic Strictly Designs. 20/01/2003

MS90 CDR

Given that the new Batman film is about to be released, the tenuous reason I picked this set out is the Snoop Dogg opener, ‘Batman & Robin’ which just bangs with DJ Premier production and offbeat fight sounds. A voiceover from an LSD documentary (I forget which but it may be a Negativland radio show) forms the glue that holds this mix together and accompanies Pedro’s excellent Steve Reich/Phillip Glass-esque remix of Cinema Record Music Library’s ‘Lost’. The RJD2 remix of N.O.W’s ’70’s 80’s’ I’d completely forgotten and it sounds super fresh to my ears 20 years later, perfect summer tune, this is why I love unearthing these old mixes.

During a visit to Canada on tour we passed through Halifax in Nova Scotia and hooked up with Sixtoo who furnished me with a CDR of untitled music, this became ‘Outremont Mainline Runs Across The Sunset’ on Vertical Form and the LSD doc is back over the top of this mellow instrumental. This period of his output is so underrated, definitely one of the more interesting producers from this era before he switched up his style. I don’t remember where the Brian Bennet & Alan Hawkshaw tune came from but it’s mostly likely an excellent French Jazz comp called The Urge compiled by Victor Kiswell with a track from different countries around the world.

I have no idea why Stephanie McKay didn’t make it bigger, her earthy, beautiful vocals sounded so much more appealing than others who came after her and forced a ‘soulful’ delivery. This track was listed as ‘Bluesin’ It’ but I think it’s actually ‘Rising Tide’, track her debut down on Go! Beat, produced by Geoff Barrow from Portishead and Tim Saul from Earthling. The Cliff Martinez tracks that play out are both from the Solaris soundtrack, hard to pick two favourites, the whole album is sublime, must revisit that too, love those pure tones. This set is a real mixed bag but it all makes sense to me and every track stands up two decades later.

MS90 PRS

Track list:
Snoop Dogg feat. Lady of Rage – Batman & Robin
Cinema Recorded Music Library – Lost (Pedro mix)
Nightmares On Wx – 70’s 80’s (RJD2 mix)
Sixtoo – untitled
Brian Bennett & Alan Hawkshaw – Name of the Game
McKay – Rising Tide
Cliff Martinez – First Sleep
Cliff Martinez – Wear Your Seat Belts

Mixcloud Select 89 – Let’s Have A Dinner Party For Six – 30/10/00 Pt.3

MS88 bush house sticker
This is the third part recorded for the show I put up last week. A very Mo Wax-centric mix this time round with five of the tracks being from the label or previously signed to it. Attica Blues had moved on by this time and were signed to Columbia which was sadly the last we’d hear of them with the Test. Don’t Test album that this is taken from. The first part of Nigo’s Japanese exclusive ’Symphony No. 250910 – Escape From Planet of the Apes’ is up next which was from the Ape Sounds LP and literally sampled huge chunks of the POTA soundtrack over heavy beats. Around the same time the album was released in the UK but without this track, possibly for legal reasons.

DJ Shadow’s ‘Dark Days’ soundtrack was out on 7” and his excellent David McCallum-sampling theme was exactly what was needed by an audience fiending for more after the uneven UNKLE album. The Cinematic Orchestra rearranged Krust’s erm… ‘Re-Arrange’ which was probably from their remix album collection as I can’t find it in his discography and contains the same spoken word sample that PC used on his ‘The Sky At Night’ on Kaleidoscope the same year. Nigo Pt.2 is next – this part was remixed and became known as ‘March of the General’ on copies of the album outside of Japan, a highlight in the late period MW catalogue. I seem to remember Jadell did production on this at some stage with the Scratch Perverts, top work.

We end with Shadow’s ‘Giving Up The Ghost’, at that point unreleased but taken here from a mix James Lavelle had done from an acetate. You can hear the quality isn’t great but also it’s very fast compared to the version on The Private Press, but what a track, the follow up to Endtroducing gets a bad rep but for me its every bit as good. The mix is interspersed with various snippets of food-related spoken word, one from the How To Have a Dinner Party album and two from a Warner Bros. comp with skits related to eating vinyl and the quality of the plastic.

Tracklist:
Attica Blues – The Man
Nigo – Symphony No. 250910 (pt 1)
DJ Shadow – Dark Days (Spoken For mix)
Krust – Re-Arrange (Cinematic Orchestra mix)
Nigo – Symphony No. 250910 (pt 2)
DJ Shadow – Giving Up The Ghost

Mixcloud Select 88 – Robots/Every Record Ever Recorded – 30/10/00 Pt.1/2

MS88 CD cover A two-in-one offering today as we kick off the year proper with a blend of robot-themed tracks from late 2000. This sowed the seed for my Remember The Future mix seven years later, constructed from records about robots. Jon More fave and Solid Steel spoken classic ‘Music For Robots’ kicks things off then into the Electro The Robot version of MBM’s ‘Original Control’ with samples from an actual robot built by the Westinghouse Electric Corp in the late 30’s.
Kraftwerk should need no introduction and then we have an oddity from a soundtrack by Milton & Anne DeLugg called Gulliver’s Travels Beyond The Moon. ‘Rise, Robots, Rise’ is a stomping brass affair that gives way to an always funky Rufus Thomas dance number, ‘The Funky Robot’.

After that mix of mechanics it’s back to business as usual with the reissued-on-7”-at-the-time ‘Brutus Drums’ by Eddie Warner and a precursor to the first Now, Listen mix in the form of Sabu Martinez’s ‘Hotel Alyssa’. I think this had been bootlegged at the time and the early 00’s were a ripe era for all sorts of ‘unofficial reissues’ popping up in shops no doubt making a few people a bit of cash in return. Much like the web at that point it was still the Wild West and huge shops like HMV regularly carried bootlegs with no questions asked. Freeform Arkestra was always a great tune to play out with that plucked bass sample and building tension. Some chancer called DJ Food follows and then into an evergreen classic from the box, Camping Gaz & Digi Random’s ‘Circus World’. Around this time I found five mint copies of this in the bargain box in Soul Jazz Records (now Sounds of the Universe) for a pound and proceeded to give them away to anyone who would take them. The combination of Circus clowns, ska, screaming children and theremin solo has never been bettered or even attempted by anyone else.

The covers above and below were from a (very short) period where I was going to make a custom cover for each mix, around the year 2000 when I think I got a decent inkjet printer for the first time and could print glossy colour images. This lasted for approximately three Solid Steel mixes but I did make others for one-off themed sets like the Kraftwerk Kovers and the interview shows.

MS88 CD Inlay

Into part 2 of the original show with Robert Klein’s hilarious ‘Record Offer’ of every record ever recorded, “we drive a truck to your house!”. Klein has several 70’s comedy records that are worth tracking down as he covers the usual topics of sex and drugs in a manic style. A Ninja classic from Up, Bustle & Out into Coke Escvedo’s ‘Runaway’ leads into ‘Funkyacidstuff’ from Luke Vibert via a 12” of archive material on Planet Mu, the same one where the track ‘Analord’ gave the Aphex series its name.
Photek’s name has been coming back up a lot recently it seems and ‘Terminus’ was possibly the last track he made that caught my attention before he fell off the radar. A B side on one of the Virgin releases, this huge downtempo monster just tramples over everything else in size and scope, proper widescreen break beats with bouncing bass, distorted drums and synth stabs. The Prodigy were occasionally mining this vein too and another B side, ‘Molotov Bitch’ follows with its ‘Ants Invasion’ sampling melody line. Klute plays us out with ‘Kahno’ from a 12” release on the Certificate 18 label. More spoken word crops up that would later be used on Now, Listen too, this was from an airline travel record about the Far East I think although the name escapes me.

There’s a part 3 saved for next week…

Part 1
Forrest J. Ackerman – Music For Robots
Meat Beat Manifesto – Original Control (Electro The Robot)
Kraftwerk – The Robots
Milton & Anne DeLugg – RIse, Robots, Rise
Rufus Thomas – The Funky Robot
Eddie Warner – Brutus Drums
Sabu Martinez – Hotel Alyssa
Freeform Arkestra – Freeform Theme (Raw Deal mix)
DJ Food – Rubber Samba
Camping Gaz & Digi Random – Circus World

Part 2
Robert Klein – Record Offer
Up, Bustle & Out – Aqui No Mas
Coke Escvedo – Runaway
Luke Vibert – Funkyacidstuff
Photek – Terminus
The Prodigy – Motolov Bitch
Klute – Kahno